Bride Paintings

Fabienne Delacroix is the youngest child of the master naïf painter Michel Delacroix. Born in 1972 in a family of artists, Fabienne Delacroix enjoyed a high quality of schooling foll...

Acrylic paint, ink and posca on canvas 2019 Signed and dated Unique work The world of William Bakaïmo is a great dreamlike bestiary where humans are n...

Louis Valtat (1869-1952), Nature morte aux pigeons Oil on canvas, huile sur toile, Signed: L Valtat LR, Signée: L Valtat Canvas: 15.15 x 18.1 Inches (38,5x46 cm) Framed: 25 x 28...

This piece measures at 10 x 8 in., and is framed at 16 x 14 in., ready to hang. Artist Biography: Carolyn Anderson, a nationally recognized artist, is an accomplished pastelist and ...

Leon RIchet Bejeweled woman within a Barbizon Landscape 1872 Oil on panel 24 x 18 inches (61 x 45.7 cm) Framed: 36 x 30 inches (91.4 x 76.2 cm) Signed: Léon Richet 72 Leon RIchet wa...

In this series, Paloma Castello relocates classical gods to an unexpected territory: a tropical paradise where marble, fruit, birds, and intense color coexist without hierarchy. Apol...

Original oil painting on canvas. Both canvases are hand signed on front on by Ferjo. Total canvases image size 70 x 100. Each canvas is 50 x 70 inches. Canvases are not stretched...

Sir Godfrey Kneller 1646-1723, was a German born English portrait painter. He was a pupil of Bol and Rembrandt, he was born in Leiden, travelled to Rome , Venice, Hamburg and later t...

Some artists immediately stand out for the singularity of their work. While very little is known about the 20th-century French painter Santini Poncini,...

A magnificently detailed depiction of young Henry VIII displaying his sporting prowess at the Field of the Cloth of Gold, the opulent 1520 summit between Henry VIII and French King F...

Carl Fredrik Hill’s drawing King Gustavus Adolphus at the Battle of Lützen is a visionary reimagining of a famous historical event. The composition centers on the Swedish king amidst...

Symbolist School Man Smoking a Cigar Pencil on paper Image Size: 23 1/2 x 17 1/2 inches (59.8 x 44.4 cm) Contemporary-style hand carved frame This drawing depicts an older man lost ...

The painting "A Possible Purchase" by Charles Louis Verwee, a renowned Belgian artist, captures a delicate and poignant moment. In this piece, a woman is depicted standing in an opul...

Joseph Barron graduated from the Art Institute of Chicago with a BFA and MFA. Shortly after graduating, Barron was awarded a Pollock-Krasner foundation Grant that allowed him to crea...

Title: French Impressionist Market Scene in Sarlat Dordogne by Fanch Lel by Fanch Lel Signed: yes Size: 8.5 inches (height) x 10.75 inches (width)...

Conditions: Impressionist painting in very good general condition. Original 1930’s carved frame, Louis XIV style. Complementary shipping worlwide by DHL, FEDEX. Returning customers :...

Michele's paintings are about the timeline of human life, and its effect on art. For the last 15 years, Michele has been deconstructing the subject matter. In as much as she enjoy ...

Portrait of a lady in a white dress, 19th century Beautiful portrait from an English school circa 1840 Beautiful large portrait from an English school from the 19th century of a la...

Work on canvas Beige wooden frame 63 x 72.5 x 5.5 cm

Ulrich Gleiter's (EUR based) "Redondo Rua Do Castelo" is an oil painting that depicts European architecture along a small street. Bio/Artist Statement: German-born artist Ulrich Gleiter (b. 1977) is noted for his landscapes. His style is sometimes reminiscent of German expressionism and the Russian impressionists. He first studied at the Dresden Academy of Arts and later at the Repin Academy in Saint Petersburg, Russia. His work has been recognized with awards in the USA and in Russia and been featured in books and magazines. "Ulrich Gleiter is a citizen of the world. Born in Saarbrücken, Germany, he pursued his undergraduate studies at Dresden’s Academy of Fine Arts, where he learned to paint with the bold, colorful strokes handed down from the early 20th-century German expressionists. Students there prioritized their individuality — no one but you could have made this picture, they were told. Gleiter then absorbed a different view of artistry during his exchange year at Moscow’s Surikov Institute, followed by six more years at the Repin Institute in St. Petersburg. Today Gleiter divides time between Germany, Russia, and the United States, where he has become much admired among plein-airists in such scenic places as Colorado, California, and Wyoming. In our era of diplomatic tensions, when Crimea and Russia appear regularly in the headlines, Gleiter feels a renewed appreciation for nature’s timelessness — for its inspiring capacity to rise above the ins-and-outs of man-made problems. Today, he says, “I often think about the history of an area where I am painting, about how many troubles and beautiful things may have happened there. Most importantly, I am humbled to observe how natural forces never stop moving.” Gleiter turns his searching eye not only to wilderness, but also to the banalities of urban life — to parked cars, the glinting sprawl of an automobile dealer’s lot, retail stores, and even cargo ships. There, too — as in his portraits, nudes, and still lifes — he manages to find abstracted beauty and emotional significance in the interactions of light, color, and air." ( by Peter Trippi, Fine Art Connoisseur Magazine, 01/2017) SOLO- AND TWO-PERSON EXHIBITIONS 2018: SANDAU&LEO Gallery, Berlin. 2017: Gallery 1261...

'Vibration' 2023 by Chinese/Canadian artist Yangyang Pan. Oil on canvas, 36 x 36 in. / Frame: 37 x 37 in. This beautiful abstract-expressionistic, landscape painting incorporates ges...

Miniature painting - Ink and opaque watercolor and gold on paper possibly illustration from a Ragamala series Delhi, Mughal School, 19th Century or earlier The scene depicting Kr...

Title: Musicians Artist: Bernat Sanjuán i Tarré (Barcelona, 1915 – Deià, Mallorca, 1979) Technique: Oil on canvas Dimensions: 36.2 x 25.6 in Support: Canvas Framing: Unframed Period:...

The figurative surrealistic paintings of Carlos Gamez de Francisco are heavily influenced by his Cuban upbringing in a Russian-governed academic setting. This presence exposed Franci...

Cymn Wong’s style of mixed media paintings are developed alongside with pastel, crayon, acrylic and ink. Rooted from traditional Chinese ink-brush painting to contemporary New York Abstract Expressionism, Wong wields various free and fluent but forceful strokes and creative washing on canvas atop the heritage of her personal Zen calligraphy; in some cases, Cymn has collaged with traditional Chinese papier-mâché. Through the layering of multiple marks, colors and textures, or being used by perspective, she is able to balance her own spontaneity and control to accomplish the desired effect. When Wong applies to blend her canvas with splash-ink, free dyeing and deliberate sealing, her aim is to create a vivid and immersive sense of expanded spectrum that integrates the outsider viewers with the painting landscape. These stylistic elements combine to create an organic entity that is dynamic, engaging, and deeply contemplative. In exploring the blending entity of art and poetry as extrinsic “landscape” and intrinsic “soundscape”, the brushstrokes are hereby given fresh impetus by a single-unity involvement. Every brushstroke reflects an outer and inner state of creativity. Meanwhile, this embodied experience opens up a transformation and imagination of mindset. Wong declares, “By embracing plainness, simplicity and intimacy, my art emerges an insight for cultivating a cross-boundary ecological ethos. In most recent development of my paintings, I have been focusing on several key areas that are driving for a creative exploration. Firstly, I am placing a greater focus on the bean sprout as a central element of her work. The bean sprout is a crystalized symbol. Its unique shape evokes the numbers "0" and "1". The "0" of the bean sprout represents nothingness or emptiness, a void spectrum that is co-birthed with “1”. The "1", on the other hand, represents possibilities and growth. By incorporating the shape of the bean sprout into visual language, I link the binary concepts of "0" and "1" to convey a sense of stillness, calm, and openness in the other area of "0". Meanwhile a motion, another state of change comes birth in the open area of "1", building in a dynamic interplay between these two facets for growth and inherent continuously in every subsequent moment. Secondly, I attempt to create an alternative way of revealing the insightful wisdom of Zen philosophy, in a fusion of fluidity and freedom of abstract expressionism, siding along with the contemplative practice of Zen calligraphy. This integration of meditative peace and passionate energy presents a fresh landscape that is holistically dynamic and contemplative, evocative and reflective. The Zen strokes that feature prominently refer to the hope of splashing an endless creativity at any stage of life. Thirdly, in organizing a larger-scale of art forms, I gradually move to create a sense of unity and wholeness that highlights a stimulating dimension of cultural diversity in my painting canvas. Moreover, I strive to develop a stronger sense of spatiality by leaving white space blank within the compositions, which provides a stimulated sense of circulation and contingency, for an experimental interaction of fulfilling the gaps of different 3-D dimensions in life. Last but not the least I embrace my intuition of self-awareness under my personal practice of integrating multiple refreshing technical elements, that always plunging into the fundamental questions of man’s existence and the nature of living being. I appeal to the worldly communities for a spirit of connection and resonance that may well go beyond the surface of my painting art.” From 2022 to 2023, Cymn has extended a soul karma in her Washington saloon that spearheads to create a masterfully-suited-style of global ethos. The ethos showcases her accomplished selfhood of aesthetic views blending with both Eastern and Western cultures and languages. Wong attempts to vitalize the diversity of built-in imageries and present the visual art communities via a dynamic interaction of natural human passion with the uncontrollable social environment and the universe. In fact, Cynm’s lifelong commitments to bilingual poetry and expanded visual art have been widely applauded in multiple international platforms whereas her English...

Cymn Wong’s style of mixed media paintings are developed alongside with pastel, crayon, acrylic and ink. Rooted from traditional Chinese ink-brush painting to contemporary New York Abstract Expressionism, Wong wields various free and fluent but forceful strokes and creative washing on canvas atop the heritage of her personal Zen calligraphy; in some cases, Cymn has collaged with traditional Chinese papier-mâché. Through the layering of multiple marks, colors and textures, or being used by perspective, she is able to balance her own spontaneity and control to accomplish the desired effect. When Wong applies to blend her canvas with splash-ink, free dyeing and deliberate sealing, her aim is to create a vivid and immersive sense of expanded spectrum that integrates the outsider viewers with the painting landscape. These stylistic elements combine to create an organic entity that is dynamic, engaging, and deeply contemplative. In exploring the blending entity of art and poetry as extrinsic “landscape” and intrinsic “soundscape”, the brushstrokes are hereby given fresh impetus by a single-unity involvement. Every brushstroke reflects an outer and inner state of creativity. Meanwhile, this embodied experience opens up a transformation and imagination of mindset. Wong declares, “By embracing plainness, simplicity and intimacy, my art emerges an insight for cultivating a cross-boundary ecological ethos. In most recent development of my paintings, I have been focusing on several key areas that are driving for a creative exploration. Firstly, I am placing a greater focus on the bean sprout as a central element of her work. The bean sprout is a crystalized symbol. Its unique shape evokes the numbers "0" and "1". The "0" of the bean sprout represents nothingness or emptiness, a void spectrum that is co-birthed with “1”. The "1", on the other hand, represents possibilities and growth. By incorporating the shape of the bean sprout into visual language, I link the binary concepts of "0" and "1" to convey a sense of stillness, calm, and openness in the other area of "0". Meanwhile a motion, another state of change comes birth in the open area of "1", building in a dynamic interplay between these two facets for growth and inherent continuously in every subsequent moment. Secondly, I attempt to create an alternative way of revealing the insightful wisdom of Zen philosophy, in a fusion of fluidity and freedom of abstract expressionism, siding along with the contemplative practice of Zen calligraphy. This integration of meditative peace and passionate energy presents a fresh landscape that is holistically dynamic and contemplative, evocative and reflective. The Zen strokes that feature prominently refer to the hope of splashing an endless creativity at any stage of life. Thirdly, in organizing a larger-scale of art forms, I gradually move to create a sense of unity and wholeness that highlights a stimulating dimension of cultural diversity in my painting canvas. Moreover, I strive to develop a stronger sense of spatiality by leaving white space blank within the compositions, which provides a stimulated sense of circulation and contingency, for an experimental interaction of fulfilling the gaps of different 3-D dimensions in life. Last but not the least I embrace my intuition of self-awareness under my personal practice of integrating multiple refreshing technical elements, that always plunging into the fundamental questions of man’s existence and the nature of living being. I appeal to the worldly communities for a spirit of connection and resonance that may well go beyond the surface of my painting art.” From 2022 to 2023, Cymn has extended a soul karma in her Washington saloon that spearheads to create a masterfully-suited-style of global ethos. The ethos showcases her accomplished selfhood of aesthetic views blending with both Eastern and Western cultures and languages. Wong attempts to vitalize the diversity of built-in imageries and present the visual art communities via a dynamic interaction of natural human passion with the uncontrollable social environment and the universe. In fact, Cynm’s lifelong commitments to bilingual poetry and expanded visual art have been widely applauded in multiple international platforms whereas her English...

A very attractive oil on canvas painting by the French Post-Impressionist painter Charles Picart le Doux (1891-1959), a beach scene in Spain, signed and dated 1933. The painting depi...

Artist: Vahe Yeremyan Work: Original Oil Painting, Handmade Artwork, One of a Kind Medium: Oil on Canvas Year: 2023 Style: Contemporary Art, Subject: Meadow Breeze, Size: 29" x 5...

Dutch School, Elegant Couple, Tavern Interior Scene, Cabinet Piece, A PAIR

Artist: Alexander Litvinov Work: Original oil painting, handmade artwork, one of a kind Medium: Oil on Canvas Style: Classic Figurative Year: 1999 Title: Elena the Beautiful Size: 2...

Abraham Janssens (Antwerp, Belgium, 1573 - Amsterdam, the Netherlands, 1632) Title: The Gypsy Medium: Oil on canvas Dimensions: without frame 116 x 94 cm – with frame 148 x 122 cm No...

Expressionist dome painting on canvas.

The Harvest Workers English School, 19th century, unsigned oil on canvas, unframed canvas: 24 x 16.5 inches provenance: from a collection in England condition: very good and sound co...

Sepia ink and watercolor study of a mother holding a child against a backdrop of a town bridge by Bernard Labbe (French mid 20th century) original sepia ink and watercolor on paper i...

Yvonne Canu 1921 – 2008 Signed bottom right and signed, titled and numbered 967 on the reverse Canvas Size: 22 x 18" (55 x 46cm) Outside Frame Size: 28 x 24" (70 x 60cm) Yvonne Ca...

This dynamic oil painting by Hayley Lever captures the quintessential spirit of summer along the New England coast. Children and adults gather on a bathing dock, their figures render...

Descent To Hell, Feasts and The Resurrection, 19th Century Eastern European Icon - Tempera On Panel Fine circa 19th century Eastern European master painting...

This Neo-expressionist piece from Berlin's Atlantic studio conveys all the immediacy of creating street art or graffiti. Outsider and street/graffiti artists have, since the inceptio...

Jim's of Lambertville Fine Art Gallery is proud to present this piece by Harry Leith-Ross (1886 - 1973). The son of an English father and a Dutch mother, Harry Leith-Ross was born in the British Colony of Mauritius, an island in the Indian Ocean a thousand miles off the southeast coast of Africa. His first formal art instruction began in England under Stanhope Forbes, followed by studies with Jean Paul Laurens at the Academie Julian in Paris. Leith-Ross came to the United States to enroll at the National Academy of Design in New York City in 1910, and then to Woodstock, in 1913. It was in Woodstock at the Art Students League, under the tutelage of Birge Harrison and John F. Carlson, that Leith-Ross would receive the training that most influenced his career as an artist. There he formed a lifelong friendship with fellow artist, John Folinsbee. The two artists shared a studio during this time and participated in several joint exhibitions exclusively featuring their work, including an exhibit at the Louis...

View of Castel Sant Angelo, from The River Tiber, Rome, early 20th Century by Laurence Henry Forster Irving OBE (1897-1988) Large early 20th Century view of Castel Sant Angelo fro...

A stunning charcoal drawing by French artist Etienne Poirier (1919 - 2002). This rare artwork is a charcoal-on-paper composition depicting an interpretation of the proud rooster. Thi...

Edwin Howland Blashfield was born in New York and as he grew up, he prepared for a life as an engineer: studying at Harvard, Boston, and MIT. He later grew into a love of art and beg...

From the Van Gogh series, Van Gogh enjoys the view of cornfields.

Oil on canvas Su Yu is a Chinese artist born in 1987 who lives and works in Beijing. He was an old student of prestigious art teachers as Shi Liang Chen Danqing at Oil Paintin...

This itinerant showman, with his drum and what appears to be a peep show, met a real need. What’s offered definitely engages the man in the group, but the woman pawing at his shoulde...

Oil on Canvas. Central-Italian school of the 17th-18th centuries. In a landscape with rocky, barren slopes, a herd of oxen and goats is depicted in the foreground, tended by a pair o...

The artwork features a nude figure adorned with long red gloves and draped in a flowing crimson fabric that cascades down to the floor. The character stands confidently, clutching a ...

Reflection. 1999, cardboard, oil, 20,5x12 cm Laimdots Murnieks (1922-2011) studied at Cesis and Jelgava teachers’ institutes (1938 – 44). He graduated from the Painting Department o...

A Visually Striking, 1950s Abstract Surrealist Mid-Century Modern Still Life Painting by Notable Chicago Artist, Harold Haydon (Am. 1909-1994). Depicting a colorful studio interior ...

Ellie Hesse was born in New York in 1972 but spent most of her childhood in the Yorkshire Dales. Travel has always been an important feature of her life since then, exploring Asia an...

Alexandre-François BONNARDEL was born in Israel on September 6, 1867. In 1891, he entered the Ecole des Beaux-Arts and made his debut at the Salon (both in Lyon). He worked under the...

Maurice ALBE (Beaugency 1900 - Périgueux 1995) The grape harvest, from a 16th century tapestry Oil on canvas (burlap type) H. 170 cm; L. 100 cm Signed and dated upper left 51 Proven...

Morton Constantine Ream paints a tabletop still life with a fruit bowl, a jade figurine, silver vessels, a jewel box, and two small yellow birds in his...

The Artists Model French School, circa 1920's circle of Henri Matisse (1869-1954) oil on canvas, unframed canvas: 21 x 25.5 inches Provenance: private collection, Paris Condition: v...

Pierre DUVAL LECAMUS (Lisieux 1790 - Saint-Cloud 1854) Dinner in good company Oil on canvas H. 32.5 cm; W. 24.5 cm Around 1820 Related works : - Painting from the 1822 Salon and kep...

Medium: Oil on Canvas Signature: Signed Lower Right Painting of a pensive woman seated in a chair Hans Amis, born in Canton, China, in 1957, is a graduate of the Fine Art College i...

Tigran Hovumyan Figurative Surrealist Oil Painter Artwork Title: Portrait Medium: Original Oil on Linen Dimensions: 51" x 33" x 1" (109 x 97 x 3 cm) Year: 2024 Unframed, Stretched o...

Artist: Pierre Neveu (French b.1929) signed lower right Medium: oil on canvas, unframed Canvas: 6 x 12 inches Condition: Good and sound condition Provenance: From the artist’s studi...

Do Astronauts Need Art? (#1) is a unique oil on canvas painting by contemporary artist Zoran Šimunović, dimensions are 180 cm × 150 cm (70.9 × 59.1 in). The artwork is sold framed. D...

SALVADOR SÁNCHEZ BARBUDO Spanish, 1857 - 1917 THE CARDINAL'S VISIT signed, located and dated "Barbudo / ROMA 1902" (lower right) oil on canvas 22 x 33-2/3 inches (55.5 x 85.5 cm.) framed: 36-1/2 x 48-1/4 inches (92.5 x 122.5 cm.) PROVENANCE Private Collection, Munich LITERATURE Visita con el cardenal combines the two most salient characteristics of Sánchez-Barbudo's work: the search for novelty of theme and narrative content, and the use of minutely detailed brushwork and luminosity. Sánchez-Barbudo specialised in elaborate 'costume pictures', delighting the viewer with impressive details finely rendered with dazzling technical virtuosity. Here, Sánchez-Barbudo depicts a well-to-do bourgeois family receiving a cardinal in their home. The interior, sumptuously furnished in the rococo style, along with the rich costumes and fabrics, are beautifully observed. Yet beyond the high technique lavished upon the composition, the treatment is comic and full of character and suffused with a gently satirising anti-clericalism. The cardinal, far from getting the attention he expects, is, literally, sidelined, his expression and body language showing his pique. There is no doubt that contemporary collectors and spectators took pleasure in the sight of noble self-respecting figureheads of the church being brought back down to earth. The comedy was appealing, and the message suited the prevailing political mood of an increasingly secular middle-class buying public. Salvador Sánchez Barbudo was born on March 14, 1857 in Jerez de la Frontera (Cádiz). He was one of the most important Spanish artists of the "casacón" genre, who followed the Fortuny tradition in Rome. During his childhood he was under the protection of the Marquis del Castillo and in 1875 he moved to Seville where he attended the School of Fine Arts, becoming a disciple of José Villegas...