William Duffield

19th Century still life oil painting of fruit a vase

1850

Ellen Ladell British, (1853-1912) Still Life of Fruit & Exotic Birds Oil on canvas laid on board, signed Image size: 17.5 inches x 13.5 inches Size including frame: 24.75 inches x 20.75 inches Provenance: Sotheby’s The British Sale, 2003, lot 256 A beautifully painted still life of fruit with a glass dome and taxidermy birds by Ellen Ladell. Grapes, plums and a peach are shown grouped on a floral patterned green cloth at the front of a marble topped table. Behind the fruit is a large glass display dome with an arrangement of exotic taxidermy birds. The reflection in the glass gives the viewer a glimpse of a tall window with a house beyond, adding another dimension to the painting. Ellen Ladell was born Ellen Maria Levett in Ipswich in 1853 to George and Maria Levett. Her father was a foundry smith and the family lived at 30 Borough Road in Ipswich. She initially worked as a Milliner around 1871 but sought artistic training during her spare time. It is at this point she met and became a pupil of the still life painter Edward Ladell (1821-1886), who at that time was a widower. Ellen married Edward in Great Yarmouth on 21 October, 1878. The couple initially moved to Torquay where they had their son Kenwyn in 1880, but then decided to settle in Exeter, living at 99 Sidwell Street and setting up a studio at 20 Queen Street. Edward’s influence can been seen in her work as their styles and subject matter share some similarities. However, a number of Ellen’s paintings also included taxidermy under glass...

Henry George Todd British, (1847-1898) Autumn’s Bounty Oil on canvas, signed & dated 1897 Image size: 31.25 inches x 25.5 inches Size including frame: 37.75 inches x 32 inches Provenance: Mandell’s Gallery, Norwich A wonderful autumnal still life painting of fruit by Henry George Todd. Grapes, peaches and plums can be seen arranged in a silver dessert dish and wicker basket perched on a marble ledge. Other fruit are shown resting on the edge of the carved stone table and also draped across a green velvet hanging. Rising up next to the fruit arrangement and framed within an alcove is an ornate silver gilt ewer...

Alfred Arthur Brunel de Neuville French, (1852-1941) Still Life of Fruit in a Basket Oil on canvas, signed Image size: 14.5 inches x 17.5 inches Size including frame: 23.25 inches x ...

***PLEASE NOTE: EACH PAINTING INCLUDING THE FRAME MEASURES 13 INCHES X 16 INCHES*** Oliver Clare British, (1853-1927) Still Life of Fruit & Still Life of Flowers Oil on canvas, pair, both signed & dated ‘92 Image size: 6 inches x 9 inches (each) Size including frame: 13 inches x 16 inches (each) An appealing pair of still life paintings by Oliver Clare. The first painting shows primroses and lilac blossom next to a red berry. In the second, damsons can be seen next to apples and a strawberry. Oliver Clare was born in Birmingham in 1853, the son of the flower artist George Clare (1839-1890) and his wife Elizabeth Bowen. His brother Vincent Clare (1856-1917) also became an artist and both would have received tuition from their father who influenced their style and subject matter. At the age of 18 he enlisted as a soldier in the Kings Own regiment, but gave this up to become a full time artist. Like his father, Clare specialised in still life paintings, containing fruit and garden flowers, often on mossy banks. Sometime after 1871, he moved to London where he married Emma Mary Webb...

George Hedley (British), 1855 Still Life with Fruit signed 'G. HEDLEY / 1855' (lower right) oil on canvas 55 x 55 cm (21 5/8 x 21 5/8 in). framed 74.5 x 74.5 x 4.5 cm. (29 1/3 x 29 1...

A striking early 20th Century still life of exotic fruit and a pitcher of wine with a full glass. The artist has signed to the lower left corner and the painting has been handsomely ...

Outstanding English 19th century still life of fruit, a German Stein with silver top in an interior. Charles Thomas Bale was born in Soho, London in 1849, the son of Thomas Bale, a basket maker. His older brother Thomas Charles Bale (1831-1899) was an artist and picture restorer. He lived with his family in St James, Westminster and although little is known about his education, he would have undoubtedly received encouragement and drawing tuition from his brother. Bale started exhibiting in 1866 at the Institute of British Artists, Suffolk Street. He also exhibited at the Royal Academy in 1872, the same year he married Caroline Leathem. Together, they spent their married life in St Pancras. He specialized in still life paintings predominantly of fruit, but he frequently incorporated baskets, a homage to his family’s profession, as well as pottery, glass, and game. Bale’s work was influenced by the English still-life artists George Lance and William Duffield...

Antique Still Life with Fruit and Melon Traditional European style still life with harvest fruits, figs, pears, grapes, and cantaloupe. The range of to...