Pio Semeghini

Still Life - 1950s - Pio Semeghini - Painting - Contemporary

1954

Oil on canvas realized by Franco Marzilli (1934-2010) in 1970s. Hand signed lower right. Very good condition. Franco Marzilli was born in Rome in 1934. He received his first artis...

Oil on canvas realized by Franco Marzilli (1934-2010) in 1970s. Hand signed lower right. Very good condition. Franco Marzilli was born in Rome in 1934. He received his first artis...

Oil on canvas realized by Franco Marzilli (1934-2010) in 1970s. Hand signed lower right. Very good condition. Franco Marzilli was born in Rome in 1934. He received his first artis...

Oil on canvas realized by Franco Marzilli (1934-2010) in 1970s. Hand signed lower left. Very good condition. Franco Marzilli was born in Rome in 1934. He received his first artist...

Oil and Polyviny on board, signed on reverse Image size: 15 1/2 x 11 3/4 inches (39.5 x 30 cm) Original frame Exhibited Pictures for Scottish Schools, 1967 Elspeth Spottiswood Bo...

A refined still life by Jan Matulka, executed in gouache on paper, signed lower left. Measuring 21.25 x 14.125 inches (54 x 36 cm), this work exemplifies Matulka’s distinctive approa...

Samson Schames (German-American, 1898-1967) Untitled (Still Life), c. 1940s-1960s Oil on paper Sight: 26 1/2 x 20 3/4 in. Framed: 33 3/4 x 27 3/4 x 1 1/8 in. Samson Schames grew up...

Betsy Podlach (American, born 1964.) Still life with Tin Cup, 1996 17.5 X 16.5 inches. Framed it measures 18.25 X 17.25 Betsy Podlach graduated from Harvard, cum laude, (she studied at Harvard with Alfred Decreido and William Reimann as well as Carlos Fuentes continuing her studies at the New York Studio School of Drawing, Painting, and Sculpture, Ms. Podlach was awarded an art fellowship and residency at The International School of Art in Umbria, Italy. Betsy Podlach is an American painter who considers the Italian Venetians and the american abstract expressionist painters her mentors. The two painters she is most inspired by are Titian and Jackson Pollock, Both use the picture plane and abstraction and space, light, movement and form to communicate a physicality built entirely on the principals of painting, in the “classical” sense of a flat plane and lines, color, shape, space and light applied to that flat surface to create magic – light, space, form, emotion, force, movement, the physical and the spiritual. She describes her work as a figurative version of abstract expressionism. She was influenced by many of the abstract expressionists from the NY school...