Richard Wilson

"Vernors Oreos" Treats for Stevie Wonder, Still-Life, Oil, Colorful

2019

"Mystic Sunset" belies the title of sunset, which usually conjures images of the quiet settling of the day. This abstract explodes with action and flashing colors of white and yello...

This still-life is an acrylic on canvas work that depicts a jar full of various paint brushes bunched together brushes up. In contrast to many still-lifes that depict the setting tha...

“Untitled Female" is a colorful piece by Richard Wilson that has meaning for native Detroiters through use of the blues and oranges - their "Tiger" baseball team's colors and the "D"...

SALE ONE WEEK ONLY Jennifer's "Untitled" piece appears to be a landscape with a colorful stripped form arising out of the grasses. It is an iconic image that she incorporates into her work. The following excerpt from her Artist Statement best describes her feeling about it: I stopped the slug imagery and started making purely abstract paintings. Eventually, abstract lines and forms evolved into “characters.” They lived in landscapes of a realistic sort. They were abstractions on a representational journey. It occurred to me that they were the slugs. I thought they had gone but they hadn’t. It occurred to me that they were the slugs. I thought they had gone but they hadn’t. They were the slugs transformed. Evolved slugs and broken out from their cocoons. They had become abstract “butterflies.” Jennifer Wynne Reeves was known for creating a body of paintings, drawings and photographs that speak to and confront formalist and humanist dilemmas. Beyond her achievements in the art world, Reeves enjoyed a considerable fan-base as a result of her astonishing Facebook presence where she chronicled and interwove her art and diaristic prose. Reeves solo exhibitions included Art & Public in Geneva, Gian Enzo Sperone in Rome; Max Protetch, Ramis Barquet and BravinLee programs, NYC. Reeves was also celebrated for her writing. She produced a graphic novel, The Anyway Ember and Soul Bolt, a book of images and prose. “Profoundly rewarding works” said LA Times writer, David Pagel, in a review her 2015 exhibition at CB1 Gallery. Reeves is a John Simon Guggenheim Fellow recipient. The following is an artist’s statement about her theory off work: “Twenty years ago, I called them slugs. In the beginning, they were like long lumps without arms or legs. Powerless. Difficult. Paralyzed. I thought maybe they were the symbols of sloth or depression or fear. They didn’t do anything. I wondered if I should stop making them? They were not beautiful. Nobody liked them. Nobody wanted to look at them. They were repellent and, worse, they were funny. I hated that. I wanted to be a “serious” artist. I was conflicted. I had to make the images that came to me but I was embarrassed. Maybe it wasn’t a fancy path but painting slugs was more honest than painting flowers (nothing against flower paintings, mind you). It came down to a moral choice. So, I determined to follow the slug road. Maybe it was a road that led somewhere? Or maybe not. After several years, I thought I hit a dead-end. I stopped the slug imagery and started making purely abstract paintings. Eventually, abstract lines and forms evolved into “characters.” They lived in landscapes of a realistic sort. They were abstractions on a representational journey. It occurred to me that they were the slugs. I thought they had gone but they hadn’t. It occurred to me that they were the slugs. I thought they had gone but they hadn’t. They were the slugs transformed. Evolved slugs and broken out from their cocoons. They had become abstract “butterflies.” Little kids liked them. I hated that. I wanted to be a “serious” artist. I’m not sure, exactly, who they are. They could be our conscience, our psychology, or simply the part inside us that yearns. They could be artists, modernists or the first of “us” that crawled out of the ocean. My best hunch is they are whatever it is that makes us want to make. I hope that’s a good thing and beautiful and seriously funny. Whatever the case, I’d like to know what it’s all about.” Jennifer Reeves...

This is a one of a kind original acrylic and gold leaf still life painting by San Diego artist, Duke Windsor. Its dimensions are 56x31x1.5. It comes framed. A certificate of authenti...

Kelly Birkenruth's oil painting "Chocolate Choices" depicts a chocolate cupcake with whipped cream and a cherry on top, a small chocolate cake, a chocolate eclair, Hershey Kisses, M&Ms, and chocolate footballs. About the artist: Kelly Birkenruth’s captivating paintings are in the style of contemporary realism while staying firmly grounded in the tradition of the Old Masters. She is able to pull the viewer into her paintings by interweaving emotion with a humanistic quality through her supreme handling of light. Through her portraits and still lifes she is able to evoke sensitivity and empathy, which in turn allows her to create images which transcend mere representation to capture the true essence of her subject. Kelly’s arresting compositions, draftsmanship, use of color and observation of detail allow her to create paintings with a timeless quality. After earning her degree from Pennsylvania State University, Kelly moved to southern California where she began a career as a fashion model. Her agency soon sent her abroad to Paris and Tokyo, where she spent the next several years modeling. When she wasn’t walking the runway, she spent endless hours in the great museums of the world, closely observing and studying the works of the Old Masters. “My time abroad, particularly in Paris, opened my eyes to the vast beauty and power of a great painting. After that I knew I wanted to dedicate my life to the pursuit of Fine Art” said Birkenruth. After returning to the States, Kelly studied at Otis College of Art in Los Angeles, CA. She then continued her studies through workshops and private study with renowned artists such as Daniel Sprick, Steven Assael and Jesus Emmanuel Villarreal. In the spring of 2019 Kelly...

"Vintage Warhol" by Abra Johnson pays homage to pop art while showcasing her own mastery of realism. This 10" x 20" oil painting on a wood cradled panel features a meticulously rendered still life of a vintage Coke...

"Quo Vadis" Trompe l'Oeil Still Life in Acrylic on Masonite Still life in the trompe l'oeil style by Richard M. Bacon (American, 20th Century). A still life with a bouquet and a tea...