Cubist Paintings

In this ninth decade of life, and as a working artist for nearly70 years, Suzanne Benton has become interested in the concept of Late Style as described by the literary theorist Edward Said. “Each of us can supply evidence of late works, which crown a lifetime of aesthetic endeavor,” Matisse had it with his renowned paper cuts. While nearly blind, Monet created the water lily paintings as his final legacy to the history of art.  Benton's Late Style arrived as a surprise during the Covid pandemic. The resultant aloneness from sheltering in place brought her to an uncanny level of solitude that only painting could voice. She reached for the purest of colors, and entered a celebratory world to create the Neo-Transcendental paintings titled All About Color. The disappeared narrative came as a surprise. It had been the mainstay of the masks and mask tale performances, monoprints and paintings. This time though, the artist needed to bring a vibrancy to canvas, and to make tangible this sense of sheer essence that had pressed into her inner self in that time of stillness. Well educated in color by John Ferren, the abstract expressionist painter who’d taught the year’s color study at Queen College. The sensitivity developed further through four lengthy art-working journeys to India, starting in 1976-77, continuing with a 1992-1993 Fulbright, and additional South Asia residencies in 1995, and 2011. Those and others in Africa brought an ever more attuned palette to decades of monoprints with Chine collé that featured imagery from world culture, as well as her Americana of 19th and 20th century women writers, educators, suffragists, and feminists. These Late Style artworks explore the cosmic realm. Its deceptive simplicity reminds Benton of Buffie Johnson’s late work. She, an early celebrator of Great Goddess imagery turned to circles in her latter years. similarly, Benton had drawn on rich Goddess imagery since the 1970’s...

Dick Beer (b. London 1893 - d. Stockholm 1938) Utsikt från fönster, View From a Window, 1920 oil on canvas 73 x 60.5 cm stamp signed painted 1920 Exhibi...

Artist/ School: French School, circa 1960's Title: Lady Reading, cubist style after de Stahl Medium: oil painting on canvas, unframed canvas: 21.5 x 18 inches Provenance: privat...

"The Golden Rule" is an abstract painting by Spanish artist Natalia Roman. These color field paintings are inspired by both modernist shapes of the fifties and sixties combined with ...

In this ninth decade of life, and as a working artist for nearly70 years, Suzanne Benton has become interested in the concept of Late Style as described by the literary theorist Edwa...

In this ninth decade of life, and as a working artist for nearly70 years, Suzanne Benton has become interested in the concept of Late Style as described by the literary theorist Edward Said. “Each of us can supply evidence of late works, which crown a lifetime of aesthetic endeavor,” Matisse had it with his renowned paper cuts. While nearly blind, Monet created the water lily paintings as his final legacy to the history of art.  Benton's Late Style arrived as a surprise during the Covid pandemic. The resultant aloneness from sheltering in place brought her to an uncanny level of solitude that only painting could voice. She reached for the purest of colors, and entered a celebratory world to create the Neo-Transcendental paintings titled All About Color. The disappeared narrative came as a surprise. It had been the mainstay of the masks and mask tale performances, monoprints and paintings. This time though, the artist needed to bring a vibrancy to canvas, and to make tangible this sense of sheer essence that had pressed into her inner self in that time of stillness. Well educated in color by John Ferren, the abstract expressionist painter who’d taught the year’s color study at Queen College. The sensitivity developed further through four lengthy art-working journeys to India, starting in 1976-77, continuing with a 1992-1993 Fulbright, and additional South Asia residencies in 1995, and 2011. Those and others in Africa brought an ever more attuned palette to decades of monoprints with Chine collé that featured imagery from world culture, as well as her Americana of 19th and 20th century women writers, educators, suffragists, and feminists. These Late Style artworks explore the cosmic realm. Its deceptive simplicity reminds Benton of Buffie Johnson’s late work. She, an early celebrator of Great Goddess imagery turned to circles in her latter years. similarly, Benton had drawn on rich Goddess imagery since the 1970’s...

In this ninth decade of life, and as a working artist for nearly70 years, Suzanne Benton has become interested in the concept of Late Style as described by the literary theorist Edward Said. “Each of us can supply evidence of late works, which crown a lifetime of aesthetic endeavor,” Matisse had it with his renowned paper cuts. While nearly blind, Monet created the water lily paintings as his final legacy to the history of art.  Benton's Late Style arrived as a surprise during the Covid pandemic. The resultant aloneness from sheltering in place brought her to an uncanny level of solitude that only painting could voice. She reached for the purest of colors, and entered a celebratory world to create the Neo-Transcendental paintings titled All About Color. The disappeared narrative came as a surprise. It had been the mainstay of the masks and mask tale performances, monoprints and paintings. This time though, the artist needed to bring a vibrancy to canvas, and to make tangible this sense of sheer essence that had pressed into her inner self in that time of stillness. Well educated in color by John Ferren, the abstract expressionist painter who’d taught the year’s color study at Queen College. The sensitivity developed further through four lengthy art-working journeys to India, starting in 1976-77, continuing with a 1992-1993 Fulbright, and additional South Asia residencies in 1995, and 2011. Those and others in Africa brought an ever more attuned palette to decades of monoprints with Chine collé that featured imagery from world culture, as well as her Americana of 19th and 20th century women writers, educators, suffragists, and feminists. These Late Style artworks explore the cosmic realm. Its deceptive simplicity reminds Benton of Buffie Johnson’s late work. She, an early celebrator of Great Goddess imagery turned to circles in her latter years. similarly, Benton had drawn on rich Goddess imagery since the 1970’s...

In this ninth decade of life, and as a working artist for nearly70 years, Suzanne Benton has become interested in the concept of Late Style as described by the literary theorist Edward Said. “Each of us can supply evidence of late works, which crown a lifetime of aesthetic endeavor,” Matisse had it with his renowned paper cuts. While nearly blind, Monet created the water lily paintings as his final legacy to the history of art.  Benton's Late Style arrived as a surprise during the Covid pandemic. The resultant aloneness from sheltering in place brought her to an uncanny level of solitude that only painting could voice. She reached for the purest of colors, and entered a celebratory world to create the Neo-Transcendental paintings titled All About Color. The disappeared narrative came as a surprise. It had been the mainstay of the masks and mask tale performances, monoprints and paintings. This time though, the artist needed to bring a vibrancy to canvas, and to make tangible this sense of sheer essence that had pressed into her inner self in that time of stillness. Well educated in color by John Ferren, the abstract expressionist painter who’d taught the year’s color study at Queen College. The sensitivity developed further through four lengthy art-working journeys to India, starting in 1976-77, continuing with a 1992-1993 Fulbright, and additional South Asia residencies in 1995, and 2011. Those and others in Africa brought an ever more attuned palette to decades of monoprints with Chine collé that featured imagery from world culture, as well as her Americana of 19th and 20th century women writers, educators, suffragists, and feminists. These Late Style artworks explore the cosmic realm. Its deceptive simplicity reminds Benton of Buffie Johnson’s late work. She, an early celebrator of Great Goddess imagery turned to circles in her latter years. similarly, Benton had drawn on rich Goddess imagery since the 1970’s...

One of the Stations of the Cross by Jean La Forgue (French 1901-1975) *see notes below oil painting on canvas, housed in original metal frame overall dimensions: 17 x 17 inches prov...

by Paul-Louis Bolot (French 1918-2003) signed & dated 1978 original gouache painting on thick paper/ card unframed condition: very good and sound; the edges have a few curls and scuf...

Signed oil on canvas landscape circa 1948 by French cubist painter André Lhote. The old mill depicted in the present work is located in the pine forest by La Cadière-d’Azur in the Pr...

French School, circa 1970's oil painting on cardboard, framed 21.75 x 17 inches Superbly decorative and bold abstract painting from the 1970's, of French authorship. Painted with st...

In this ninth decade of life, and as a working artist for nearly70 years, Suzanne Benton has become interested in the concept of Late Style as described by the literary theorist Edwa...

Polymnie, Muse de la Poésie (Polymnia, Muse of Poetry) Acrylic on canvas 65 x 92 cm Signed lower right This striking modern cubist painting captures Polymnia, the muse of poetry, d...

In this ninth decade of life, and as a working artist for nearly70 years, Suzanne Benton has become interested in the concept of Late Style as described by the literary theorist Edwa...

In this ninth decade of life, and as a working artist for nearly70 years, Suzanne Benton has become interested in the concept of Late Style as described by the literary theorist Edwa...

Juan Jose Abella Rubio was born in Estercuel, a hamlet anchored in the Teruel mining basin in March 1944. In his painting the ocher and reddish colors of his first environment are w...

Premiering for the first time in three decades, the original paintings of American artist Maurice Green. Born in 1908 in Latvia, Maurice Green stu...

Abella. still lafe cubist original acrylic canvas painting Juan Jose Abella Rubio was born in Estercuel, a hamlet anchored in the Teruel mining basin in March 1944. In his painting ...

Still Life by Paul-Louis Bolot (French 1918-2003) signed & dated signed oil on canvas canvas: 15 x 18.5 inches original oil painting condition: very good a...

In this mid-century modern oil painting, two Chinese male figures in yellow and red clothing are featured predominantly in foreground of an urban landscap...

Portrait by Paul-Louis Bolot (French 1918-2003) signed (dated 1981) original gouache painting on thick paper/ card unframed condition: very good and sound; the edges have a few curls...

Still Life with Lemons (43) John F. Leonard American (1921–1987) Date: circa 1965 Oil on Board Size: 15.5 in. x 15 in. (39.37 cm x 38.1 cm) Frame Size: 17 x 17 inches

This is a one-of-a-kind original cubist painting by San Diego artist, Alexander Arshansky. Its dimensions are 20"x24"x1.5". It is unframed. A Certificate of Authenticity will follow ...

"Abstract" French School, 20th century painting on board, unframed board: 21.5 x 26.5 inches

Premiering for the first time in three decades, the original paintings of American artist Maurice Green. Born in 1908 in Latvia, Maurice Green studied with prominent artists of the day before settling in Los Angeles in the 1930’s. The artist continued his art education and began exhibiting throughout galleries in Southern California. As with many artists, his earliest style was more realist imagery, transitioning through his intense fascination with the cubist avant-garde movement, into specific cubist imagery which became the trademark style of painting for the remainder of his life. This is the first presentation of the paintings of Maurice Green since his death in 1993. "Sailboats ”, is an original oil on canvas, signed, dated 1980, with an image dimension of 20 x 24 inches, set into the original artists wood frame; a painting which clearly defines his talent as a fine cubist artist...

Work on canvas Dimensions with frame : 98 x 82 x 3.7 cm This work features an intense-looking figure in a stylistically simplified gray coat, providing a striking contrast to the br...

French cubist artist, circa 1950’s signed oil painting on canvas, unframed canvas: 21 x 28.5 inches provenance: private collection, France condi...

In this ninth decade of life, and as a working artist for nearly70 years, Suzanne Benton has become interested in the concept of Late Style as described by the literary theorist Edward Said. “Each of us can supply evidence of late works, which crown a lifetime of aesthetic endeavor,” Matisse had it with his renowned paper cuts. While nearly blind, Monet created the water lily paintings as his final legacy to the history of art.  Benton's Late Style arrived as a surprise during the Covid pandemic. The resultant aloneness from sheltering in place brought her to an uncanny level of solitude that only painting could voice. She reached for the purest of colors, and entered a celebratory world to create the Neo-Transcendental paintings titled All About Color. The disappeared narrative came as a surprise. It had been the mainstay of the masks and mask tale performances, monoprints and paintings. This time though, the artist needed to bring a vibrancy to canvas, and to make tangible this sense of sheer essence that had pressed into her inner self in that time of stillness. Well educated in color by John Ferren, the abstract expressionist painter who’d taught the year’s color study at Queen College. The sensitivity developed further through four lengthy art-working journeys to India, starting in 1976-77, continuing with a 1992-1993 Fulbright, and additional South Asia residencies in 1995, and 2011. Those and others in Africa brought an ever more attuned palette to decades of monoprints with Chine collé that featured imagery from world culture, as well as her Americana of 19th and 20th century women writers, educators, suffragists, and feminists. These Late Style artworks explore the cosmic realm. Its deceptive simplicity reminds Benton of Buffie Johnson’s late work. She, an early celebrator of Great Goddess imagery turned to circles in her latter years. similarly, Benton had drawn on rich Goddess imagery since the 1970’s...

"Dusk" is an acrylic, charcoal, and oil stick painting on canvas measuring 40" tall by 30" wide. Note the slippage between foreground and background...

Artist/ School: Marika Eversfield (Hungarian 1914-2014) Marika Eversfield was born in 1914 in Gyòr near Budapest. She studied at the art school in Vienna and moved to London with he...

Artist: Miriam Bromberg, Amnerican XXth Cent. Title: Ochre Sunset Year: circa 1960 Medium: Oil on Canvas, signed l.r. Size: 24 x 30 in. (60.96 x 76.2 cm)

Study fot he tronconic hall of the Air Palace, 1937. Gouache on paper. This is a study most this artist's most important artistic work. Son of the painter Albert Aublet, Felix enrol...

Superb original French oil painting depicting this colorful breakfast table still life scene. The work is signed by its artist, Jean-Yves Fromange (born 1957). Painted with thick, ...

We offer complimentary worldwide shipping and cover all tariffs and import taxes for this artwork. This exceptional artwork is currently on display and available for sale at Signet C...

We offer complimentary worldwide shipping and cover all tariffs and import taxes for this artwork. This exceptional artwork is currently on display and available for sale at Signet C...

'Attente' Cubist Abstract Portrait, Oil Painting, Signed By French artist, Mid 20th Century Signed and dated '1952' by the artist on the lower right hand corner The artist has signed...

Abstracted portrait of a renaissance era woman by Sonia Gichner (20th Century). This piece is painted with splashes of bright colors, contrasting nicely with skin tones and black lin...

Untitled Harold Anchel, (American, 1912 – 1980) Circa 1951-54 Oil on Canvas, signed lower right Size: 30 x 36 in. (76.2 x 91.44 cm) Frame Size: 30.5 x 36.5 inches

Joyce Twice Acrylic on canvas board 19 × 27 cm (unframed) Signed: Lower right Condition: Excellent, presented in a gilt frame In Joyce Twice, Grégoire Mathias pays homage to the lit...

Artist: David Fox (American, 1920-2011) Title: Geometric Figure #21 Year: 2003 Medium: Acrylic on paper Paper: Watercolor paper Image size: 10 x 8...

Large-scale contemporary cubist abstract interior scene, composed of pink and multicolor geometric shapes by Bay Area artist Michael Pauker (American, b. 1957). The geometries are fr...

Ted Hinrichs Jericho Acrylic on Canvas Year: 2022 Size: 36x24in Framed: 38x26x1.75in Signed by hand COA provided Ref.: 24802-1724 *Framed in naural Woo...

Pascal Jarrion was born in Perpignan, France, in 1961. It is a region known for its Catalan culture and an area that has influenced many artists before ...

Coffee Time Acrylic on canvas board Dimensions (unframed): 27 x 22 cm Signature: Lower right Condition: Excellent, presented in a gilded wooden frame with linen inlay Coffee Time c...

Georges Terzian House on the Hill (Cubist Composition) Oil on canvas Signed bottom right Signed and titled on the back On Canvas 55 x 46 cm (c. 22 x 1...

Eric K. Fiazi, Post Cubist Compostion, Collage and Oil on Canvas, Signed, dated 2010. Size is framed. Natural wood frame. Excellent condition of use. About : In Eric Fiazi's maste...

Premiering for the first time in three decades, the original paintings of American artist Maurice Green. Born in 1908 in Latvia, Maurice Green ...

Title: Geometric Series - Green Medium: Oil on canvas Size: 31 x 23 inches Frame: Framing options available! Condition: The painting appears to be in excellent condition. Note: This ...

Religious Interior Scene (69) John F. Leonard American (1921–1987) Date: 1969 Oil on Board, signed l.r. Size: 17.5 in. x 17 in. (44.45 cm x 43.18 cm)

Pascal Jarrion was born in 1961 in Perpignan, France, a region known for its Catalan culture as well as its influence on artists before him, including Picasso, Van Gogh, and Maillol....

Very impressive and a rare early work by Frederick E. Conway (1900 - 1973). Oil on board. Incredibly framed. Signed.

Pascal Jarrion was born in Perpignan, France, in 1961. It is a region known for its Catalan culture and an area that has influenced many artists before ...

La obra va firmada por el artista en la parte trasera y fechada del año 1976 El estado de conservación es bueno Se presenta enmarcada la obra Medidas de la obra: 70 cm. de altura ...

Only an artist (or a stockholder) could see the beauty in a cobbled-together industrial complex. Rendered by artist N. Robins in muted golds and greens, a typical hodgepodge of struc...

Framed 32 x 26 inches. Pascal Jarrion was born in Perpignan, France, a region known for its Catalan culture and an area that has influenced many artists before him including Pica...

Wonderful French mid-20th-century portrait of a young girl holding her hand up. The artist was a highly talented painter in the Cubist style. He painted interiors, portraits, and la...

One of a kind Mixed Medium on Canvas Artwork: Original abstract mixed media work on canvas, which combines new media - digital original hand painting, printed on canvas, then hand p...

Red Hammond (American) The Klue, 1986 Oil on canvas 65 1/4 x 53 1/2 x 1 1/2 in. Signed, dated, and inscribed verso Artist statement sourced from Red Hammond's website: ORIGINALITY As an artist I put myself into the piece of art not to achieve originality for its own sake, but to be honest to, to follow the work. Immersion in the making ensures that the work will be authentic -.that its uniqueness allows the work to emanate its own light, encouraging the viewer to look and to see. While not initially apparent, my paintings typically have numerous, subtle inflections that are often hidden at first glance because the large primary, usually black forms, are strong and register first. SHAPES AND EMOTIONS I place significant emphasis on my ability to invent personal shapes. When put together, they establish a dialogue within the painting. I start without any preconceived idea for the painting and do not work from drawing in order to maintain the spontaneity and challenge to work through a solution - to remain fresh and capable of creating surprises for both myself and the viewer. Working instinctually, , I grope around, figuring out how the feelings I have manifest themselves in a specific shape or shapes and how to achieve the overall mood I’m searching for in a particular piece. SYMBOLS AND MEANING I build a painting with symbols that go beyond words, creating works that may appear somewhat opaque, mysterious, at times. This encourages engagement on the part of the viewer and allows each viewer to arrive at their own ideas concerning the works’ meaning. Viewers of art often confuse subject matter with content. A cow in a field is a cow in a field - that is subject matter. Content is what the artist puts in of him or herself. That is an intangible that is difficult to decipher. I find the early work of the American abstract expressionists and the artifacts and ritual art of indigenous peoples and tribal cultures to be inspirations. COMPLETION Often I’m sure that I have completed a painting and for that moment in time I probably have. Sometimes, however, hours, days or several years later, I look at again and realize that while I was correct for that moment, the painting’s potential was never realized. So I begin the process of working that painting again, and this process can go on for years until I’ve finally got the painting to where it needs to be in order for it to be fully realized. ART AS THERAPY AND DISCOVERY Like life, art is not just about self-improvement but also about self-discovery. If I’m not working on getting better as a painter, improving my paint application or pushing myself to expand my limits as a person, I feel I’m letting myself down and falling short of my potential as an artist. Each day in the studio is a mini-metaphor for life that demands and rewards patience.… Without it, I end up with a big...

Title: Untitled 4 Medium: Oil on canvas Size: 24 x 19.5inches Frame: Framing options available! Age: 2000s Condition: Painting appears to be in excellent condition. Note: This...