Portrait Paintings

Medium: Oil on Board Signature: Signed Lower Right Dimensions: 7.13" x 5.50" Image of a man smoking a pipe.

Original cover for Liberty magazine, published March 8, 1930. Gwendolyn teases little Ulysses for having a bald head after she had taken scissors to it on Valentine’s Day. Lil had frantically taken Ulysses to the barber in an attempt to salvage the remains of his hair, but there wasn’t much left and now his head “felt like a sprouting cactus.” Gwen points to the aquarium on the table and ties a piece of cord to a ruler, attaches a safety pin, and dangles the line above the surface trying to catch a goldfish. “Gwen stood there, stubbornly waiting for the possible turn in her fisherman’s luck!” (Liberty magazine, March 8, 1930, p. 57) “For the Love o’ Lil: The Picture Story of an American Family” In 1926, under his long-term contract to produce a cover per week for Liberty magazine, Leslie Thrasher introduced a signature cast of characters that appeared each week, telling a serialized story through his illustrations. Liberty touted its new cover serial as “something no magazine has ever done before…Heretofore, all magazine cover...

Shipping Procedure Ships in a well-protected tube. This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authenticity. About Artist Oluwatobiloba A...

Medium: Acrylic on Board Signature: Signed Lower Right

We all wear masks. Someone has a sad mask, someone has a funny one. There are masks of cruelty or melancholy. My mask is like this one in love with the whole world. I give my love t...

This intimate portrait captures an artist in their studio, surrounded by the tools of their trade. The muted colour palette and soft lighting create a contemplative atmosphere, drawi...

Portrait of a Radiant Young Woman by Annie Faure (French 1940-2021) signed lower corner oil painting on canvas, unframed canvas size: 18 x 15 inches condition: overall very good, mi...

Sir Henry Raeburn (1756-1823) James Sinclair, 12th Earl of Caithness (1766-1823) Oil on Canvas 30 X 25 inches Unframed 37 X 32 inches framed Sir Henry Raeburn FRSE RA RSA (4 March 1756 – 8 July 1823) was a Scottish portrait painter and Scotland's first significant portrait painter since the Union to remain based in Scotland. He served as Portrait Painter to King George IV in Scotland. Raeburn was born the son of a manufacturer in Stockbridge, on the Water of Leith: a former village now within the city of Edinburgh. He had an older brother, born in 1744, called William Raeburn. His ancestors were believed to have been soldiers, and may have taken the name "Raeburn" from a hill farm in Annandale, held by Sir Walter Scott's family. Orphaned, he was supported by William and placed in Heriot's Hospital, where he received an education. At the age of fifteen he was apprenticed to the goldsmith James Gilliland of Edinburgh, and various pieces of jewellery, mourning rings and the like, adorned with minute drawings on ivory by his hand, still exist. Soon he took to the production of carefully finished portrait miniatures; meeting with success and patronage, he extended his practice to oil painting, at which he was self-taught. Gilliland watched the progress of his pupil with interest, and introduced him to David Martin, who had been the favourite assistant of Allan Ramsay the Latter, and was now the leading portrait painter in Edinburgh. Raeburn was especially aided by the loan of portraits to copy. Soon he had gained sufficient skill to make him decide to devote himself exclusively to painting. George Chalmers (1776; Dunfermline Town Hall) is his earliest known portrait. In his early twenties, Raeburn was asked to paint the portrait of a young lady he had noticed when he was sketching from nature in the fields. Ann was the daughter of Peter Edgar of Bridgelands, and widow of Count James Leslie of Deanhaugh. Fascinated by the handsome and intellectual young artist, she became his wife within a month, bringing him an ample fortune. The acquisition of wealth did not affect his enthusiasm or his industry, but spurred him on to acquire a thorough knowledge of his craft. It was usual for artists to visit Italy, and Raeburn set off with his wife. In London he was kindly received by Sir Joshua Reynolds, the president of the Royal Academy, who advised him on what to study in Rome, especially recommending the works of Michelangelo, and gave Raeburn letters of introduction for Italy. In Rome he met his fellow Scot Gavin Hamilton, Pompeo Girolamo Batoni and Byers, an antique dealer whose advice proved particularly useful, especially the recommendation that "he should never copy an object from memory, but, from the principal figure to the minutest accessory, have it placed before him." After two years of study in Italy he returned to Edinburgh in 1787, and began a successful career as a portrait painter. In that year he executed a seated portrait of the second Lord President Dundas. Examples of his earlier portraiture include a bust of Mrs Johnstone of Baldovie and a three-quarter-length of Dr James Hutton: works which, if somewhat timid and tentative in handling and not as confident as his later work, nevertheless have delicacy and character. The portraits of John Clerk, Lord Eldin, and of Principal Hill of St Andrews belong to a later period. Raeburn was fortunate in the time in which he practised portraiture. Sir Walter Scott, Hugh Blair, Henry Mackenzie, Lord Woodhouselee, William Robertson, John Home, Robert Fergusson, and Dugald Stewart were resident in Edinburgh, and were all painted by Raeburn. Mature works include his own portrait and that of the Rev. Sir Henry Moncrieff Wellwood, a bust of Dr Wardrop of Torbane Hill, two full-lengths of Adam Rolland of Gask, the remarkable paintings of Lord Newton and Dr Alexander Adam in the National Gallery of Scotland, and that of William Macdonald of St Martin's. Apart from himself, Raeburn painted only two artists, one of whom was Sir Francis Leggatt Chantrey, the most important and famous British sculptor of the first half of the 19th century. It has recently been revealed that Raeburn and Chantrey were close friends and that Raeburn took exceptional care over the execution of his portrait of the sculptor, one of the painter's mature bust-length masterpieces. It was commonly believed that Raeburn was less successful in painting female portraits, but the exquisite full-length of his wife, the smaller likeness of Mrs R. Scott Moncrieff in the National Gallery of Scotland, and that of Mrs Robert Bell, and others, argue against this. Raeburn spent his life in Edinburgh, rarely visiting London, and then only for brief periods, thus preserving his individuality. Although he, personally, may have lost advantages resulting from closer association with the leaders of English art, and from contact with a wider public, Scottish art gained much from his disinclination to leave his native land. He became the acknowledged chief of the school which was growing up in Scotland during the early 19th century, and his example and influence at a critical period were of major importance. So varied were his other interests that sitters used to say of him, "You would never take him for a painter till he seizes the brush and palette." In 1812 he was elected president of the Society of Artists in Edinburgh; and in 1814 associate, and in the following year full member, of the Royal Scottish Academy. On 29 August 1822 he was knighted by George IV and appointed His Majesty's limner for Scotland at the Earl of Hopetoun house. He died in Edinburgh. Raeburn had all the essential qualities of a popular and successful portrait painter. He was able to produce a telling and forcible likeness; his work is distinguished by powerful characterisation, stark realism, dramatic and unusual lighting effects, and swift and broad handling of the most resolute sort. David Wilkie recorded that, while travelling in Spain and studying the works of Diego Velázquez, the brushwork reminded him constantly of the "square touch" of Raeburn. Scottish physician and writer John Brown wrote that Raeburn "never fails in giving a likeness at once vivid, unmistakable and pleasing. He paints the truth, and he paints it with love". Raeburn has been described as a "famously intuitive"portrait painter. He was unusual amongst many of his contemporaries, such as Reynolds, in the extent of his philosophy of painting directly from life; he made no preliminary sketches. This attitude partly explains the often coarse modelling and clashing colour combinations he employed, in contrast to the more refined style of Thomas Gainsborough and Reynolds. However these qualities and those mentioned above anticipate many of the later developments in painting of the 19th century from romanticism to Impressionism. Sir Henry Raeburn died in St Bernard's House (17 St Bernards Crescent), Stockbridge, Edinburgh. He is buried in St. Cuthbert's churchyard against the east wall (the monument erected by Raeburn in advance) but also has a secondary memorial in the Church of St John the Evangelist, Edinburgh. James Sinclair, 12th Earl of Caithness was born at Barrogill Castle (Castle of Mey) on 31 May 1766. He was the son of Sir John Sinclair of Mey, Baronet who he succeeded in the baronetcy in 1774. He succeeded as 12th earl of Caithness in 1789. He was lord-lieutenant of the county of Caithness and lieutenant-colonel of the Ross-shire militia. He married at Thurso Castle on 2 January 1784 Jane, second daughter of Alexander Campbell...

Shipping Procedure Ships in a well-protected tube from Nigeria This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authenticity. About Artist Bor...

This portrait is a powerful display of emotions and psychological depth, blending raw intensity with vibrant colors. The face in the painting stares directly at the viewer, with a mi...

This portrait depicts an elderly gentleman seated before a backdrop of bookshelves, suggesting an academic or literary setting. The brushwork is expressive, with warm earth tones dom...

The Farmers Daughter French Impressionist, early 1900's signed oil painting on board, unframed board: 8.75 x 5.5 inches condition: very good provenance: from a private collection in ...

John Baker’s “Studio Sketch of Valerie” is an acrylic painting on canvas with collage 18 x 14 inches in pinks, greys and browns. When Valerie visited my studio she at first stayed ve...

Anthony Palliser was born in 1949 of an English father and a Belgian mother. He studied at Downside school and graduated from New College Oxford. In 1...

The Puritan Preacher by Gladys Marguerite Baker (British, 1889-1959 oil painting on canvas, framed framed: 30 x 27 inches canvas: 24 x 20 inches condition: some minor old varnish dis...

Lovers by Michele Salmon (French b.1946) signed lower front and verso oil painting on canvas, unframed canvas size: 39 x 32 inches provenance: private collection, France Beautiful ...

Shipping Procedure Ships in a well-protected tube from Africa This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authenticity (Issued by the Gall...

Shipping Procedure Ships in a well-protected tube from Nigeria This work is unique, this is not a print or other type of copy. Accompanied by a Certificate of Authenticity. About Ar...

November, 2022 acrylic on canvas 78 47/64 x 106 19/64 inches 200 x 270 cm The painting by Alexandru Rădvan is about our moments of 'respiro' about the minutes/seconds when we noti...

Ramonn Vieitez is a self-taught Brazilian artist who primarily utilizes painting as a field of creative possibility exploring themes such as identity, memory, and nature, compulsivel...

In this vivid and emotionally charged painting, the artist captures a profound narrative of resilience, sacrifice, and the fragile thread between life and loss. The central figure, a woman dressed in a striking blue, secures her hair with a steady resolve—a symbolic gesture of preparation, strength, and unwavering determination. Her piercing gaze tells a story of unspoken burdens and silent battles fought in the corridors of time. Beside her, a patient lies on a hospital bed, connected to life-sustaining machines. This is “the most expensive bed...

Work on canvas Original frame This portrait of a woman with a cameo is a beautiful example of 19th-century classical painting, showcasing the refinement and elegance of its time. The...

This painting depicts a whimsical portrait of a Young girl with beautiful expressive marks. There is great attention to detail, while an emotion is felt. The sepia color used and qui...

"Through Traveling You're Able To Understand The World & Find Endless Inspiration" - Lixian Cai Lixian began to travel outside of China, documenting each ...

One of the Crew by David W. Haddon (British early 20th century) signed oil on board , framed framed: 18 x 14 inches board: 15 x 12 inches provenance: private collection, England cond...

'Portrait of a Young Man' by Pandi, acrylic on stretched canvas. This piece was finished in early 2019 in Bali. It is a charming depiction of a...

At one time Evgeniy Monahov made a whole series of morning portraits-etudes, catching this wonderful slightly sleepy mood, cold morning light, tousled hair and extremely natural look...

"Beulah" is an original acrylic and glow-in-the-dark medium painting on canvas by artist Ifeoluwa Alade. Created in 2023, this distinctive piece measures an impressive 56 x 48 inches...

A better friend, captured the profound bond between a person and their animal companion. This series delves into the unconditional loyalty and companionship that dogs offer. Through ...

A fine mid-19th century portrait depicting Mayor John Neve (1796-1856) of Wolverhampton, whose tenure spanned 1853 to 1854. The artist has portrayed the figure in a sweeping Romantic...

Up for sale is a vintage original oil painting on canvas, depicting a portrait of a woman by listed American Artist Jacob Binder. Signed in the lower-le...

AGNIESZKA STAAK-JANCZARSKA (born in 1994) A graduate of the State Secondary School of Art of Józef Kluza in Krakow. In 2020, she graduated from the Academy of Fine Arts in Krakow in ...

The painting “Strong and Bold” from the series painting of Emily’s Diary portrays a compelling depiction of an African woman adorned with a nourishing Afrocentric hairstyle The fac...

Studio Giftig (Dutch artists) The Light of Hope 80 x 80 cm ( framing options available) (Shiped in a wooden box) Acryl and spray paint on canvas Studio Giftig consisting of the Neth...

"Winter is Coming" is an artwork that conjures a sense of anticipation, foreboding, and transformation. The title itself evokes the imagery of the changing seasons and the imminent arrival of winter, a time often associated with cold, stillness, and introspection. The artwork may depict various visual elements that represent the transition into winter. It could showcase barren trees, falling leaves, or a landscape covered in a blanket of snow. The artist may use a subdued color palette, capturing the muted tones and ethereal atmosphere of the season. Through "Winter is Coming," the artist may explore the deeper symbolism associated with winter. It can represent the passage of time, the cycles of nature, and the inevitability of change. The artwork may serve as a reminder that just as winter arrives, so too do periods of challenge, introspection, and personal growth in our own lives. Moreover, "Winter is Coming" invites viewers to reflect on their own experiences and emotions connected to the season. It may evoke feelings of nostalgia for cozy moments by the fireplace, the beauty of snow-covered landscapes, or the introspection that winter's stillness brings. It also prompts contemplation on the resilience and adaptability required to navigate life's challenges. The artwork may inspire viewers to embrace the transformative power of winter, acknowledging that even in the harshest of seasons, there is beauty and potential for renewal. It encourages us to find solace and strength in the quieter moments, to reflect on our journeys, and to prepare ourselves for the opportunities that lie ahead. "Winter is Coming" is an artwork that captures the essence of transition, introspection, and the cyclical nature of life. It prompts reflection on the beauty and challenges associated with the arrival of winter, both in the natural world and within our own lives. The artwork serves as a reminder to embrace change, find resilience, and discover the hidden wonders that lie within the quieter moments of our journey. - Shipping Procedure Ships in a well-protected tube from Nigeria This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authenticity. - About the Artist Born in Lagos, Nigeria, Oniudele Gold...

19th Century French School - Study Of A Head After The Antique Study of a head after the antique Oil on cardboard 45.7 x 32 cm Without signature

Frank Nelson Wilcox (American, 1887-1964) The Stonecutter's Evening, c. 1915 Oil on canvas Signed lower right 36 x 27.5 inches 42.25 x 34 inches, framed Frank Nelson Wilcox (October 3, 1887 – April 17, 1964) was a modernist American artist and a master of watercolor. Wilcox is described as the "Dean of Cleveland School painters," though some sources give this appellation to Henry Keller or Frederick Gottwald. Wilcox was born on October 3, 1887 to Frank Nelson Wilcox, Sr. and Jessie Fremont Snow Wilcox at 61 Linwood Street in Cleveland, Ohio. His father, a prominent lawyer, died at home in 1904 shortly before Wilcox' 17th birthday. His brother, lawyer and publisher Owen N. Wilcox, was president of the Gates Legal Publishing Company or The Gates Press. His sister Ruth Wilcox was a respected librarian. In 1906 Wilcox enrolled from the Cleveland School of Art under the tutelage of Henry Keller, Louis Rorimer...

Story illustration for "The Well-Meaning Kidnapper" by Logan Carrol, published in The Saturday Evening Post, February 3, 1951, page 24. The full caption reads: "'Don't you know kidn...

Herman Hyneman (1849-1907) Untitled, 1885 Oil on wood panel 13 1/2 x 10 1/4 in. Framed: 23 x 20 x 2 in. Signed lower left: H.N. Hyneman 85 The following is from Peter Jung who credits "a friend named Jeff Gold on Long Island." Herman N. Hyneman (1849 - 1907) was born in 1849 to one of the most prominent Jewish families in Philadelphia. Unlike most Jewish families of the time, his embraced and encouraged his artistic talent. In 1874, Hyneman followed his first cousin Moses Ezekiel, National Academy member, to Europe to study. They first went to Germany and then to France where Hyneman began eight years of study with Leon Bonnat, the French Master. In Paris, the twenty-five year old Hyneman resided in a studio building at 75 Boulevard Clichy, with expatriates Frederic Arthur Bridgeman, Charles Sprague Pearce, Milne Ramsey, and Edwin Blashfield. Hyneman was clearly exposed to the works of these more experienced artists, as well as that of Walter Gay. In 1879, one of Hyneman's genre paintings, entitled "Desdemona", was accepted into the Paris Salon. That painting received favorable reviews both in Europe, and later in Philadlephia where it was exhibited alongside the works of other Philadelphia Artists exhibiting at the Salon that included Thomas Eakins, Pearce, Edward May...

Francesco Traballesi (Florence, Italy, 1541 - Mantua, Italy, 1588) Title: Portrait of a young man with a glove Medium: Oil on panel Dimensions: without frame 69.5 × 86.5 cm Painting ...

Medium: Oil on Canvas Signature: Signed Lower Right Provenance, The Executive V.P. office of the Pennsylvania Railroad

This contemporary figurative oil painting explores themes of politics and culture. Deborah Root’s dynamic colourful compositions tell an intimate story about her experience during s...

Date: 1937 Medium: Oil on Canvas Dimensions: 36.00" x 24.00" Signature: Signed Upper Left The original painting for the 1937 Heidi movie poster.

Portrait of a Young Lady French Modernist artist, circa 1960's period signed oil on board, unframed Board: 21.5 x 15 inches Provenance: private collection, France Condition: very goo...

Donald Vogel’s paintings reflect his interest in seeking beauty in life and in sharing pleasure with his viewers. Vogel entreats us to "rejoice and celebrate each new day, knowing it...

Etienne Cail (B.1991) Jessica Huile sur toile signée et datée au dos 150 x 200 cm / 59.06 x 78.74 inches 2024 LE TABLEAU SERA EXPEDIE ROULE, IL FAUDRA LE FAIRE REMETTRE SUR CHASSIS....

Shipping Procedure Ships in a well-protected tube from Nigeria This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authenticity (Issued by the Gal...

Shipping Procedure FREE Shipping Worldwide Ships in a well-protected tube from Nigeria This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authent...

Portrait of a Seated Lady English School, mid 19th century oil on canvas, unframed canvas: 16 x 13 inches provenance: private collection, England condition: good and sound condition

Continental Kurt Portrait of Kurt Cobain - Nirvana Technique: oil, acrylics and ink on canvas 80x80cm ■■ 31,5x31,5 inch ⏩》R E A D Y -- T O -- H A N G《⏪ 🟢 → Original signed work....

A charming portrait study of a gentleman in a top hat. The artist captures the man's face in loose, gestural brushstrokes and a muted palette. Signed with a monogram. Presented in a ...

Nadezda's beautiful new oil on panel painting "Sweetman" (2024) is a surrealist portrait of a young man, wearing goggles, tie-shorts and a seemingly impossible harness made of pies. Finely holding two lollipops out to the viewer, his presence is both inquisitive and lighthearted. He stands in a ribbon swirl of taffy, while a cat stares upwards at him with joy. Nadezda is a painter, sculptor, photographer, and concept artist. Her artwork is focused on narratives carefully gathered from the hidden chambers of her imagination as well as live theater-inspired work with actors, dancers, and models. Like a quilt stitched of poetic realities, Nadezda’s mysterious world defies the mundane. With a non-linear creative process flowing between different media, the artist explores various vantage points in her creations. This dynamic approach inspires her mind’s eye to focus on the worlds within and evoke an uninterrupted, creative transmission which is then channeled through her paintings, drawings, sculpture, photography, writing and film. SOLO EXHIBITIONS: September 2024 Once There Was, Once There Wasn’t // Modern Eden, San Francisco, CA, USA May 2024 Siren’s Heart // Haven Gallery, Long Island, NY, USA February 2022 Secret Hallway // Modern Eden, San Francisco, CA, USA July 2021 The Great Scale of Little Things // Galleria D’Arte Piero Della Francesca, Arezzo, Italy February 2021 A Place To Dream // SHOH Gallery, Berkley, CA, USA July 2019 Pins & Petals // Haven Gallery, Long Island, NY, USA August 2018 Lukomorye // Spoke Art, San Francisco, CA, USA February 2018 Nightmares & Lullabies // Haven Gallery, Long Island, NY, USA June 2017 Fly-By-Night // Haven Gallery, Long Island, NY, USA MUSEUM EXHIBITIONS: March 2024 Miradas Femeninas // group exhibition, Museu Europeu d’Art Modern (MEAM), Barcelona, Spain FAIRS: April 2020 Art Market San Francisco // SFADA x Modern Eden, San Francisco, CA, USA February 2020 LA Art Show // Abend Gallery, Los Angeles, CA July 2019 Art Market Hamptons // Haven Gallery at Bridgehampton Museum of Art, NY October 2018 Moniker Art Fair // Spoke Art, London, UK July 2017 Art Market Hamptons // Haven Gallery at Bridgehampton Museum of Art, NY SELECTED GROUP EXHIBITIONS: June 2024 Portrait Show XII: Myth // Modern Eden, San Francisco, USA March, 2024 BAA Teachers Show 2024 // BAA Gallery, Barcelona, Spain January, 2024 AKSK // Corey Helford Gallery, Los Angeles, USA September 2023 Reverie // Modern Eden, San Francisco, USA August 2023 Mass // Modern Eden, San Francisco, USA October 2023 Bacchus // Modern Eden, San Francisco, USA September 2023 Harvest // Modern Eden, San Francisco, March 2023 Secret Longings // Corey Helford Gallery x Beautiful Bizarre, Los Angeles, CA December 2022 Yule // Modern Eden, San Francisco, CA November 2022 Halcyon Days // Beautiful Bizarre x Modern Eden, San Francisco, CA October 2022 Danse Macabre // Modern Eden, San Francisco, CA September 2022 Totem // Modern Eden, San Francisco, CA August 2022 Mighty // Modern Eden, San Francisco, CA June 2022 X Annual Portrait Exhibition // Modern Eden, San Francisco, CA April 2022 100 Trees // Modern Eden, San Francisco, CA October 2021 Lore // Modern Eden, San Francisco, CA June 2021 Moleskine Project X // Spoke Art, San Francisco, CA June 2021 Portrait Show IX // Modern Eden, San Francisco, CA November 2020 Art Collector Starter Kit VII // Corey Helford Gallery, Los Angeles, CA October 2020 Midnight Garden // Beautiful Bizarre x Modern Eden, San Francisco, CA July 2020 The Art of Quarantine // SHOH Gallery, Berkley, CA May 2020 Unjust Contentment // Beinart Gallery, Brunswick, Australia March 2020 Contemporary Figuration // Abend Gallery, Denver, CO November 2019 Paintguide x Thinkspace Projects // Thinkspace Projects, Los Angeles, CA November 2019 Annual Holiday Miniatures Show // Abend Gallery, Denver, CO November 2019 Esprit De Corps // Modern Eden x Haven Gallery, CA and NY June 2019 Moleskine Project VIII // Spoke Art SF, CA June 2019 Muse, SHOH Gallery // Berkley CA June 2019 Small Works, Beinart Gallery // Australia May 2019 Gaia Reborn // Beautiful Bizarre at Museum of Urban Contemporary Art, Berlin, Germany March 2019 Femme, Spoke Art + Juxtapoz, NY January 2019 Music Box // Haven Gallery, Northport, NY December 2018 Solstice Blue...

The work is in excellent condition and meticulously rendered in a photo-realistic style. It showcases the artist's high-level sense of design. Newsweek could hire any artist in the...

Gazing boldly is an act of defiance against the uncertainties of life. It embodies the spirit of facing challenges head-on, with unwavering confidence and clarity. This phrase evokes...

Shipping Procedure Ships in a well-protected tube from Nigeria This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authenticity (Issued by the Gal...

This piece titled "The Lovers" is an original artwork made from oil on double vintage portrait paintings on wood by André Schulze. This piece...

(Note: This work is part of our exhibition Connected by Creativity: WPA Era Works from the Collection of Leata and Edward Beatty Rowan) Fresco, 20 x 16 inches unframed, 22 x 18 inch...

Shipping Procedure Ships in a well-protected tube from Nigeria This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authenticity. About the Artist...

Brothers are not just people related by blood.... here is how I found my brother on the street leaving prints of impact on me... Keep the good brothers that will reflect in your lif...