1910s Art

Image dimensions. 26x18 cm. Mele 4 is a rare color lithograph printed by G. Ricordi and C. Milano, Milan between 1895 and 1914. An advertising poster of the famous Neapolitan tailo...

Studies for the Female Figure is an original artwork realized by the french artist Ginsbourg in 1918. Original red pencil on paper. Hand-signed and dated in pencil on the lower ri...

This woodcut by Franz Marc is hand signed in pencil by the artist’s wife "Maria Marc" verso. The paper also bears the violet inkstamp, verso "Handdruck vom Originalholzstock bastaeti...

In 1910, the original poster "Rendez Vous de Chasse" by the artist Gamy depicted a scene of elegance and excitement surrounding a hunting gathering. This captivating artwork capture...

Manierre Dawson Upper Street, 1912 Oil on board 10 x 15 inches Provenance: The artist Estate of the artist Private Collection (gift of Lillian Dawson, widow of the artist) Hollis Ta...

This work is a colored pencil sketch by German born, American modernist, Oscar Bluemner. Bluemner immigrated to the United States in 1893. He settled in New York in 1901, and by 19...

Pierre Auguste RENOIR Standing swimmer Drypoint 2010 On vergé ivoire paper Size 33 x 25 cm Very good condition REFERENCE : Catalog raisonné Stella 23

Raoul DUFY The Love, c. 1910 Original woodcut Signed stamp of the artist's studio Numbered on /220 On vellum 50.5 x 65.4 cm (c. 19.6 x 25.5 inch) Excellent condition

This bronze sculpture by Bessie Potter Vonnoh, from 1911, is a charming rendering of a young woman dressing. Vonnoh became one of the so-called "White Rabbits", women artists who a...

Woodcut print attributed to Hans Ziegler and realized in 1910. Hand signed and dated on plate. Very good condition.

Georges CONRAD (1874-1936) Tribute to Degas Ballerina : Sitting female nude Original India ink and pencil drawing Signed with the stamp of atelier On...

William Zorach, Lithuanian (1887 - 1966) - Woodlands (Double-sided), Year: 1913, Medium: Watercolor on Paper, signed and dated in pencil, with Graphite Drawing on verso, Size: 8.5 ...

Black and white photograph realized in 1944 ca. in occasion of the occupation of Belluno by the German Army. Very good condition.

Black and white photograph realized in 1918 in occasion of the occupation of Belluno by the Austro-German Army. Very good condition.

Albert Léon LEBARQUE Quatre-Champs (Ardennes), 1853 – Paris, 1939 The blacksmith's workshop Oil on panel24 x 18 cm (34.5 x 28 cm with frame) Signed and dated lower left “A. Lebarque ...

"Sitting Nude" (1963) is a lithograph based on Gustav Klimt's original drawing of 1914-16. It depicts in his typical art deco style a nude woman posing with her arms over her head. ...

Outstanding etching realized by Chadwick in 1915, Monogrammed in pencil lower right. Very good condition.

Black and white photograph realized in 1918 ca. in occasion of the occupation of Belluno by the AustroGerman Army. Very good condition.

Black and white photograph realized in 1944 ca. in occasion of the occupation of Belluno by the German Army. Very good condition.

Frantisek Kupka, Czech (1871 - 1957) - Abstract Composition (Color). Year: 1913, Medium: Color Etching on Richard de Bas, stamp signed and signed in the plate, Image Size: 6 x 13.5 i...

This powerful 1918 original French war loan poster, created by Alsatian illustrator Hansi (the pseudonym of Jean-Jacques Waltz), is a poignant call to action and a visual beacon of n...

Louis LEGRAND (1863-1951) Bather, 1911 Original drypoint etching Pencil signed bottom right (also plate signed on the right) Numbered 38/50 Bearing G Pellet editor stamp On vellum ...

Woman on a Patio Pastel on paper, c. 1915 Unsigned Provenance: Gift of the artist to his wife, Mary Hess Buehr By decent to the artist's niece, daughter of Will Hess David Saltzman Robert Henry Adams Fine Art Thomas French Fine Art Ronald C. Sloter, Columbus, Ohio Columbus College of Art and Design (de-accessed) Exhibited at Robert Henry Adams Fine Art, 1994, the first exhibition at the North Franklin Street Gallery. One of the early Chicago artists to adopt Impressionism, Karl Buehr became a figure and landscape painter. As a figure painter, his specialty became "gorgeously colored images of young women on porches overlooking brilliant summertime gardens." (Kennedy 98) His later work often showed a female figure with serious expression engaging the viewer with a direct stare. In his landscapes, he was noted for his strong coloration. In a December 1896 student exhibition at the Art Institute, a reviewer for the "Chicago Times Herald" described Buehr's landscapes as "blithe and joyous" with "country roads brilliant in sunlight . . . fields rich in summer verdure, under soft skies painted in a high, musical key." (Gerdts 68) Buehr was born as one of seven sons to a prosperous German family who immigrated to America and settled in Chicago in 1869. He was first exposed to his signature style of Impressionism in 1888 when he enrolled in night classes at the Art Institute while working in the shipping department of a lithographic firm near the Institute. He remained a student there until 1897 and was recognized in a "Chicago Times Herald" editorial of June 13, 1897 as one of the Institute's most outstanding pupils. The next year, his art career was temporarily put on hold when he briefly enlisted with the U.S. Army in the Spanish American War. In 1899, he resumed his art studies, this time with Frank Duveneck. He exhibited a painting at the Paris Salon of 1900. In 1905, thanks to a wealthy Chicago patron, Buehr and his family moved to France. They spent the following year in Taormina, Sicily, and spent time in Venice as well. In Paris, Buehr studied at the Academy Julian with Raphael Collin for two years. Then he went to England, enrolling in the London Art School but had returned to Paris by 1908. During this time, he began painting at Giverny, the home of Impressionist leader Claude Monet (1840-1926, and by 1912, Buehr was listing that village as his home address. One of his good friends and associates at Giverny was Frederick Frieseke. One of Buehr's paintings from that time, "News from Home", was exhibited in 1913 at the French Salon in Paris and at the annual exhibit of the Chicago Art Institute. It shows a woman in floral dress sitting on a porch with a background with potted flowers and lush greenery background. Of his painting done at Giverny, Buehr wrote in 1912 to William Macbeth of Macbeth Galleries in New York: "My figures painted in and around Giverny are costumed and in appropriate out door settings." (Gerdts 68) In 1914, he returned to the United States and took a teaching position in Chicago at the Art Institute, which he held for the remainder of his life. He was married to Mary Hess, a painter of miniatures and decorative works. In 1928-29, he was a guest artist at Stanford University. Courtesy, AskArt “Karl Albert Buehr (1866–1952) was a painter born in Germany. Buehr was born in Feuerbach - near Stuttgart. He was the son of Frederick Buehr and Henrietta Doh (Dohna?). He moved to Chicago with his parents and siblings in the 1880s. In Chicago, young Karl worked at various jobs until he was employed by a lithograph company near the Art Institute of Chicago. Introduced to art at work, Karl paid regular visits to the Art Institute, where he found part-time employment, enabling him to enroll in night classes. Later, working at the Institute as a night watchman, he had a unique opportunity to study the masters and actually posted sketchings that blended in favorably with student's work. Having studied under John H. Vanderpoel, Buehr graduated with honors, while his work aroused such admiration that he was offered a teaching post there, which he maintained for many years thereafter. He graduated from the Art Inst. of Chicago and served in the IL Cav in the Spanish–American War. Mary Hess became Karl's wife—she was a student of his and an accomplished artist in her own right. In 1922, he was elected into the National Academy of Design as an Associate member. Art Studies in Europe In 1904, Buehr received a bronze medal at the St. Louis Universal Exposition, then, in 1905, Buehr and his family moved to France, thanks to a wealthy Chicago patron, and they spent the following year in Taormina, Sicily, where the artist painted local subjects, executing both genre subjects and landscapes as well as time in Venice. Buehr spent at least some time in Paris, where he worked with Raphaël Collin at the Académie Julian. Giverny and American Impressionism Prior to this time, Buehr had developed a quasi-impressionistic style, but after 1909, when he began spending summers near Monet in Giverny, his work became decidedly characteristic of that plein-air style but he began focusing on female subjects posed out-of-doors. He remained for some time in Giverny, and here he became well-acquainted with other well known expatriate America impressionists such as Richard Miller, Theodore Earl Butler, Frederick Frieseke, and Lawton Parker. It seems likely that Buehr met Monet, since his own daughter Kathleen and Monet’s granddaughter, Lili Butler, were playmates, according to George Buehr, the painter’s son. His other daughter Lydia died before adulthood due to diabetes. He returned to Chicago at the onset of World War I and taught at The Art Inst for many years. One of his noted pupils at the Art Institute was Archibald Motley...

Etching and drypoint realized by Chadwick in 1915. Hand signed in pencil lower right. Very good condition.

Georges CONRAD (1874-1936) Secretary in the Subway Original pencil and color pencils drawing Signed with the stamp of atelier On paper 26.5 x 20 cm (c. 10,4 x 7.8 in) Good conditio...

One of 50 copies on Japon ancient. Very important and rare book illustrated by Raoul Dufy. Perfect conditions, hard binding. Reduced edition of the original "Bestiaire". 

Georges CONRAD (1874-1936) Gentle evening Original pencil and color pencil drawing Signed with the stamp of atelier On paper 26.5 x 20 cm (c. 10,4 x 7.8 in) Very good condition, pa...

John Sloan (1871-1954), Barbershop, 1915, etching and aquatint, signed in pencil lower right, inscribed in pencil “For John Quinn, Esq. – John Sloan” lower left margin, (also signed ...

"Backyards" Early 20th Century Watercolor Fauvism Social Realism American Scene Note: We have three similar in style works from 1911 available now on 1stDibs. All are framed identic...

The European Macabre Dance N.1 is an hand-colored lithograph, from the Series "La Danza Macabra Europea" illustrated by Alberto Martini (Oderzo, 1876 – Milan, 1954) in 1915. Signed...

A very large 24" (61cm) Franz Xavier Bergmann (1861-1936) cold painted bronze group statue, signed, Austria, circa 1910. The bronze in the Orientalist manner & depicts a young slave ...

This vintage poster advertises the Éclair brand of stove polish paste, a product in high demand during a time when almost all stoves were made out of cast iron. The winged wheel is a...

Here for your consideration is a comical take on the position of maitre d’. Unsigned. Framed in a new African mahogany frame. Overall measurements are 25.5 by 17.5 inches. Oil pain...

Sketched Portrait is a vintage, beautiful, and rare collotype from “Gustav Klimt: Fünfundzwanzig Handzeichnungen”, a limited-edition collection of 25 monochrome and two-color collotypes after drawings by Gustav Klimt. Published by Gilhofer and Ranschburg, Vienna, July 1919, just one year after Klimt...

This vibrant vintage advertising poster by Leonetto Cappiello promotes La Boulonnaise, a brand of preserved herring and mackerel from Boulogne-sur-Mer, France. Cappiello’s compositio...

Medium: woodcut (engraved by Jacques Beltrand after Cezanne). This impression on cream laid paper was printed in 1914 and published by Bruno Cassirer and Theodore Duret. Image size: ...

Frantisek Kupka, Czech (1871 -1957) - Femme Debout II, Year: circa 1912, Medium: Etching on Pur Fil du Marais, stamp signed, Image Size: 15.75 x 9.75 inches, Size: 25.75 x 19.5 i...

For your consideration here is a wonderful original watercolor by the Scottish born artist John P. Nicolson also known as John Nicolson. Executed circa 1915 in the style of Winslow H...

During World War I, posters were an essential way to get information out to the general population. This Original Vintage Poster was designed by Charles Chambers in 1917 for the Worl...

Stein am Rhine, 1912 Watercolor on paper 7 x 5 in. Mat: 10 3/4 x 8 3/4 in. Inscribed lower right: Stein a/Rh, Juni 1912 At the point where Lake Constance again becomes the Rhine River, you will find the little town...

Erotic scene is an original Héliogravure artwork on ivory-colored paper, realized by Micheal Von Zichy in 1911. Printed in only 300 copies, Leipzig;...

William Jean Beauley Great Kills, circa 1917 Signed lower right Oil on panel 40 x 50 inches Housed in its original Newcomb-Macklin gilt frame Pro...

Jim’s of Lambertville is proud to offer this artwork by: Gershon Benjamin (1899-1985) An American Modernist of portraits, landscapes, still lives, and the urban scene, Gershon Benj...

Erotic scene is an original Héliogravure artwork on ivory-colored paper, realized by Micheal Von Zichy in 1911. Printed in only 300 copies, Leipzig;...

Georges CONRAD (1874-1936) Fishing Party Original pencil and color pencil drawing Signed with the stamp of atelier On paper 26.5 x 20 cm (c. 10,4 x 7.8 in) Very good condition, pap...

Erotic scene is an original Héliogravure artwork on ivory-colored paper, realized by Micheal Von Zichy in 1911. Printed in only 300 copies, Leipzig;...

Erotic scene is an original Héliogravure artwork on ivory-colored paper, realized by Micheal Von Zichy in 1911. Printed in only 300 copies, Leipzig; Privatdruck, from the Catalogue ...

Georges CONRAD (1874-1936) Study of female nude and a couple Original pencil drawing Signed with the stamp of atelier On paper 26.5 x 20 cm (c. 10,4 x 7.8 in) Good condition, paper...

François-Maurice ROGANEAU (Bordeaux 1883 - Aix-en-Provence 1973) Portrait of the model and future wife of the painter: Almerinda Caira Graphite, charcoal, and sanguine on paper H. 25...

Georges CONRAD (1874-1936) Study of woman in bathing suit Original India ink and color pencil drawing Signed with the stamp of atelier On paper 26.5 x 20 cm (c. 10.4 x 7.8 in) Ver...

Georges CONRAD (1874-1936) Nineteenth-century Coachman Original India ink and pencil drawing Signed with the stamp of atelier On paper 26.5 x 20 cm (c. 10,4 x 7.8 in) Very good co...

The circa 1910 original aviation poster by Calmont titled "L'atterrissage au couvent" is a captivating piece that captures the excitement and novelty of aviation during the early 20t...

This etching with aquatint was created by French printmaker Manuel Robbe. Robbe’s innovative techniques, along with his sense of color harmony and his choice of subjects: stylish wom...

The European Macabre Dance N.8 is a hand-colored lithograph, from the Series "La Danza Macabra Europea" illustrated by Alberto Martini (Oderzo, 1876 – Milan, 1954) in 1915. Signed ...

Food from Switzerland is an original drawing artwork in pen on paper realized by Italian Artist Giuseppe Scalarini (Mantova, 29 Gennaio 1873 – Milano, 30 December 1948). The state o...

Each plate 20 1/4" x 13 1/2" 1 4-fold plate 2 2-fold plates Georges Goursat (1863–1934), known as Sem, was a French caricaturist famous during the Belle Époque. Life and works Youth (1863–1900) Georges Goursat was born and raised in an upper-middle-class family from Périgueux. The wealth inherited from his father at the age of 21 allowed him to sustain a gilded youth. In 1888 he self published in Périgueux his first three albums of caricatures, signing some as "SEM" (Figure, left), allegedly as a tribute to Amédée de Noé who signed his caricatures for Le Monde illustré as "Cham". From 1890 to 1898, he settled for a few years in Bordeaux. During this period, he published more albums and his first press caricatures in La Petite Gironde and discovered the work of Leonetto Cappiello. His style matured, becoming both simpler and more precise. During the same period, he made trips to Paris. In 1891, he designed two posters printed in the workshop of Jules Chéret for the singer Paulus . He published his first caricatures of artists in L'Illustration (Albert Brasseur) and Le Rire (Paulus, Polin and Yvette Guilbert). From 1898 to 1900, he lived in Marseille. During this stay, he met Jean Lorrain who convinced him to live in Paris. Caricature women on a boat being sailed by a sailor by Sem, 1925 Belle Époque (1900–1914) Goursat arrived in Paris in March 1900, at the time of the opening of the Universal Exposition. He picked horse races as his way of entry in high society. In June, three months after his arrival, he self-published a new album, Le Turf, with caricatures of many prominent Parisian socialites (Marquess Boni de Castellane, Prince Trubetskoy, Count Clermont-Tonnerre, Baron Alphonse and Gustave de Rothschild, Polaire). The success of this album made him famous overnight. In October of the same year, he published another album, Paris-Trouville, with the same success. Nine others followed until 1913. In 1904, Goursat received the Légion d'honneur. In 1909, he exhibited with the painter Auguste Roubille, first in Paris, then in Monte Carlo and London. a diorama, composed of hundreds of wooden figurines "of all the merely Paris celebrities". World War I (1914–1918) Aged over 50 at the start of World War I, Goursat was not drafted. He nevertheless involved himself as a war correspondent for Le Journal. Some of his rather "chauvinistic" articles had an "enormous impact".Ten were published in 1917 in Un pékin sur le front. Two others were incorporated in 1923 in another book, La Ronde de Nuit. In 1916 and 1918 Goursat published two albums of Croquis de Guerre (War sketches). Their style is completely different from his previous work. He also designed posters for war bonds. Années Folles (1918–1934) After the war, Goursat came back to the kind of caricatures that made him famous. In 1919, he published Le Grand Monde à l'envers (High Society upside down). Around 1923, he published 3 albums under the general title of Le Nouveau Monde...

Antique art deco silver tea service by Laurits Berth(1857-1917). Consists of: teapot (h.19cmxl.27cmxw.14cm;volume 1.5 l), milk jug(h.10cmxl.15cmxw.9cm), sugar bowl(h.14cmxl.18cmxw.12...

Der Zauberer is an original modern rare Book engraved by Karl Thylmann (Darmstadt, 1888 - Groß-Auheim, 1916) and written by Nikolaj Gogol in 1919. Original First Edition. 1000 unnumbered copies. Published by Kurt Wolf Verlag, Leipzig. Format: in 8°. The dimensions and the weight of the book are indicative. The artwork includes 101 pages with 12 full page woodcuts. Mint conditions. Karl Thylmann (Darmstadt, 1888 - Groß-Auheim, 1916). He was a German book artist , graphic artist and poet. n Darmstadt, the son of a senior teacher attended the Ludwig-Georgs-Gymnasium , where he made the acquaintance of the later composer Wilhelm Petersen . During his architecture studies at the Technical University of Munich , he also got to know Stefan George...

Frantisek Kupka, Czech (1871 - 1957) - Amorpha (Color). Year: 1913, Medium: Color Etching on Richard de Bas, stamp signed, Image Size: 9 x 5.75 inches, Size: 20.25 x 12.75 in. (51.44...

Image dimensions: 11 x 8.5 cm. Hand signed. Edition of 100 prints on Hollande paper. From the collection: “Croquis du Front Italien” , published in Paris by D'Alignan editions. Anse...