Vienna Secession Paintings

Shipping Procedure Ships in a well-protected tube from Nigeria This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authenticity. About Artist Ola...

Artist: John MacWhinnie, American (1946 - ) Title: Portrait of Truman Capote Year: 1968 Medium: Mixed Media on Board (Oil and Pencil), signed and dated l.r. Size: 23.5 x 18 inches Fr...

'The Bather', oil on board, by Charles Kvapil (1934). The world of art has for centuries depicted bathers in one form or another. Kvapil's wonderfully allur...

'Family Seated on a Bench at the Port', oil on board, by François Diana (circa 1970s). A painting with a very wholesome, homespun theme harks back to a more innocent time. A family i...

'Sailors in the Port of Nice', mixed media - gouache, pastel and oil on paper, by Alfred Salvignol (circa 1950s). The Port of Nice is one of the key hubs of Nice and, in fact, of the entire French Riviera, standing out as one of the main harbours for the boats which sail across the Mediterranean Sea. It accommodates both the ships operated by ferry companies and the private yachts of visitors who come to Nice by sea. The artist here depicts a group of crusty sailors watching...

Adrien Holy (1898–1978) The Model, 1957 55,5 x 38 cm Oil on canvas, signed lower right and dated (19)57 Dimension with frame 72 x 56 x 6 cm This striking p...

An incredibly striking study of the male form with the figure set against a colourful background with stylised organic forms. Attractively framed, the painting is ready to be hung an...

Roland Strasser (1895-1974) "Japanese Geisha" Signed lower right Oil and gold leaf on canvas, measures: 76 x 46 cm In fine white-wash wood frame. ...

Signed oil on original canvas nude circa 1914 by French post impressionist painter Georges D'espagnat. The work depict a nude woman standing beside a wash basin in a boudoir. Signature: Signed lower right Dimensions: Framed: 45"x34" Unframed: 37"x26" Provenance: Private collection - Netherlands From the beginning of his career, it was a constant concern of Georges d'Espagnet to assert his originality. His studies at the École des Arts Décoratifs, Paris, did not last very long, for he wanted immediate independence and decided to follow courses in the private academies of Montparnasse. In about 1900, he became acquainted with Maurice Denis, Bonnard and Vuillard, and his collaboration with Denis led to a renewal of religious art in France. In 1903, d'Espagnet was one of the founders of the Salon d'Automne, and was appointed professor in charge of studios at the École des Beaux-Arts, Paris, in 1934. He illustrated a number of books: Rémy de Gourmont's Evil Prayers ( Oraisons mauvaises) (1896), The Saints of Paradise ( Les Saintes du paradis) (1898), Simone (1907), Sistine ( Sixtine) (1922); Alphonse Daudet's The Immortal ( L'Immortel) (1930); André Gide's The Pastoral Symphony ( La Symphonie pastorale); Francis Jammes' Clearings in the Sky ( Chairières dans le ciel) (1948). D'Espagnet belongs to the group of artists who made the Courrier Français so successful. The drawings of his which are published in it are strongly expressive and some bear comparison with the designs of the great Renaissance masters. He also contributed to L'Image. He often placed cheerful nudes in a landscape, reminding us that, though he moved away from the Fauves, he retained their freedom of colour and arabesque. He painted many portraits, including those of Albert André, André Barbier, Victor Boucher, Déodat de Séverac, Albert Marque, André Marty and Albert Roussel. He also painted mural decorations, including a wall for the Palais de la Découverte (1937), the ceiling of the Victor Hugo Room in the Palais du Luxembourg (1939), a decorative panel for the Palais de Justice, Toulouse (1941) and interior decorations for private houses. His landscapes are Impressionist in inspiration, and work for a certain sobriety, an intimacy, both in their composition - one, two or three sketched figures and large open spaces - and in the choice of colours and treatment with the special hazy brushstroke that marks his style. D'Espagnet took part in a number of annual Parisian exhibitions, including the Salon des Indépendants, the Salon de la Société Nationale des Beaux-Arts, the Salon d'Automne (from 1903 to 1949, except in special circumstances), the Salon de la Libre Ésthétique, Brussels (1899, 1901), the Berlin Secessionists (1940). He also exhibited at the first Salon de la Société de la Gravure sur Bois. Among other exhibitions were 1912, A Century of French Art ( Centenaire de l'art français), St Petersburg; 1916, Kunstverein, Winterthur; 1918, 1926, Galerie M. Bertheim, Paris; 1930, Contemporary French Art...

Martin Borgord (1869-1935) Active in California, New York, Paris, Holland "Portrait of an Elegant Woman," oil painting on wood signed lower right and dedicated to Madame Merlet. Attended: San Francisco Art Association School of Design, Académie des Beaux-Arts de Paris, Académie Julian de Paris, New York School of Art "In the past I worked on light and shadow effects. Now I paint exclusively for unusual effects and color harmonies." It is with these words that Martin Borgord, a Norwegian-born but naturalized American painter, interviewed by a journalist from the Hartford Courant, explains our painting.Straddling the line between Impressionism and Expressionism, the elegant lady loses the sharpness of detail, blending with light and color in quick, dense brushstrokes. Excellent state of preservation.Presented in antique carved and silvered wooden frame. It has a regular Fine Arts export certificate. Measurements Panel 41 x 33 cm Frame 51x43 cm BIOGRAPHY Martin Borgord was born February 8, 1869, in Guasdal, Norway, and died March 25, 1935, in Riverside, California. At the age of 16, Borgord resided in San Francisco and enrolled to study with Virgil Macey Williams (1830-1886) at the San Francisco Art Association School of Design. Interested in both painting and sculpture, Borgord will go to Paris. He was accepted to study at the Académie Julian with Jean-Paul Laurens and at the Académie des Beaux-Arts with sculptor Charles Raoul Verlet. In 1896, Martin Borgord returned to New York and enrolled in the new Chase School of Art (later renamed the New York School of Art) with William Merritt. In 1899, influential art dealer William Macbeth, dedicated to the cause of promoting American art, represented Borgord in New York.With his friend and fellow artist William Henry Singer...

Oil on canvas by Charles PICART LE DOUX (1881-1959), France, 1939. The Beautiful Girl. With frame: 85.5x72.5 cm - 33.7x28.5 inches ; without frame: 73x60cm - 28.75x23.6 inches. 20F f...

'Lunch at Chez Louis', oil on canvas, by Roland Dubuc (circa 1970s). The outdoor terrace at restaurants and cafés in France goes back centuries as they have always been a gathering place for intellectuals to meet and debate philosophical issues; for the Avant Garde set to display their works; for artists to compare and exchange ideas and for writers to drown their sorrows over their artistic anguish or melancholy. Even the freedom fighters of the French Revolution and later the French Resistance would meet in cafés to plot their course. Regular people of course also enjoy these venues. A very delightful feature of these French institutions is that there is always room for quiet book readers, romantic couples, business meetings and lively groups of friends sharing a bottle of wine. The artist Dubuc captures a slice of this lovely aspect of French culture in this smile-inducing depiction painted in vivid oils. With a background of greenery, the patrons enjoy the outdoors protected from the intense sun by the table's parasols. Ah, the life. The artwork is in good vintage condition, is framed and signed by the artist in the lower left hand corner. Please enjoy the many photos accompanying this listing. Upon request a video may be provided. About the Artist: Roland DuBuc (1924-1998), French artist, the sixth of 13 children and son of a construction worker. The very precariousness of the family's financial situation forced him to go to work at the age of 14. In extreme poverty, he moved to Rouen where he was lodged by the Salvation Army. During that time he struck up friendships with several artists who gave him advice and taught him techniques of drawing. He moved to other cities later where he met painters including, among others, Fred Pailhès...