17th Century Art

Portrait of Cardinale Retz is an original Etching, realized by Stephan Picart in 1652. The status of preservation Good. The artwork is depicted skillfully through confident and str...

'The Smoker (Le Fumeur)' is an original etching by the celebrated Dutch painter and printmaker Cornelis-Pietersz Bega. It presents a genre scene of the type Bega was best known for: Bega's principal subjects were genre representations of taverns, domestic interiors and villages. He depicted nursing mothers, prostitutes, drunks, gamblers and fools such as quack doctors and alchemists. In this case, he shows a man seated on a chair with his foot on a flat stool and holding a smoking pipe. For Bega, this representation was more of a caricature than it was an image of a specific person, and such genre scenes would have held allegorical and symbolic meaning for the seventeenth-century viewer. During the seventeenth century, the Dutch of all levels of society consumed tobacco and alcohol, and these were an important part of the Dutch economy and a major source of wealth. At the same time, however, moralists and ministers sought to curb intoxication: they openly described drinking and smoking as sinful, immoral, and a general threat to one’s reputation. This paradox is reflected in prints such as this, which inherently carry the national pride of the Dutch economy alongside a moral warning in a print that could be just as easily consumed and collected. 2.5 x 2.25 inches, print 12.38 x 10.38 inches, frame Framed to conservation standards using archival materials including 100 percent rag matting and mounting materials. Housed in a gold finish Spanish-style wood moulding. Overall good and stable condition; margins cut to plate; some wrinkling in the corners from previous mounting; housed in a new custom frame. Cornelis Bega was born into prosperous circumstances. His mother, Maria Cornelis, inherited half the estate (gold, silver, paintings, drawings and prints) and all of the red chalk drawings of her father, Cornelis Cornelisz van Haarlem, a renowned Mannerist artist. Bega's father was Pieter Jansz Begijn (d 1648), a gold and silversmith. Like other family members, Bega was probably Catholic. Houbraken's claim that Bega studied with Adriaen van Ostade is likely to be correct; this was probably before 24 April 1653, when Bega joined Vincent Laurentsz. van der Vinne in Frankfurt for a journey through Germany, Switzerland and France. Bega had returned to Haarlem by 1 September 1654, at which time he joined the Guild of St Luke; he was already a competent draughtsman, as indicated by his first extant dated work, Interior with a Nursing Mother (1652; Frankfurt am Main, Städel. Kstinst.), and by a remarkable double portrait (Amsterdam, Rijksmuseum) drawn by him and Leendert van der Cooghen in 1654. Bega painted, drew, etched and made counterproofs in a wide variety of materials on different types of small-scale supports. He may have been the first Dutch artist to make monotypes, but this remains controversial. Approximately 160 paintings, 80 drawings and six monotypes by Bega have been catalogued, as well as around 34 etchings. Bega's principal subjects were genre representations of taverns, domestic interiors and villages. He depicted nursing mothers, prostitutes, drunks, smokers, gamblers and fools such as quack doctors and alchemists. Less common subjects include the ridiculed or pestered woman, as in Two Figures and Mother with a Spirits Bottle (c. 1662; Gouda, Stedel, Museum Catharina Gasthuis) and The Inn (etching), as well as witty satires on traditional scenes of middle-class music-makers, such as the Music Lesson (1663; Paris, Petit Palace). Bega's early paintings, such as the Weaver's Family (c. 1652; St Petersburg, Hermitage), are freely executed, dark and coarse, recalling the many-figured peasant subjects of van Ostade. Between c. 1660 and 1664 he began to paint genre scenes with fewer figures, which are finely articulated, colourful and psychologically expressive, for example Two Men Singing (1662; Dublin, N.G.). His exquisite, late fijnschilderen ('fine painting') manner, evident in The Alchemist (1663; Malibu, Getty Museum), compares well with that of Gerrit Dou. As a draughtsman Bega is noted for his single-figure studies, executed mainly in black and white chalk on blue paper or red chalk on white paper. None of the studies, which were drawn naer het leven (from life), seem to relate to a painting or etching. Bega traded drawings or shared models with other artists of the Haarlem school, including van der Cooghen, Gerrit Berckheyde, Dirck Helmbreker and Cornelis Visscher. These artists drew chalk figure studies in a very similar style, characterised by regular and precise parallel shading and well-defined forms; their drawings, especially those of Bega and Berckheyde, have been frequently confused. Unlike the realistic figure studies, Bega's etchings depict interiors with figures or single figures in the manner of van Ostade; the compositions, often with masterful chiaroscuro effects, reflect most closely the paintings of the 1650s. Bega is likely to have remained in Haarlem, where he paid dues to the Guild in 1661. He probably died from the plague; fees for his expensive funeral at St. Bavo's were paid on 30 August 1664. Among the artists he influenced were Thomas Wijck, Jan Steen, Richard Brakenburg (1650-1702) and Cornelis Dusart. Painters such as R. Oostrzaen ( fl ?1656) and Jacob Toorenvliet...

Cornelis Bega (1631/2-1664), The Mother Seated in an Inn, etching, circa 1660-64. Reference: Hollstein 31, a later impression, second state (of 2). In good condition, trimmed outside...

Diversi Animali is an original Etching realized by Antonio Tempesta in the 17th Century. Good Conditions. The artwork is depicted through strong strokes with perfect Hatchings.

Camel Study is an original old master artwork realized by Stefano Della bella in 1640 ca. Black and white etching. The plate is from the suite "Têtes de différents animaux". Includ...

"The Conversation" is an original etching by Cornelis-Pietersz Bega. It depicts three men conversing in a dark interior. Publisher: Pearce #43. 3" x 2 1/4" art 12 3/4" x 11 5/8" fra...

A beautifully painted Baroque style oil on board portrait of a lady wearing an embroidered top with ruffled collar. Her bonnet edged in delicate lace. Dated 1619 on the top left fron...

Plates of Old Testament is a wonderful black and white set of prints realized by the Italian master Antonio Tempesta (1555-1630) in the XVII century. The ten plates depicting scenes of the Old testament WITH Inscriprions on plates They are mounted on a cardboard passepartout and in a gilded frame. Antonio Tempesta, also known as Il Tempestino (Florence, 1555 - Rome, 1630), was an Italian painter and engraver of the early Baroque period. Antonio Tempesta trained in the culture of late Mannerism, with a naturalistic but also calligraphic taste, acquired from the frequentation of Giovanni Stradano, with whom he collaborated in the decoration of Palazzo Vecchio. Moving to Rome in 1573, he worked for Pope Gregory XIII, frescoing some maps of Rome in the Vatican, including the famous Map of Rome (1593). In the pontifical capital, he worked for many noble families and for important cardinals, such as Alessandro Farnese and Scipione Borghese. His works are in San Giovanni dei Fiorentini, at the villa in Caprarola, in Tivoli. He returned to Florence for a brief stay, where he collaborated with Alessandro Allori...

The Human Body is an original etching realized as plate no. 10 of Andrea Vesalio's "De Humani Corporis Fabrica". The "De Humani Corporis Fabrica is commonly considered a major adva...

The Human Skeleton is a original etching realized as plate no. 15 of Andrea Vesalio's "De Humani Corporis Fabrica". The "De Humani Corporis Fabrica is commonly considered a major a...

The Circulatory System is an original etching realized as plate no. 34 of Andrea Vesalio's "De Humani Corporis Fabrica". The "De Humani Corporis Fabric...

City with Travellers is an original and little etching of an unknown artist of 17th century. The artwork is in good conditions with some little stains on a yellowed paper. No signa...

Valsavia Superiore e Inferiore is a beautiful historical etching on ivory-colored paper, realized by Vincenzo Maria Coronelli (1650-1718) in the late 17th century. This interesting ...

Harbour is an original etching on paper realized by Italian artist Stefano Della Bella (1610 –1664). Plate signed on the lower left. Included a Passepartout: 40 x 60 cm Titled on...

"Mythological Scene--Satyr & Goat Herder" is an etching by Italian artist Giovanni Benedetto Castiglione. It depicts a satyr lounging on the left and an approaching goat herder on th...

Urbino con la neve is an original artwork realized by an artist of the 17th century. Beautiful etching on ivory paper. Image Dimensions: 20...

Dog is a wonderful black and white etching on thick laid paper, realized by the Italian master Antonio Tempesta (1555-1630). Not signed. In excellent conditions. Including a crea...

Grande Curia Palace is an original hand-colored print realized by the Dutch artist Pierre Mortier in the second half of the XVII century. Original etching on paper. Signed on the p...

The Buffalo is a wonderful black and white etching on thick laid paper, realized by the Italian master Antonio Tempesta (1555-1630). Not signed. In excellent conditions. Including a cream-colored cardboard passepartout, 34 x 50 cm. An exciting original print, with all the dignity of a mythological or epic story, represented with an incredible balance of black and white, light and shadow, and a typical Baroque dynamism. Antonio Tempesta, also known as Il Tempestino (Florence, 1555 - Rome, 1630), was an Italian painter and engraver of the early Baroque period. Antonio Tempesta trained in the culture of late Mannerism, with a naturalistic but also calligraphic taste, acquired from the frequentation of Giovanni Stradano, with whom he collaborated in the decoration of Palazzo Vecchio. Moving to Rome in 1573, he worked for Pope Gregory XIII, frescoing some maps of Rome in the Vatican, including the famous Map of Rome (1593). In the pontifical capital, he worked for many noble families and for important cardinals, such as Alessandro Farnese and Scipione Borghese. His works are in San Giovanni dei Fiorentini, at the villa in Caprarola, in Tivoli. He returned to Florence for a brief stay, where he collaborated with Alessandro Allori...

The Horse is a wonderful black and white etching on thick laid paper, realized by the Italian master Antonio Tempesta (1555-1630). Image Dimensions: 5 x 7 / 8 x 10 cm. Not signed....

The fawn is a wonderful black and white etching on thick laid paper, realized by the Italian master Antonio Tempesta (1555-1630). Image Dimensions: 5 x 7 / 8 ...

Bull is a wonderful black and white etching on thick laid paper, realized by the Italian master Antonio Tempesta (1555-1630). Image Dimensions: 5 x 7 cm. 8 x 10 cm. Not signed. I...

Dog is a wonderful black and white etching on thick laid paper, realized by the Italian master Antonio Tempesta (1555-1630). Not signed. In excellent conditions. Including a crea...

Dog is a wonderful black and white etching on thick laid paper, realized by the Italian master Antonio Tempesta (1555-1630). Not signed. In excellent conditions. Including a crea...

Interior Meeting is an original etching realized in 17th century by an anonymous Master. With description in French on the bottom. Good conditions, except for some cutting and dif...

"Two Rams Looking Down, One Quarter View, One Straight Ahead" is an original etching by Karel DuJardin. DuJardin completed many delicate etchings of ram...

Pianta dei Giardini di S.Maria - Roma is an original drawing in etching technique on ivory-colored paper, realized by Anonymous Artist of the 17th Century...

St. Matthew is an original etching artwork on paper realized by an anonymous artist of the XVII century. Sheet dimension:21 x 14 Good conditions except for the trace of humidity on...

"Two Rams Looking Down & To Their Left" is an original etching by Karel DuJardin. DuJardin completed many delicate etchings of rams. 3 3/4" x 7 3/4" art 16 3/8" x 19 1/2" frame Du Jardin was a master of various genres of painting, including refined and tranquil Italianising landscapes, monumental historical paintings and superb portraits of the aristocracy. Unlike the majority of his contemporaries, Karel du Jardin (b. Amsterdam 1626, d. Venice 1678) was a talented painter in not one, but many different genres. He is especially famous for his small-scale landscapes, such as the charming Italian landscape with a woman milking a goa" (1652) from the Rijksmuseum's collection. Du Jardin depicted both sun-filled Italianate scenes and Dutch farmyards with pigs and sheep. He also painted a range of elegant portraits of aristocrats and merchants. His self-portrait (1662) on copper is one of the most fascinating 17th-century portraits of a Dutch artist. Du Jardin's spectacular large-scale historical pieces, represented is the show by the impressive Conversion of Saint Pau" (1662) from the collection of the National Gallery of London, are among his most remarkable achievements; he often chose themes that were only rarely depicted by other Dutch painters of the period. During his own lifetime Du Jardin was praised by poets and writers, particularly for his attention to detail and elegant painting technique. As Cornelis de Bie, the artist’s biographer, wrote in 1661: "the surety of the brush at his finger and such sharpe clarity […] that the eye thereon doth linger." Du Jardin's valuable paintings were mainly purchased by rich individuals with an eye for elegance, but were also commissioned by prominent institutions such as the Amsterdam 'Spinhuis' (a women's prison), for whom he painted a vast group portrait of the prison-governors. Karel du Jardin was an artist who liked to travel. He lived for a time in Lyon and in Paris, and sailed with Joan Reynst, Heer van Drakestein, by ship via England, Portugal and Spain to Tangier and Algiers, where they met Michiel de Ruyter...

Oil on Canvas. On the barrel in the lower left corner is the signature H.Sanders. The scene, set outdoors on a street in a Flemish town, with the canal in the background on the left,...

Amazing painting of Cleopatra oil on canvas with a gilt wood frame. Attributed to Giuseppe Diamantini (Fossombrone 1621-Venice 1705) The dramatic subje...

Scipione Compagno (active in Naples in XVII century) Title: Crucifixion Medium: Oil on canvas Dimensions: without frame 64 x 52.5 cm - with frame 80 x 67 cm Antique wooden cassetta frame carved, sculpted and gilded by Mecca technique Not signed Expertise by Nicola Spinosa, art historian Publications: Bozzetti, modelletti, sketches: dalla collezione di Giorgio Baratti...

Wenzel Hollar (1607-1677), Adam Elsheimer, etching after a painting of Elsheimer by Jan Meyssens, 1649, with text and signatures as described below. Ref...

Genova olim Ligusticum is a charming antique map etched on paper, representing the "Genovesato Parte Orientale" or the Genoa area and devoted to the prince and cardinal Carpegna, rea...

Portrait Of General George Monck, 1st Duke of Albermarle (1608-1670), 17th Century by Jacob Huysmans (1633-1696) Huge 17th Century British Old Master portrait of General Monck, 1st...

Palamonis et Pachomii is a beautiful hand-watercolor etching realized by the Flemish artist Raphael Sadeler (Anvers, Antwerpen 1560 - Munich between 1628 and 1632), after a drawing b...

Cornelis Bega (active 1631/32-64), The Young Hostess, c. 1660-64, etching. Reference: Hollstein, Bartsch 33, third state (of 5). With the address of J. Covens and C Mortier bottom left - before the address was removed (in the fourth state) and the artist’s signature was added (in the fifth state). In excellent condition, printed in black/grey ink on an old laid paper, with a 3/16 inch margin outside the plate mark all around, archival matting. Provenance: Ex collection Graff (with stamp verso, Lugt 1092a), LRV (with stamp verso, Lugt 1761), an unidentified collector’s stamp verso, and Dr. Karl Herveg (his stamp verso, Lugt 3974). A very good impression, with the guidelines of the address strongly visible. Dr. Karl Herweg was a noted collector of 17th Century Dutch prints...

Original etching by G.B. Falda. Very good conditions. This artwork is shipped from Italy. Under existing legislation, any artwork in Italy created over 70 years ago by an artist who...

Original etching by G.B. Falda. Very good conditions. This artwork is shipped from Italy. Under existing legislation, any artwork in Italy created over 70 years ago by an artist who...

"Alexander Adriaenssen (1587-1661). Still Life With Fish" By Alexander ADRIAENSSEN (1587-1661). Still life with fish", oil on panel, 50.5 x 76.5 cm

Signed and dated on the left lower margin of the plate: “Corn. Dusart fe. 1685”. On Netherlandish watermarked paper. Very good conditions. Bartsch n.16. Beautiful etching describes a scene of ordinary peasant’s life. Passepartout included : 47.5 x 56 cm Cornelis Dusart (Haarlem, 1660 - 1704), Netherlandish painter and engraver, apprentice of Adriaen van Ostade, he was accepted by the Corporation of Saint Luca...

"The Meeting" is an original etching by Cornelis-Pietersz Bega. It depicts a confrontation between two groups of figures. Publisher: Pearce #48. 2 3/4" x 2 3/4" art 10 1/4" x 10 3/8...

"Veduta del Palazzo Maggiore" is an original engraving by Israel Silvestre, titled along the lower edge of the image. The miniature image depicts an idyllic landscape framed with sil...

Oil on Canvas. Central Italian school of the 17th century. According to iconographic tradition, the 'guardian angel is also depicted in this painting as a winged youth accompanying a...

"Man Looking Through a Window" is an original etching by Cornelis-Pietersz Bega. It depicts a figure leaning through a window. Publisher: Pearce #37. 3 1/8" x 3" art 14 3/4" x 13 1/...

Portrait of Oliver Cromwell (1599-1658), 17th century circle of Robert WALKER (1599-1658) Large 17th Century English Civil War portrait of Oliver ...

Oil painting on canvas. It is a vintage copy of the engraving of the same name made by Annibale Carracci (1560-1609), which had immediate success and gave rise to a series of printed replicas and painted copies. It presents the moment of the Passion in which Christ is crowned with the crown of thorns, the object of torture, the disparaging symbol of his proclamation as King of Kings. The act is performed by two figures, the Roman soldier and the Jew, representing the two people who they took part in Christ's death sentence. The figures, vigorous and sanguine, those of the two tormentors paler and more inert than the victim, create an intertwined composition of bodies, with that of the central Jesus joining the other two, uniting them in the shared responsibility of what they are doing; placed sideways, Jesus has his head bent forcibly to the left by the soldier who imposes the crown of thorns on him, while the Jew on the right places the bamboo cane in his hand, replacing the scepter. The scene is dominated by gloomy and dark colors, among which only the bright red of Christ's robe stands...

Carte Particulaire Des Costes De Bretagne Depuis Le Cap de Frehel, Jusques a Perros, & L’Isle Tome. This large sea scale chart shows part of the northwestern co...

Livio Mehus (Oudenaarde, Belgium, 1630 - Florence, Italy, 1691) Title: Allegory of Augustinian Order Medium: Oil on canvas Dimensions: without frame 94 x 98 cm - with frame 116 x 143...

Small silk tapestry, with some applied inserts in painted canvas, corresponding to the faces and hands of the characters. The scene depicts Plato's Academy, with the philosopher sitt...

Artista attivo in ambito lombardo nel primo quarto del XVII secolo Natura morta con frutti, verdure e vaso con fiori su un ripiano in pietra Olio su tela cm. 115 x 170 Studio del ...

Hans Burkhardt frequently used live models for his figural pastels, which he maintained an interest in throughout his long career. Untitled (1972) Pastel on paper 25" x 20" Signed a...

""Horti Medici Amstelodamensis Rariorum"" (Rarities of the Amsterdam Physic Garden), 1st edition, 1697 - 1701. ( Ref: Dunthorne: 81) Jan Commelin (1629-1692) was Director of the Am...

""Horti Medici Amstelodamensis Rariorum"" (Rarities of the Amsterdam Physic Garden), 1st edition, 1697 - 1701. ( Ref: Dunthorne: 81) Jan Commelin (1629-1692) was Director of the Am...

The Drunk" is an oil on panel painting created by Dutch school student. This artwork provides viewers with a captivating glimpse into the past, offering a detailed and vivid portraya...

Portrait Of Two Girls & A Servant, 17th Century circle of Sir Godfrey KNELLER (1646-1723) Huge 17th Century English Old Master portrait of two ...

View Of Posillipo from the Riviera di Chiaia, circa 1695 by ANGELO MARIA COSTA (1670-1721) Huge 17th Century Italian Neapolitan School view of Posillipo from the Riviera Di Chiaia,...

Portrait Of Actor Anthony Leigh As Father Dominic from John Dryden's "The Spanish Fryar", 17th Century Sir GODFREY KNELLER (1646-1723) Large 17th C...

Amazing painting of Cleopatra oil on canvas with a gilt wood frame. Attributed to Giuseppe Diamantini (Fossombrone 1621-Venice 1705) The dramat...

One flame candle holder putto made of gilded wood. Those kind of objects were present in churches or noble villas, specially during the Baroque times. The base is not coeval.