People Still-life Paintings

FISH & FLOWERS Size: 47 x 62 cm (including frame) Oil on Canvas Laid onto Board A characterful mid-century modernist style still life oil composition, painted onto canvas. At the h...

Acquired by the gallery directly from the artist UNFRAMED: 18" x 24" FRAMED: 24.5" x 30.5" x 1" Signed "Jove Wang 25" on lower right Featured demo for Plein Air Magazine on Art S...

Two Hershey Chocolate Almond Kisses wrapped in gold foil with design imprints. The artist was inspired to paint them by the complex reflections in the wrappers. Part of a series of paintings of candy...

Jean Grimal is a true 20th century discovery. This breathtaking piece is a gorgeous example of his mastery as an artist. He beautifully creates chiaroscuro in this painting. The way the light touches the edges of the Chinese bowl and the grapes is an example of his skill in representing light. Jean Grimal (1942-1998) was born in the town of Tulle, France in 1942. Jean’s family moved to Paris when he was 8 years of age. After receiving a classical French education with studies in Latin and Greek, Jean Grimal entered the University to receive his Baccalaureate. He then attended Claude Barnard School for three years, when he received his Art Degree.  Upon completion Grimal taught art for seven years.  As Grimal’s own interest in formal painting and art began to possess him, the artist’s destiny changed.  In 1967 Jean Grimal stepped aside from teaching and pursued a career in professional painting and working as an illustrator in advertising.  As an advertising illustrator, Grimal worked with Lise Goldfard for more than 25 years at Studio 44 where they collaborated with major and important accounts, such as: Air France, Christofle, Peugeot, Lacoste, to name a few. At the same time he began presenting his formal paintings to galleries in Paris and Cannes, France and in London and Windsor, England.  Much to his surprise, Grimal found that his paintings were sought after by major art galleries and collectors throughout Europe.  After a number of years of being an important and successful art illustrator for these major accounts, he found himself having to choose between the two.  Fortunately for collectors, he chose to dedicate his life to the classical style of painting.  Jean looked at the simplest things in life through a microscope, where he could take the simplest object and depict the age of the fruit or the leaf. Jean Grimal received great pleasure from his work and painted for over thirty years.  As his style matured and became ever more perfect Jean Grimal truly reached the pinnacle of his career.  The artist’s methods were particularly distinguished when measured against his peers.  Grimal’s painting skill was distinctive and exceptional. Jean Grimal was known for his realistic trompe l’oeil and still life paintings.  The artist would carefully arrange the objects to form a satisfying composition.  By painting every shadow, highlight, and reflection within each composition Grimal brought mundane subjects to life.  His tight rendering combined with his attention to light and detail allowed him to blur the lines between illusion and reality, truly making his works one of a kind.  Grimal’s trompe l’oeil paintings consist of intricate compositions of cards, envelopes, photographs, paper of different materials and weights, backs of canvases, images of other artists’ works, kitchen utensils, pistols, and more.  Grimal had a talent for mastering these illusions that deceive the eye in his trompe l’oeil paintings.    No matter what genre Grimal was painting, tight, unperceivable brushwork characterizes his work.  The artist painted every crease and crinkle, every shadow and highlight, every detail.  By doing so, he was able to capture each individual surface texture of the objects in his paintings.  Grimal was also fabulous at depicting light in his paintings- often contrasting strong lights with strong darks, creating chiaroscuro modeling.  His still life paintings are reminiscent of Dutch seventeenth century...

Flowers in a blue pitcher, oil on canvas, signed, circa 1933. 19 3/4 x 15 1/4 framed 25 3/4 x 21 1/4 Second still life painting available as shown on photo. Theresa Ferber Bernstein-Meyerowitz (March 1, 1890 – February 13, 2002) was a Polish-born American artist, painter, and writer. The only child of European immigrants Isidore and Anne (Ferber) Bernstein, Theresa was born in Krakow on March 1, 1890. She graduated from the Philadelphia School of Design for Women...

“The Flower Does Not Know Tomorrow” This painting feels like a breath of a secret garden, carrying the fragrance of a rose into the heart of the home. The bloom, rendered in delicat...

"Play of Fog and Sun" is a plein air oil painting in Stonington, Maine, with cool tones. framed. signed bottom right. Viktor Butko was born in 1978 in Moscow, into a family of art...

This captivating trompe-lœil painting showcases Jean Grimal’s extraordinary mastery of illusion. A vivid red cardinal, a black wooden flute, curling manuscripts and brittle music she...

A vibrant oil painting by neo expressionist American artist Matthew Schaefer depicting an abstracted banana plant. oil on canvas 38" x 27" art 40 3/8" x ...

Artist/ School: Suzanne Dinkés (French, 1895 - 1984) Medium: signed oil on board, unframed Size : 9.5 x 7.5 inches Provenance: private collection, France Condition: The painting is i...

Venetian Masks by Laure Noetzin-Azam (French 1929-2024) pupil of André LHOTE oil on canvas, unframed canvas: 29 x 21.5 inches Provenance: all the paintings we have by this artist hav...

François CARLIER-RUBRECQ (active around 1820-1830) Study of various works of art Oil on canvas H. 50 cm; L. 58.5 cm Signed and dated upper left, countersigned on the stretcher 1825 ...

Unknown Artist Signed: Ch. Minuski ? (Lower, Right) " Tiger Lillies in a Vase ", circa 1930s Oil on Canvas 28 1/4" x 21 1/4" Housed in a 2 3/4" Frame Overall Size: 33 3/4" x 2...

CELSO LAGAR Spanish, 1891 - 1966 NATURE MORTE signed "Lagar" lower left oil on canvas 18-1/4 X 21-3/4 inches (46 X 55 cm.) framed: 23-3/8 X 27-1/8 (59 X 68.5 cm.) PROVENANCE Privat...

Autumn Flowers, Oil on Board Painting by Jane Skingley B. 1963 Additional information: Medium: Oil on board 30 x 30 cm 11 3/4 x 11 3/4 in Jane Skingley paints seascapes and landsca...

Alvin Hollingsworth American, 1928-2000 A Still Life Oil on canvas 36 by 24 in. W/frame 42 by 30 in. Alvin was a member of the prominent Spiral group. Spiral was formed in 1963 in the New York studio of Romare Bearden. Spiral members aimed to address civil and human rights concerns and show support for the Civil Rights Movement. They did not, however, want to adhere to strict aesthetic criteria or compromise their artistic individuality. Spiral also included Norman Lewis, Hale Woodruff, Charles Alston, Emma Amos...

"Belle Femmes" by Allison Chambers – 40x40 Oil on Canvas – $2500 Graceful, elegant, and full of movement, Belle Femmes by renowned artist Allison Chambers captures the essence of fe...

Summary of features: Medium & materials: oil on thick paper / Paper weight: 290 gr/mq / Finishing: protective varnish / Location and year created: Turin, Italy - 2017 / Certificate ...

The still life "Judith" was painted in the home garden of the artist in Switzerland. The tow depicts summer, fruits, a samovar, flowers, a cup with an image of Klimt's painting "Judi...

White and Pink Peonies in Vase Charles Swyncop Brussels 1895 – 1970 Belgian Painter Signature: Signed top left Medium: Oil on canvas Dimensions: Image size 46 x 38 cm, frame size 64 x 56 cm Biography: Swyncop Charles was born in Brussels in 1895. Charles was a painter of landscapes, city views, seascapes, still lifes, flowers, children, genre scenes, figures (often Spanish beauties) and portraits. He was also illustrator and lithographer. Younger brother and pupil of Philippe Swyncop. He studied at the Academy of Brussels (1908-1917 and 1919-1920) with as teachers, J. Delville, H. Richir and Alfred Bastien. He also travelled to Rome and Venice. In Rome he studied iconography and the study of the great masters. Also found, like his brother, inspiration in Spain. Like his brother, he painted in a lighter genre. But, unlike his brother, he used subtle, spontaneous brushstrokes such as the French Fauvists. His colourful sea views are reminiscent of the works of Henri Matisse and André Derain. In 1920 Swyncop assisted his teacher Alfred Bastien with the panoramic painting “Panorama de l’Yser”. Other assistant painters were Charles Léonard and Jef Bonheur, also former pupils of Bastien. The work was done in what later became the mosque of the Cinquantenaire Park. From 1924 onwards, it was given a suitable panoramic building in Ostend. The canvas was severely damaged during the Second World War. Charles Swyncop took part in a group exhibition at ‘Maison d’Art Moderne’ in Brussels in 1920 together with Jean Colin, Philippe Swyncop, Arthur Navez, Samuel Milbauer, L. Bisschops, J. Payro and Jean-Jacques Gailliard. He received an honourable mention (third prize) on the Prize of Rome in 1920. In the years 1922-1923 he made study trips to Spain and Italy. There he made portraits of the local population. He regularly returned to Spain. Commissioned by the Ministry of Colonies, he painted decorative panels for the 1930 World Fair in Antwerp. Swyncop was a member of the group ‘La Lierre’ and took part in the annual exhibitions. Other members of ‘La Lierre’ included Alfred Bastien, Julius Brouwers, Louis Clesse, Henri De Clerck...

News cannot be the same for everyone. For some, this is the most pleasant news in the world. For some, it's the opposite. For this fish, the news turned out to be the last resort. ...

"Yellow Still-life". Raquel Fariñas. Folk Art, Acrylic on wood panel painting. Dimensions: (H) 103 x (W) 122 x (D) 4 cm. The color in the foto is a little blue. The border and the a...

Wonderful painting on canvas of playing cards in the Trompe L'oeil style by Elena and Michel Gran. Signed in the lower right hand corner. Presents very well overall and is ready to h...

This abstract still life composition by Bernadette Kelly (b.1933) features a rich palette of dark brown, blue, and green tones. Kelly draws inspiration from the geometric forms and f...

Large Bowl of Shells by McKenzie West is a luminous oil painting that transforms a simple collection of seaside relics into a meditation on memory, materiality, and natural beauty. I...

From the Hammock (Abstracted Earth Tone Landscape)by David Konigsberg 2025, oil on panel, 23.5 x 24 inches Konigsberg is a conceptual realist who works across media and painting gen...

Calvert’s current paintings investigate the relationship between digital media and the reception and perception of images, and utilizes diverse technologies such as fresco, 3D modeling, AI and data manipulation through code. She is especially interested in the evolution of pictorial space. Today we view our screens and the world they occupy as a shallowly layered space of overlapping desktop windows. The picture plane has tilted up again from the flatbed to float in front of our eyes. Calvert’s paintings in turn depict an intermediate space, where the verticality of the still life paintings cohabitate with these digital panes. Dutch floral still life paintings encapsulate multiple concerns. Their subjects were botanical fantasies, emblems of an economic mirage that has contemporary corollaries. Most important to Calvert’s pictorial concerns, they depict ephemeral things in shallow and diagrammatic space - they are all foreground. They contain an abundance of visual information in overwhelming density, creating an allover resolution; a visual field that is equivalent to digital noise. By making painterly interventions into reproductions, Calvert attempts to dissolve the layer between the resolution of the source image and abstraction of the painted mark. ⎯⎯⎯⎯⎯ Tiffany Calvert has exhibited her work in the US and abroad including Lawrimore Project in Seattle, E.TAY Gallery in New York, the Speed Museum in Louisville and Cadogan Contemporary in London. Residencies include the Djerassi Resident Artists Program, I-Park, and ArtOmi International Arts Center where she received a Geraldine R. Dodge Fellowship. Calvert has received grants from the Great Meadows Foundation and the Pollock-Krasner Foundation. Her work was recently profiled by critic John Yau in the online journal Hyperallergic. Her curatorial projects include “Some Abstraction Occurs” at 65GRAND Gallery in Chicago and “Magic” at Mercer College (featuring work by Chris Martin, Karla Knight, and Sarah Peters...

"Chronos" figuratif oil paint on linen panel 100x65cm 2006 Chronos' metaphor has always impressed Emmanuelle Vroelant with his violence and sends her...

Still Life, Red and Yellow Flowers

Follower of Giuseppe Arcimboldo (Milan 1527 - Milan 1593) - Allegory of Autumn. 96.5 x 74.5 cm. Oil on canvas, unframed (not signed). Condition report: Lined canvas. The painted s...

Framed Dimensions: 19.75 x 37.75 inches

Franke focuses on still life and figurative paintings, although she has also done some wonderful landscapes and pet portraits as well. With the looseness and spontaneity of her techn...

Artist Statement "This market scene is from Cangyuan county in the Yunnan Province. The woman carrying the basket is Thai, while the other people at the market are from the Wa tribe....

Signed lower left & titled verso. A printmaker and painter in abstract style who used wide brush marks, Henry Kallem was born in Philadelphia. His father was Morris Kallem, a portrait painter, with whom he studied, and his brother was sculptor Herbert Kallem...

DO DAISIES FLICK? ( ¿Parpadean las margaritas? ), Oil on linen by Chico Montilla. Measurements in centimeters (H) 100 x (W) 81 x (D) 2 cm. / In inches 39.37 x 31.89 x 0.79 " Expres...

One cannot appreciate this painting on a computer screen; in real life, it is absolutely amazing.  Because you cannot appreciate it on a computer screen, our gallery has a unique policy.  When purchasing from us, the buyer has sixty days to determine if they want to keep the artwork.  If not, the buyer returns the piece to us for full refund, and we pay the shipping both ways! A collector should consider several factors when deciding from whom to purchase artwork online. Check the location of the seller. When one buys from a foreign seller, one also has to consider the problems of getting the piece through Customs. There are often delays and considerable fees to pay in order to import the item.  When purchasing from us, we ship the same day and you receive it via FedEx the next day, no problems or hassles. When one purchases from an auction house, one pays a buyer’s premium of anywhere from 23% to 28% over the “hammer price”.  So when one “wins” an auction for $20,000, the actual price paid is more like $25,000. By contrast, when purchasing from us, the price agreed to is the price paid by the buyer, no hidden fees. Secondly, when one purchases from an auction house, the buyer pays the packing and shipping fee, which are usually exorbitant.  By contrast, when purchasing from us, the price includes packing and shipping. Thirdly, when one purchases from an auction house, the sale is final.  If one receives the piece and is not 100% satisfied with it, there is nothing the buyer can do about it.  They are stuck with it.  By contrast, when purchasing from us, the buyer has sixty days to determine if they want to keep it.  If not, the buyer returns to piece to us for full refund, and we pay the shipping both ways. About Randy Ford Exhibitions of Ford’s work have taken place at Art Karlsruhe, Karlsruhe, Germany, Editions/Line Gallery, Marlton, NJ, Edward Hopper House Museum, Nyack, NY, Galería artelibre Zaragoza,Spain, Hughes Gallery, Boca Grande, FL, J. Willott Gallery, Palm Desert, CA, Jones & Terwilliger Galleries, Palm Desert, CA, Kenise Barnes Fine Art, Larchmont, NY, M.A Doran Gallery, Tulsa, OK, Plus One Gallery, London, England, Rosenfeld Gallery, Philadelphia, PA, Sherry French Gallery, New York, NY, Stricoff Fine Art, New York, NY, Trudy Labell Fine Art, Naples FL...

A grand Nelson White plein air painting. Frame Dimensions 37 x 47in Artist Bio: Nelson H. White was born in New London, Connecticut in 1932. White has been surrounded by art and ...

SAPERE AUDE. Dare to be wise. Immanuel Kant’s directive is embodied in the work of David Ligare. For thirty-five years, Ligare has dedicated his work to ...

Man lives for himself. Interested in the surrounding world. History is so fascinating, science reveals secrets, books teach, travel inspires! And a fish in an aquarium and a bird in a cage, and a candle and ancient manuscripts...

Signed, verso, 'Tom Kraa' and dated 1987 on stretcher; bearing original gallery label verso with artist name, date and title, 'Funny Money'. Previously with: DW Gallery, Dallas, Texas An exceptional trompe-l'œil still life showing illuminated party lights, United States currency and a crossword puzzle against the backdrop of a sheet of pegboard. This little known artist exhibited with the prestigious DW Gallery in Dallas in the year before it closed. Along with several other women, Linda Samuels (formerly Linda Surls) started the DW Gallery (DWG) as a small women's co-op at McKinney and Hall streets in 1975. In the first few years, the gallery was staffed by member artists, each of whom worked three days a month and paid a $33 monthly fee toward overhead costs. Throughout its 13-year history, the gallery developed a reputation for recognizing raw talent and eventually became one of the nation's most respected showcases for contemporary regional artists. DWG was the first to exhibit several "new" artists who are nationally recognized today, including Lee N. Smith, David Bates, and Clyde Connell. The gallery was also successful at promoting up-and-coming Dallas artists such as David McManaway, John Hernandez, and Sam Gummelt. In 1978, the gallery was incorporated after receiving backing from founding member Lou Alpert (formerly Frederickson). By 1980, when director Linda Samuels moved to California, the gallery had expanded twice. In 1981, Diana Block succeeded Samuels as DWG director. Under Block, the gallery continued its successful theme exhibits, including a popular Book/Art exhibition. In 1983, DWG expanded to a new space on Main Street in Deep Ellum and opened a bookstore in a renovated warehouse. In 1986, when the gallery again needed to expand, it moved to new space on Canton and Oakland Streets rented from John Tatum, Dallas developer and major stockholder in DWG. After a dispute over the lease, the gallery closed in September 1988. By this time, its operating budget had increased from $24,000 to $100,000 since 1981, with investors contributing less than 25 percent of the annual budget. The closing exhibition, The Last Show, was guest-curated by founding member Linda Samuel. It featured recent works by each of the 28 artists associated with the gallery over the past year. The gallery received postcard tributes from more than 80 artists who had exhibited there through the years, including Bob Wade, Peter Julian, Gilda Pervin, James Surls, Benito Huerta, Dan Rizzie, Danny Williams, Bill Komodore, and Frank Tolbert.

Carol creates a range of subjects—landscapes, figures, portraits and still life. Whatever the subject, all are imbued with her strong sense of design; luscious brushwork; love for 19...

"The Toreador" Pierre Ambrogiani (France, 1905-1985) Oil on canvas Circa 1950's  28 1/4 x 20 3/4 (31 1/4 x 23 3/4 frame) inches Signed bottom right corner If the artists Diego Veláz...

This painting by Marc Dalessio conveys the beautiful chaos of New York on a snowy day with salt on the ground. Somehow Dalessio is able to make even New York look serene, conveying m...

Title: Impressionist Tree Lined Parisian Square with Pedestrians and Historic Facades by Fanch Lel Signed: Yes Size: 8.75 inches (height) x 10.75 in...

This captivating still life depicts a collection of sweet delights, including sugar-coated Easter eggs and sugar cubes rendered in a restrained palette punctuated by small bursts of ...

Carl Gaertner (American, 1898-1952) Copper and Glass, 1925 Oil on canvas Signed upper left 41 x 35 inches 44.5 x 38.5 inches, framed Exhibition: The Cleveland Museum of Art 7th Annu...

Erik van de Beek (Dutch artist) Sweet Comfort 7,3 x 6,4 cm ( framed included 17,3 x 16,4 cm) Oil paint on wood panel Artist Erik van de Beek lives and works in Nijmegen. The modest ...

A gentle still life study of tulips and crockery by the artist Olga Awty (1928-2014). Initialled to the lower left. Well presented in a wooden frame. On canvas board.

This series of pieces is the result of an investigation into the use of light as a tool for the representation of reality and image creation. Starting in the 40s, the work of the art...

Title: Early Autumn Medium: Oil on canvas Size: 23 x 19.5 inches Frame: Framing options available! Condition: The painting appears to be in excellent condition. Note: This pain...

Otto Dill, "Deer", 1918, oil painting, two grazing fawns. Beautiful and rare motif of the world famous artist Otto Dill. Outstanding painting and colors. Signed and dated. Dimensi...

Early modern abstract daily life scene by Texas-born artist Frank Freed. The work features a central figure dressed in a red beret taking a sip from their glass as they sit at a bar....

"Abstract Flowers IV" Oil Painting 24" x 20" inch by Ashraf Zamzami ABOUT A characteristically bold and optimistic palette does not belie the inescapably pensive nature and at time...

Morton Constantine Ream paints a tabletop still life with a fruit bowl, a jade figurine, silver vessels, a jewel box, and two small yellow birds in his...

Acrylic on paper Shipping from Belarus, Minsk.

Earthly (Still Life Cornucopia of Summer & Fall Vegetables with Impasto Detail) 48 x 36 inches, oil on linen Signed right bottom corner Ann Getsinger is an oil painter with a home ...

This is a combination of painting and photography, the antique cyanotype process. The silhouette of the plant was first drawn, then painted not with ink or paint, but with light-sens...

"Folkloric Musicians" Figurative Oil Painting 59" x 87" inch by Omar Abdel Zaher Abdel Zaher is a graduate of the Academy of Fine Arts in Helwan and ...

Physalis for me unique plant and a living metaphor. I wrote this picture in a state of endless inspiration. Inspiration from beautiful and profound people who have met now on my life...

This still life, "Walnuts on Old Table", by artist Yin Yong Chun is a 48x32 oil painting on canvas featuring multiple ornate ceramic bowls and containers of walnuts that overflow. Si...