17th Century Art

We have the full series of 52 prints (including title page) from Vita Passio et Resurrectio Iesu Christi listed. To find the others scroll down to "More from this Seller" and below i...

We have the full series of 52 prints (including title page) from Vita Passio et Resurrectio Iesu Christi listed. To find the others scroll down to "More from this Seller" and below it click on "See all from this Seller" and search for 'Collaert' - or message us as they may not all have been uploaded yet. Theodoor Galle...

We have the full series of 52 prints (including title page) from Vita Passio et Resurrectio Iesu Christi listed. To find the others scroll down to "More from this Seller" and below i...

Pair of large oval-shaped baroque mirrors (II / II) Roman master carver of the seventeenth century Carved, lacquered and gilded wood Antique mercury silvered glass mirror 92 x 76 cm. (at the mirror 59 x 43 cm.) We present this pair of prestigious oval-shaped mirrors (of which a second pair is also available, of excellent executive level, which interprets the period of the Italian Baroque in an exemplary way. The works are in carved and gilded wood with a black lacquered background, richly decorated with a deep volute carving with particularly vigorous leaf motifs, coping and lateral ends embellished with cherub heads. This type of boldly carved volute acanthus mirrors...

To see our other views of Oxford and Cambridge, scroll down to "More from this Seller" and below it click on "See all from this Seller" - or send us a message if you cannot find the view you want. David Loggan (1634-1692) King's College Cambridge Engraving 1690 40x51cm Baptised in Danzig in 1634 Loggan's parents were English and Scottish. Studying engraving in Danzig with Willem Hondius (1598-1652 or 1658) he moved to London in the late 1650s producing the engraved title-page for the folio 1662 Book of Common Prayer. Marrying in 1663 he moved to Nuffield, Oxfordshire in 1665 to avoid the Plague and was in 1668/9 appointed Public Sculptor to the nearby University of Oxford having been commissioned to produce bird’s-eye views of all the Oxford Colleges. He lived in Holywell Street as he did this. Oxonia illustrata was published in 1675, with the help of Robert White (1645-1704). Following its completion he commenced work on his equivalent work for Cambridge, Cantabrigia Illustrata which was finally published in 1690 when he was made engraver to Cambridge University. Oxonia illustrata also includes an engraving of Winchester College (sharing its founder – William of Wykeham – with New College) whilst Cantabrigia illustrata includes one of Eton College (which shares its founder – Henry VIII – with King’s College). Bird’s-eye views required a particular talent as an architectural perspectivist of that era as it was not until 1783 that the first living thing (a sheep, named Montauciel ‘climb to the sky’) was sent aloft by the Mongolfier brothers in a balloon. Loggan thus had to rely on his imagination in conceiving the views. Loggan’s views constitute the first accurate depictions of the two Universities, in many ways unchanged today. Whilst the Oxford engravings were produced in reasonable numbers and ran to a second edition by Henry Overton (on thicker paper and with a plate number in the bottom right-hand corner), those of Cambridge were printed in smaller numbers and it is thought largely no second edition was produced. The Dutchman Pieter van der Aa published some miniature versions of the engravings for James Beverell’s guidebook to the UK Les Delices de la Grande Bretagne c. 1708. Edmund Hort New (1871-1931) produced a series of pen-and-ink drawings of views of Oxford that paid homage to Loggan showing the development of the city in the following two hundred years. They were turned into photoengravings by Emery Walker...

To see our other views of Oxford and Cambridge, scroll down to "More from this Seller" and below it click on "See all from this Seller" - or send us a message if you cannot find the view you want. David Loggan (1634-1692) Clare College Cambridge...

To see our other views of Oxford and Cambridge, scroll down to "More from this Seller" and below it click on "See all from this Seller" - or send us a message if you cannot find the view you want. David Loggan (1634-1692) The Bishop's Hostal, Trinity College Cambridge...

Hans de Jode (The Hague, 1630 - Vienna, 1663) Fantasy winter landscape with lake and city on the banks About 1650 Oils on canvas (62 x 93, in frames 82 x 112) The work is accompanied by an expertise of Dr. Fred G...

Portrait Of The Persian Sybil, 17th Century School of GUERCINO (1591-1666) Large 17th Century Italian Old Master portrait of the Persian Sybil, oil on canvas. Excellent quality an...

Oak Leaf Peace Wreath with Dove and Serpent Around 1700 Black chalk on thin, brownish paper 39,8 x 52,7 cm Inscribed "N" in the centre left This drawing is probably by an Italian Ar...

"La Danse Sous Les Arbes (The Country Dance)" is an etching by Claude Gellee (Le Lorrain). This etching is in the collections of the Metropolitan Museum and the Louvre. Publisher: Ma...

Michel CORNEILLE the Younger (Paris, 1642 – 1708) Roman Charity (Cimon and Pero) Black chalk with white highlights on beige paper Height: 28 cm – Width: 20 cm Unsigned France, cir...

"Le Patre et la Bergere (The Herdsman & Shepherdess)" is an etching by Claude Gellee (Le Lorrain). This etching is in the collections of the Metropolitan Museum and the British Museu...

A very fine oil on canvas of Sir John Pettus ,circle of Mary Beale 17th century Wearing a red cloak and a black tunic with white collar. His coat of arms to the right.Unsigned Housed in a gilt frame, the size overall being 85 x 74 cm whilst the painting is 76 x 63.5cm In overall excellent condition. There is a wealth of history about the sitter online , below is a brief resume John Pettus Sir John Pettus (1613–1690) was an English royalist, politician and natural philosopher. Pettus was an expert on metallurgy and became a deputy governor of the royal mines in England and Wales under Charles I and II. He is known for the first English translation of the work of the German metallurgist Lazarus Ercker. Pettus’s grandfather was a wealthy Norwich merchant ,he purchased the manor of Rackheath in 1590 and represented the city in 1601 and 1604-10. Although a younger son, Pettus inherited the manors of Chediston and Wenhaston, He married well; but even before the Civil War most of his estate was mortgaged, and his wife’s expectations were never realized, owing to her father’s misfortunes as leader of the City Royalists. Pettus became a servant to Charles I, and took part in the farcical royalist attempt on Lowestoft in March 1643, but was exchanged after nearly a year in prison. It is unlikely that he resumed command of his regiment, such as it was, since he ‘continued inoffensive till the taking of Bristol’ by the New Model Army...

Provenance: Mercedes von Dietrichtein, Buenos Aires. Alexander von Dietrichstein. By descendants Morritz von Diestrichstein. Nicolaes Pieterszoon Berchem (1 October 1620 – 18 February 1683) was a highly esteemed and prolific Dutch Golden Age painter of pastoral landscapes, populated with mythological or biblical figures, but also of a number of allegories and genre pieces. He was a member of the second generation of "Dutch Italianate landscape" painters. These were artists who travelled to Italy, or aspired to, in order to soak up the romanticism of the country, bringing home sketchbooks full of drawings of classical ruins and pastoral imagery. His paintings, of which he produced an immense number, (Hofstede de Groot claimed around 850, although many are misattributed), were in great demand, as were his 80 etchings and 500 drawings. His landscapes, painted in the Italian style of idealized rural scenes, with hills, mountains, cliffs and trees in a golden dawn...

Provenance: Robert L. and Bertina Suida Manning, New York, until 1996 Private Collection, USA One of the leading artists in Genoa during the second half of the seventeenth century, Domenico Piola came from a successful family of artists, renowned for their many illusionistic ceiling programs throughout Genoese churches and palaces. A prolific draughtsman and painter, Domenico oversaw an extremely productive studio. In addition to his collaborations with numerous other artists, Domenico also provided many designs for book illustrations and prints that circulated throughout Europe, earning him international exposure and high acclaim in his own day. As Dr. Anna Orlando has indicated (written communication), the present work is an early work by Piola, datable from the late 1640s. At this time the young artist came strongly under the influence of Castiglione and Valerio Castello, while admiring the works of Giulio Cesare Procaccini. Piola’s works from this period are exuberant and fluid, and the artist’s love of portraying children is evident from the angels and putti that populate both his altarpieces and more intimate paintings. The present work depicts three angels...

John Riley 1646 – 1691 Portrait of William Chiffinch (c.1602-88) Oil on canvas Image size: 30 x 25 inches Original frame Another version of this can be found in the Dulwich Pictur...

Imas Coat Of Arms, Innes Clan, Sir Robert Innes, 17th Century Scottish School 17th Century Scottish Imas Coat Of Arms to the Innes Clan, oil on canvas laid down. Early Innes clan c...

Jan Gillisz van Vliet (1605–1668) was a Dutch Golden Age artist and student of Rembrandt. He worked with Rembrandt between 1628 and 1637, inspired by his master's work. Like Rembrandt, van Vliet made a series of beggar figures, though often with a greater degree of satire and expressiveness. For example, this image of a rat catcher...

"La Fuite en Egypte (The Flight into Egypt)" is an original etching by Claude Lorrain (Claude Gelee). This piece depicts the biblical story of Mary, Joseph, and the infant Jesus goin...

"Scene de Brigands" is an etching by Claude Gellee (Le Lorrain). This etching is in the collections of the Louvre and the Art Institute of Chicago. Publisher: Mannocci #11. 5" x 7...

"Harbour Scene" is an engraving by Claude Gellee (Le Lorrain). The artist signed the piece in plate lower left. 7 3/4" x 9 5/8" art 18 1/8" x 20 1/4" frame Biography Claude Lorra...

"La Tempete" is an original etching by Claude Lorrain (Claude Gellee). This is Claude's earliest dated etching (1630). The work depicts a storm-tossed sea with ships on the verge of ...

Giovanni Francesco Barbieri Guercino Italian 1591-1666 Portrait of a Merchant Sanguine on laid paper Image size: 12 ¾ x 16 inches (32 x 40....

Still Life Of Grapes In The Vineyard, 17th Century Pierre Antoine Lemoyne (French 1605-1665) similar to $250,000 Huge 17th Century French Old Master study of grapes in the vineyard, oil on canvas by Pierre Antoine Lemoyne. Excellent quality and condition study of the vines and grapes growing before a rustic building. Exceptional detail and rare early work of art on the subject of wine making...

"Two Rams Facing Each Other" is an original etching by Karel DuJardin. The artist signed the plate. DuJardin completed many delicate etchings of rams. ...

"Les Chevres (The Goats)" is an original etching by Claude Lorrain. It depicts two pairs of goats and a shepherd watching over them. This etching is also in the collections of the Me...

Antique Map -Mar Del Nort is an antique map realized in 1650 by Johannes Janssonius (1588-1664). The Map is Hand-colored etching, with coeval watercolorang. Good conditions with sl...

Antique Map - Oceanus is an antique map realized in 1650 by Johannes Janssonius (1588-1664). The Map is Hand-colored etching, with coeval watercoloring. Good conditions with slight...

Antique Map - Archipela Meridionalis is an antique map realized in 1650 by Johannes Janssonius (1588-1664). The Map is Hand-colored etching, with coeval watercolorang. Good conditi...

Antique Map - Attica is an antique map realized in 1650 by Johannes Janssonius (1588-1664). The Map is Hand-colored etching, with coeval watercoloring. Good conditions with slight ...

Maris Mediterranei is an ancient map realized in 1650 by Johannes Janssonius (1588-1664). The Map is Hand-colored etching, with coeval watercoloring. Good conditions with slight fo...

Oceani Borealis is an ancient map realized in 1650 by Johannes Janssonius (1588-1664). Good conditions. From Atlantis majoris quinta pars, Orbem maritimum [Novus Atlas, volume V: c...

Freti Canalis is an ancient map realized in 1650 by Johannes Janssonius (1588-1664). Good conditions. From Atlantis majoris quinta pars, Orbem maritimum [Novus Atlas, volume V: car...

Achaiae Noua is an ancient map realized in 1650 by Johannes Janssonius (1588-1664). Good conditions. From Atlantis majoris quinta pars, Orbem maritimum [Novus Atlas, volume V: cart...

Map of Crete (Candia olim Creta) is an etching realized by Johannes BLAEU (1596-1673) in 1650s. Etching hand watercolored. The renowned map of the island of Crete by Blaeu, hand-...

Oil on Canvas. Italian school of the 17th-18th centuries. A large composition of colorful flowers in embossed metal vases and some fruits scattered on the ground are placed against a...

Oil painting on canvas. French school of the seventeenth century. The scene, set at night in the garden of a villa, of which you can glimpse the ornate facade on the right and in which the fountain gushing with cherubs stands out, under a dark sky and further obscured by heavy clouds, proposes two figures who entertain each other in conversation : an elderly modestly dressed is sternly admonishing a seated young man, richly dressed, who seems instead to make the gesture of mea culpa with his hand. The physiognomy and the gestures of the two characters, together with the style of the clothes, would refer to the philosopher Aristotle who was called to the court of Macedon to be the tutor...

Exodus 16 -Old Testament Story is an Etching print realized by the artist Giovanni Lanfranco. About The Old Testament Story, 1607 ca. Passpartout...

Genesis 1 -Old Testament Story is an Etching print realized by the artist Giovanni Lanfranco. About The Old Testament Story, 1607 ca. Passpartout ...

Genesis 18 -Old Testament Story is an Etching print realized by the artist Giovanni Lanfranco. About The Old Testament Story, 1607 ca. Passpartout included 29 x 39 cm The artwork ...

Regum.1 31 -Old Testament Story is an Etching print realized by the artist Sisto Badalocchio. About The Old Testament Story, 1607 ca. Passpartout i...

Matthei 2 -Old Testament Story is an Etching print realized by the artist Giovanni Lanfranco. About The Old Testament Story, 1607 ca. Passpartout ...

Genesis 2 -Old Testament Story is an Etching print realized by the artist Sisto Badalocchio. About The Old Testament Story, 1607 ca. Passpartout included 29 x 39 cm The artwork is...

Genesis 6 -Old Testament Story is an Etching print realized by the artist Giovanni Lanfranco. About The Old Testament Story, 1607 ca. Passpartout included 29 x 39 cm The artwork i...

17th century oil on panel of Piazza di Spagna. Italian school. Frame later.

Genesis 31 -Old Testament Story is an Etching print realized by the artist Sisto Badalocchio. About The Old Testament Story, 1607 ca. Passpartout included 29 x 39 cm The artwork i...

Joshua 26 - Old Testament Story is an Etching print realized by the artist Giovanni Lanfranco. About The Old Testament Story, 1607 ca. Passpartout included 29 x 39 cm The artwork is in good condition with some foxing. Together Giovanni Lanfranco with Sisto Badalocchio (q.v.), he was a pupil in Parma of Agostino Carracci (1557-1602). Again with Badalocchio, he traveled to Rome in 1602, following Agostino's death, to work under Annibale Carracci (1560-1609), where the two assisted him with, among other projects, the completion of the decoration of the Galleria Farnese. Lanfranco's return to Rome in 1612, he was for long the close rival of Domenichino (q.v.) for some of the most prestigious commissions of the day. Lanfranco's reputation was secured by his 'proto-Baroque', illusionistic fresco in the style of Correggio in the dome of S.Andrea della Valle, painted in 1625-7. In 1634 Lanfranco transferred to Naples, where he painted fresco decorations in the Gesu Nuovo (1634-5); the Certosa di S. Martino (1637-8/9; see 1967,0211.2); SS Apostles (1638-46; see 1895,0915.728); and the Cappella del Tesoro in the cathedral of S. Gennaro. He returned to Rome in 1646, where his last major commission from him was his fresco decoration of the 'Glory of St Carlo Borromeo...

Joshua 10 - Old Testament Story is an Etching print realized by the artist Giovanni Lanfranco. About The Old Testament Story, 1607 ca. Passpartout included 29 x 39 cm The artwork is in good condition with some foxing. Together Giovanni Lanfranco with Sisto Badalocchio (q.v.), he was a pupil in Parma of Agostino Carracci (1557-1602). Again with Badalocchio, he traveled to Rome in 1602, following Agostino's death, to work under Annibale Carracci (1560-1609), where the two assisted him with, among other projects, the completion of the decoration of the Galleria Farnese. Lanfranco's return to Rome in 1612, he was for long the close rival of Domenichino (q.v.) for some of the most prestigious commissions of the day. Lanfranco's reputation was secured by his 'proto-Baroque', illusionistic fresco in the style of Correggio in the dome of S.Andrea della Valle, painted in 1625-7. In 1634 Lanfranco transferred to Naples, where he painted fresco decorations in the Gesu Nuovo (1634-5); the Certosa di S. Martino (1637-8/9; see 1967,0211.2); SS Apostles (1638-46; see 1895,0915.728); and the Cappella del Tesoro in the cathedral of S. Gennaro. He returned to Rome in 1646, where his last major commission from him was his fresco decoration of the 'Glory of St Carlo Borromeo...

Genesis 41 - Old Testament Story is an Etching print realized by the artist Giovanni Lanfranco. About The Old Testament Story, 1607 ca. Passpartout included 29 x 39 cm The artwork...

A Mediterranean harbour scene with figures and ships before a Capriccio landscape. Oil on Canvas In a gilded frame 10 ½ x 19 ½ inches 26.6 x 49.5 cm ABOUT THE ARTIST: Adriaen van d...

Pair of Angels, Tuscan Sculptures with Cornucopias from the 1600s hand-carved from stone pine wood, lacquered and gilded from Central Italy, from a private villa in Siena; they are...

Soldier is an original old master artwork realized in 17th Century. Black and white etching. Good conditions except for signs of time.

Very decorative painting, in its period frame. French school of 17th century Oil on canvas Dimensions of the painting: 89.5 x 130 cm Dimensions with frame 99.5 x 145 cm Without...

Le couvent dans la vallée is an original etching realized in the 17th Century by Antoine-François Bauduins (1640 1700). Trimmed, very good conditions. Signed on the plate. The art...

"Tempo di Minerva Medica" is an original engraving by Israel Silvestre, titled along the lower edge. This miniature print depicts the ruins of the Temple of Minerva Medica in the Rom...

Le Repos Pendant la Fuitre en Egypte is an original Lithograph realized by an unknown artist of Italian School in 17th Century. Good condition on a yellowed paper. No signature.

"The Pipe Smoker" is an original etching by Cornelis-Pietersz Bega. It depicts a man sitting at a table with his pipe. Publisher: Pearce #38. 3 1/2" x 3 1/4" art 13 5/8" x 11 3/4" f...

Portrait of Cardinale Retz is an original Etching, realized by Stephan Picart in 1652. The status of preservation Good. The artwork is depicted skillfully through confident and str...

Cornelis Bega (1631/2-1664), The Mother Seated in an Inn, etching, circa 1660-64. Reference: Hollstein 31, a later impression, second state (of 2). In good condition, trimmed outside...