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Georges Eugene Delhomme (1904-1989) - 20th Century Oil, Table by The Window

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An energetic still life by artist Andre-Leon Vivrel (1886-1976), depicting an abundant table of fruit, glassware, and ceramics set against a simple chequered tablecloth and decorativ...

A delightful still life study depicting fruits and a knife arranged on a pink tablecloth. Signed and dated to the upper left. On canvas.

This vibrant still life painting by John Whitlock Codner RWA (1913-2008) captures a sumptuous array of fruits, glassware, and porcelain arranged on a silver tray. Signed to the lower...

This captivating still life depicts a collection of sweet delights, including sugar-coated Easter eggs and sugar cubes rendered in a restrained palette punctuated by small bursts of ...

Large scale mid 20th Century French, oil on board, still life, tablescape, interior view, by Claude Barthélémy. Signed bottom left, presented in fine carved wood and gilt frame, with...

JOSEPH FLOCH 1894-1977 Vienna 1894 – 1977 New York (Austrian) Title: Still Life at the Window, 1960 Technique: Oil Painting on Canvas Size: 94 x 66 cm. / 37 x 26 in. Additional ...

Antique American modernist interior still life oil painting. Oil on canvas. Framed. In excellent original condition. Handsomely framed in a modernt wood molding. Excellent cond...

Still Life is an artwork realized by Ernesto Alcide Campestrini (1897-1983). Oil on Table. cm 50x60; 55 x 66 cm with frame. Hand signed in the lower left margin. Good condition. Alcide Ernesto Campestrini was born in Milan, where the family had moved in 1897. After the first rudiments of art with his father, from 1914 he was a student at the Brera Academy in Milan, under the guidance of Ambrogio Antonio Alciati. In 1919 he resumed his painting studies in Brera, interrupted by enlistment. He concluded them in 1922, the year in which he obtained his teaching qualification. He lived in Milan and in 1923 he exhibited Smiles of other times at the Palazzo della Società per le Belle Arti and Permanent Exhibition: the so-called Brera Biennale, at the following one in 1925, presented with Ultime note and El disperados. In 1926 he exhibited Porta Volta, at the First Art Exhibition of Milanese Artists organized by the Meneghina family, the contemporary Self-Portrait is one of the first works by him that we know so far today. He devoted himself to still life, figure painting and the alpine landscape, the Trentino one in particular, with a technique linked to his father's school and to the late nineteenth-century tradition. He held several personal exhibitions in Milan. The Campestrini family spends their holidays in Valsugana several times, sometimes as guests of Emma Campestrini's relatives. The painter falls in love with Lake Caldonazzo, depicted several times in his canvases, such as in the 1949 painting...