Olga Antonova

Red Bag, still life, floral patterns, realism

1994

'Adam & Eve" is a figurative painting featuring hues of blue, lime green and yellow. Robert Hightower is inspired by the work of Giotto, Hieronymus Bosch, Jean-François Millet, Roger Brown, Howard...

'Kum Ba Ya' is an abstract pointillist painting featuring hues of red, green, yellow, blue and black. Robert Hightower is inspired by the work of Giotto, Hieronymus Bosch, Jean-François Millet, Roger Brown, Howard Arkley and Julian Opie. This piece is a part of a special immersive gallery installation, “The Apocalypse Simulacra,” which is a narrative presentation of the twilight of humanity, at the fulcrum of extinction by Atlanta-based artist Robert Hightower. Through stage-set constructions, readymade plastic models and paintings, Hightower investigates the duality of right/wrong, good/bad, eternal/ephemeral in light of the imminent end of the Human Epoch. It depicts the ideological origins of corporate greed and power, the reality of wealth distribution in the “American Dream,” and the socio-economic and environmental impacts of that collective greed. After receiving a BFA in sculpture from the University of Georgia, Hightower moved to New York City and participated in The Bronx Museum of the Art’s AIM Fellowship (Artist In the Marketplace). While in New York, his interests expanded to include art installation and the creation of spaces, and has since designed and built many unique homes, penthouses and restaurants throughout the United States. Hightower has returned home to Atlanta and will be presenting his most comprehensive body of work to date, “The Apocalypse Simulacra,” a unique universe of beauty, dichotomy and uncertainty. ARTIST STATEMENT The 'Apocalypse Simulacra' is a presentation of the twilight of humanity, at the fulcrum of extinction. The climate is the subject. The Simulacra is the Theme. First discussed by Plato, the Simulacra is the search for Truth in Duality. Developing into Post-Modernism with Nietzsche’s: truth=Truth. Now with Bauvillard, the Simulacra has evolved beyond Post-Modernism, into the wholesale confusion of the real/fake, the true/false… between reality and hyper-reality. This crumbling, confusing of the truth (not necessarily the Truth) is our Reality. For over two decades, I have created large format paintings of strip malls, suburban houses and toys. These paintings present singular images flattened-out (almost floating) on color-fields. They create a certain duality - a loving portrait of an inanimate object that would not normally be singled-out for affection. With my latest work, I have added a variety of iconic images: an airplane, a whisky bottle, a woman floating in a pool. The icons are presented in a pixelated or degenerated state. In addition to paintings, I have used adult-size building blocks to create sculptures or three-dimensional paintings. Using a child's toy at an adult-scale gives the building blocks an austere and powerful presence. The building blocks echo the blocks of the pixelated paintings...

'LOL' is an abstract pointillist painting featuring hues of yellow, orange, pink, and white. Robert Hightower is inspired by the work of Giotto, Hieronymus Bosch, Jean-François Millet, Roger Brown, Howard Arkley and Julian Opie. This piece is a part of a special immersive gallery installation, “The Apocalypse Simulacra,” which is a narrative presentation of the twilight of humanity, at the fulcrum of extinction by Atlanta-based artist Robert Hightower. Through stage-set constructions, readymade plastic models and paintings, Hightower investigates the duality of right/wrong, good/bad, eternal/ephemeral in light of the imminent end of the Human Epoch. It depicts the ideological origins of corporate greed and power, the reality of wealth distribution in the “American Dream,” and the socio-economic and environmental impacts of that collective greed. After receiving a BFA in sculpture from the University of Georgia, Hightower moved to New York City and participated in The Bronx Museum of the Art’s AIM Fellowship (Artist In the Marketplace). While in New York, his interests expanded to include art installation and the creation of spaces, and has since designed and built many unique homes, penthouses and restaurants throughout the United States. Hightower has returned home to Atlanta and will be presenting his most comprehensive body of work to date, “The Apocalypse Simulacra,” a unique universe of beauty, dichotomy and uncertainty. ARTIST STATEMENT The 'Apocalypse Simulacra' is a presentation of the twilight of humanity, at the fulcrum of extinction. The climate is the subject. The Simulacra is the Theme. First discussed by Plato, the Simulacra is the search for Truth in Duality. Developing into Post-Modernism with Nietzsche’s: truth=Truth. Now with Bauvillard, the Simulacra has evolved beyond Post-Modernism, into the wholesale confusion of the real/fake, the true/false… between reality and hyper-reality. This crumbling, confusing of the truth (not necessarily the Truth) is our Reality. For over two decades, I have created large format paintings of strip malls, suburban houses and toys. These paintings present singular images flattened-out (almost floating) on color-fields. They create a certain duality - a loving portrait of an inanimate object that would not normally be singled-out for affection. With my latest work, I have added a variety of iconic images: an airplane, a whisky bottle, a woman floating in a pool. The icons are presented in a pixelated or degenerated state. In addition to paintings, I have used adult-size building blocks to create sculptures or three-dimensional paintings. Using a child's toy at an adult-scale gives the building blocks an austere and powerful presence. The building blocks echo the blocks of the pixelated paintings...

'Omega II' is an abstract pointillist painting featuring hues of tan, ocher, green, brown, pink and black. Robert Hightower is inspired by the work of Giotto, Hieronymus Bosch, Jean-François Millet, Roger Brown, Howard Arkley and Julian Opie. This piece is a part of a special immersive gallery installation, “The Apocalypse Simulacra,” which is a narrative presentation of the twilight of humanity, at the fulcrum of extinction by Atlanta-based artist Robert Hightower. Through stage-set constructions, readymade plastic models and paintings, Hightower investigates the duality of right/wrong, good/bad, eternal/ephemeral in light of the imminent end of the Human Epoch. It depicts the ideological origins of corporate greed and power, the reality of wealth distribution in the “American Dream,” and the socio-economic and environmental impacts of that collective greed. After receiving a BFA in sculpture from the University of Georgia, Hightower moved to New York City and participated in The Bronx Museum of the Art’s AIM Fellowship (Artist In the Marketplace). While in New York, his interests expanded to include art installation and the creation of spaces, and has since designed and built many unique homes, penthouses and restaurants throughout the United States. Hightower has returned home to Atlanta and will be presenting his most comprehensive body of work to date, “The Apocalypse Simulacra,” a unique universe of beauty, dichotomy and uncertainty. ARTIST STATEMENT The 'Apocalypse Simulacra' is a presentation of the twilight of humanity, at the fulcrum of extinction. The climate is the subject. The Simulacra is the Theme. First discussed by Plato, the Simulacra is the search for Truth in Duality. Developing into Post-Modernism with Nietzsche’s: truth=Truth. Now with Bauvillard, the Simulacra has evolved beyond Post-Modernism, into the wholesale confusion of the real/fake, the true/false… between reality and hyper-reality. This crumbling, confusing of the truth (not necessarily the Truth) is our Reality. For over two decades, I have created large format paintings of strip malls, suburban houses and toys. These paintings present singular images flattened-out (almost floating) on color-fields. They create a certain duality - a loving portrait of an inanimate object that would not normally be singled-out for affection. With my latest work, I have added a variety of iconic images: an airplane, a whisky bottle, a woman floating in a pool. The icons are presented in a pixelated or degenerated state. In addition to paintings, I have used adult-size building blocks to create sculptures or three-dimensional paintings. Using a child's toy at an adult-scale gives the building blocks an austere and powerful presence. The building blocks echo the blocks of the pixelated paintings...

'Sahdguru' is an abstract pointillist painting featuring hues of yellow, blue, red, white and black. Robert Hightower is inspired by the work of Giotto, Hieronymus Bosch, Jean-François Millet, Roger Brown, Howard Arkley and Julian Opie. This piece is a part of a special immersive gallery installation, “The Apocalypse Simulacra,” which is a narrative presentation of the twilight of humanity, at the fulcrum of extinction by Atlanta-based artist Robert Hightower. Through stage-set constructions, readymade plastic models and paintings, Hightower investigates the duality of right/wrong, good/bad, eternal/ephemeral in light of the imminent end of the Human Epoch. It depicts the ideological origins of corporate greed and power, the reality of wealth distribution in the “American Dream,” and the socio-economic and environmental impacts of that collective greed. After receiving a BFA in sculpture from the University of Georgia, Hightower moved to New York City and participated in The Bronx Museum of the Art’s AIM Fellowship (Artist In the Marketplace). While in New York, his interests expanded to include art installation and the creation of spaces, and has since designed and built many unique homes, penthouses and restaurants throughout the United States. Hightower has returned home to Atlanta and will be presenting his most comprehensive body of work to date, “The Apocalypse Simulacra,” a unique universe of beauty, dichotomy and uncertainty. ARTIST STATEMENT The 'Apocalypse Simulacra' is a presentation of the twilight of humanity, at the fulcrum of extinction. The climate is the subject. The Simulacra is the Theme. First discussed by Plato, the Simulacra is the search for Truth in Duality. Developing into Post-Modernism with Nietzsche’s: truth=Truth. Now with Bauvillard, the Simulacra has evolved beyond Post-Modernism, into the wholesale confusion of the real/fake, the true/false… between reality and hyper-reality. This crumbling, confusing of the truth (not necessarily the Truth) is our Reality. For over two decades, I have created large format paintings of strip malls, suburban houses and toys. These paintings present singular images flattened-out (almost floating) on color-fields. They create a certain duality - a loving portrait of an inanimate object that would not normally be singled-out for affection. With my latest work, I have added a variety of iconic images: an airplane, a whisky bottle, a woman floating in a pool. The icons are presented in a pixelated or degenerated state. In addition to paintings, I have used adult-size building blocks to create sculptures or three-dimensional paintings. Using a child's toy at an adult-scale gives the building blocks an austere and powerful presence. The building blocks echo the blocks of the pixelated paintings...

'Omega I' is an abstract pointillist painting featuring hues of tan, ocher, green, brown, pink and black. Robert Hightower is inspired by the work of Giotto, Hieronymus Bosch, Jean-François Millet, Roger Brown, Howard Arkley and Julian Opie. This piece is a part of a special immersive gallery installation, “The Apocalypse Simulacra,” which is a narrative presentation of the twilight of humanity, at the fulcrum of extinction by Atlanta-based artist Robert Hightower. Through stage-set constructions, readymade plastic models and paintings, Hightower investigates the duality of right/wrong, good/bad, eternal/ephemeral in light of the imminent end of the Human Epoch. It depicts the ideological origins of corporate greed and power, the reality of wealth distribution in the “American Dream,” and the socio-economic and environmental impacts of that collective greed. After receiving a BFA in sculpture from the University of Georgia, Hightower moved to New York City and participated in The Bronx Museum of the Art’s AIM Fellowship (Artist In the Marketplace). While in New York, his interests expanded to include art installation and the creation of spaces, and has since designed and built many unique homes, penthouses and restaurants throughout the United States. Hightower has returned home to Atlanta and will be presenting his most comprehensive body of work to date, “The Apocalypse Simulacra,” a unique universe of beauty, dichotomy and uncertainty. ARTIST STATEMENT The 'Apocalypse Simulacra' is a presentation of the twilight of humanity, at the fulcrum of extinction. The climate is the subject. The Simulacra is the Theme. First discussed by Plato, the Simulacra is the search for Truth in Duality. Developing into Post-Modernism with Nietzsche’s: truth=Truth. Now with Bauvillard, the Simulacra has evolved beyond Post-Modernism, into the wholesale confusion of the real/fake, the true/false… between reality and hyper-reality. This crumbling, confusing of the truth (not necessarily the Truth) is our Reality. For over two decades, I have created large format paintings of strip malls, suburban houses and toys. These paintings present singular images flattened-out (almost floating) on color-fields. They create a certain duality - a loving portrait of an inanimate object that would not normally be singled-out for affection. With my latest work, I have added a variety of iconic images: an airplane, a whisky bottle, a woman floating in a pool. The icons are presented in a pixelated or degenerated state. In addition to paintings, I have used adult-size building blocks to create sculptures or three-dimensional paintings. Using a child's toy at an adult-scale gives the building blocks an austere and powerful presence. The building blocks echo the blocks of the pixelated paintings...

Oil on canvas 44 x 55 x 2 inches Contemporary white artist made floater frame This listing is available from Carrie Haddad Gallery, based in Hudson, NY. A lush shade of dark raspber...

Oil on canvas 44 x 55 x 2 inches Contemporary white artist made floater frame This listing is available from Carrie Haddad Gallery, based in Hudson, NY. Golden color fills the canva...

56 x 58 x 2 inches oil on canvas, white wood frame Through expressionistic gestures and a sophisticated handling of paint, David Konigsberg's works take on a life of their own, so that even inanimate objects seem filled with energy and intent. This painting captures a delightful scene of a lazy cat taking a nap in the abundant late afternoon light on a porch. David Konigsberg is a conceptual realist who works across media and painting genres to portray transitional spaces, metaphoric moments and alternative histories. A long-time member of the Gowanus and Red Hook artist communities in Brooklyn, he is now based in Hudson and employs the area's landscapes as the setting and sometimes subject of his work. The artist’s work has been exhibited throughout out the United States and has been featured in The New York Times, Chronogram and Brooklyn Journal and numerous art and culture blogs. David Konigsberg lives and works in Hudson, New York. RESUME Selected Exhibitions: · Nigh Season (2014) · Troposphere (2012) · Largo Arenula (2008) Allen Sheppard Gallery...

Large gestural still life painting of light pink peony flowers in a simple tabletop vase "Bouquet", oil on canvas, 50 x 36 inches Framing is optional, sides are cleanly painted whit...