1930s Art

A Fine 1930s, Modern Academic Anatomical Figure Study Drawing of a Male Model (Study, Male Legs) by Notable Chicago Artist, Harold Haydon (Am. 1909-1994). An exceptionally well exe...

Watercolor w/ gouache highlights Art Sz: 12"H x 18"W Frame Sz: 16"H x 22 1/2"W (SIGNED LL) Inscribed LL: The Freshest thing to win a National in years- and he broke the record at that. Golden Miller wins in 9:20 2/5 1934 Golden Miller (1927–1957) was a Thoroughbred racehorse who is the most successful Cheltenham Gold Cup horse ever, winning the race in five consecutive years between 1932 and 1936. He also is the only horse to win both of the United Kingdom's premier steeplechase races - the Cheltenham Gold Cup and the Grand National - in the same year (1934). Golden Miller was trained by Basil Briscoe in Longstowe, Cambridgeshire and owned by Dorothy Paget, who was the British flat racing Champion Owner in 1943, and the leading National Hunt owner in 1933-34, 1940–41 and 1951-52. In 1931, Golden Miller made his steeplechasing debut at Newbury Racecourse where he finished first, only to be disqualified for carrying incorrect weight. On 30 December, he won the Reading Chase before winning the Sefton Steeplechase on 20 January 1932. In 1933, as a six-year-old and winner of two Cheltenham Gold Cups, he started as the 9/1 favourite in the Grand National but fell at the Canal Turn. In the 1934 Grand National win, he set a new course record of 9 min 20.4s for Aintree. This victory was the middle of five consecutive Gold Cup victories, a Gold Cup record.[2] He retired in 1939 with a record of 29 wins from 52 races. He is buried at Elsenham Stud, a working farm in Elsenham, West Essex. Artist Bio: Paul Desmond Brown (1893-1958) was born in Minnesota and soon moved to New York City with his family. A quote from his biography: "Paul Brown told his host on a radio interview held in September of 1956, 'One day in 1904, I got 50 cents someplace and went over to the National Horse Show at the old Madison Square Garden and saw 'fine leppers,' [a term used for jumpers] as we called them, and Thoroughbreds for the first time.' From then on he appeared to be hooked on drawing horses." At the age of 17, his family relocated again to Garden City on Long Island, where Brown had the opportunity to explore polo grounds...

This work is accompanied by a Photo-certificate and essay from Ralph Jentsch who will include it in his forthcoming catalogue raisonné Signed lower right. Estate stamp on verso....

Portrait of a Man by Marcel GIMOND (1894-1961) Bronze with a very nuanced dark brown patina signed on the neck with the monogram "MG" period cast by "Meroni Radice, cire perdue, Par...

A fine ca. 1938 graphite on paper, study of classical drapery by notable New York Modernist artist, Jan Matulka. The image is drawn on the back of a typewritten, folded sheet of bus...

Signed and Inscribed to lower right 'To Hugh White from Norman Rockwell'.

Asymmetrical head of man, terracotta sculpture, 1930s-40s, Giorgio Rossi (1894-1981). Terracotta modeled by hand by the artist. Unique piece.  Dimensions: Height 34 cm. The choice ...

Frank Nelson Wilcox (American, 1887–1964) Canyon at Evening, 1937 Watercolor on paper Signed and dated lower right 14 x 19 inches 18.75 x 24 inches, framed Frank Nelson Wilcox (Oc...

Medium: pochoir (after the gouache). This pochoir illustrates a scene from Oscar Wilde's "Salomé". It was printed in 1938 at the atelier Saudé of Paris and published by The Limited E...

Tripoli – Libia Original ENIT Italian State Railways antique Travel Poster, Linen-Backed, A- Excellent, 39" x 27". Ready to frame. Condition A-. Original vintage travel poster pr...

MAX ERNST 1891-1976 Cologne 1891-1976 Paris (German) Title: Le parquet se soulève, 1939 (Red) Technique: A Suite of Six Original Hand Signed and hand Numbered Lithographs in Red on...

Art Sz: 9 1/2"H x 12 1/2"W 1933 Proof Plate for 'Spills and Thrills' Published by Charles Scribner's Sons New York 1933

A beautiful early 20th century English impressionist oil on canvas still life depicting sunflowers in a cream jug, by John Sweet. This important work was exhibited at the Royal Acad...

Consigned to the gallery By Decent H&N Fine Art, Newport Beach, CA; From Katherine A. Norris Legacy Collection, Newport Beach, California; Rick Hill, San Diego, California by descent from his mother a former pupil of Alfred Mitchell...

The small bronze depicts a small seated faun, immortalized while playing a wind instrument as can be clearly seen by the puffy cheeks. is signed at the base R. Castagnino and is from...

Thelma Frazier Winter (American, 1903-1977) Woman and Child, c. 1935 Glazed stoneware, painted plaster 14 x 7 x 5.875 inches Thelma Frazier Wint...

Adriaan Lubbers New York City, The El at Chatham Square, 1930 Original lithograph Handsigned in pencil Numbered / 100 On Rives vellum 28 x 22.5 cm (c. 11 x 9 in) Very good condition

A Fine 1930s Modern Academic Figure Study Drawing, Standing Male Nude Model by Notable Chicago Artist, Harold Haydon (Am. 1909-1994). An exceptionally well executed early 1930s char...

Medium: Charcoal and Pencil on Paper Dimensions: 31.00" x 23.75" Signature: Inscribed and Signed. Signed and inscribed 'To Steve Kovac/sincerely/Norman/Rockwell' (lower right) Proven...

Horst P Horst Classical Still Life, 1937 Signed and titled in pencil Platinum palladium print 20 x 24 inches Horst was a perfectionist who raised the standards of fashion photograp...

Jim's of Lambertville Fine Art Gallery is proud to present this piece by Eve Drewelowe (1899 - 1988). Landscape painter, Eve Drewelowe, was the eighth of thirteen children born in ...

PAUL LANDACRE (1893 – 1963) DECORATION (Design for Green Mansions) 1932-3 (Wien 125), Wood engraving. RARE. Only four titled and signed impressions, ...

Very unusual hand sculpted entirely in wax Art Deco figure in a hanging wall plaque. Unsigned. Dated November, 1931 verso. Condition is very good. Provenance: A Florida collector.

Medium: original etching. This impression on Canson et Montgolfier wove paper was printed in 1937 in an edition of 500 for the "Paris 1937" portfolio. Printed at the atelier of Jean-...

Signature: Signed Lower Right Cover Illustration: Saturday Evening Post, November 6, 1937

French chromolithograph, published in 1931. Signed by artist in the plate. Printed title lower right of sheet. Plate number top right. From a French series of illustrations of sporti...

Pochoir realized after André Masson in 1933. Editions Jeanne Boucher (Paris) and John Becker (New York). Not signed. Very goo condition except for a minor rip in the medium right ...

The piece is unframed. It is mounted in an archival white mat, with an overall mat size of 30 x 24 inches. Fritz Bultman set himself apart from other Abstract Expressionists with h...

This rare and stunning photograph that shines on many important galleries and museums is for sale. It has been framed by the owner but is now available loose. Hand printed by artist...

Original Salies-de-Béarn Vintage Poster – Authentic French Art Nouveau Travel Advertisement. Linen-backed 1931 stone lithograph, ready to frame. Grade A- Bring the charm of Belle Épo...

This bold and beautifully composed 1937 poster for Cycles Favor Motos is a triumphant celebration of French mechanical excellence. Created by the talented duo Pierre and Jacques Bellenger, it promotes the dual prowess of Favor: a brand equally at home in the realms of bicycles and motorbikes. The central figure—a robust, smiling mechanic—stands out immediately. Rendered in striking Art Deco colors of red and blue, he cradles a bicycle in one hand and a motorcycle in the other as if weighing their virtues, suggesting technical mastery and effortless strength. His confident stance and broad grin echo the poster’s tagline: "De la belle mécanique!" (Beautiful mechanics!) The composition is dynamic yet perfectly balanced: the precision of the machines contrasts with the bold, stylized figure, and the typography is just as commanding. The name FAVOR is set in monumental yellow letters, grounding the design and drawing the viewer’s eye directly to the brand. At the time, Favor was a prestigious manufacturer based in Clermont-Ferrand, known for its high-quality, lightweight racing bicycles and later, for its solid and stylish motorcycles. This poster reflects a moment when mobility, modern engineering, and industrial pride were marketed with vibrant optimism. It’s also a rare early collaboration between both Bellenger brothers, whose graphic work helped define the era’s commercial visual language. Printed by Vasselais in Paris—one of the era’s respected lithographers—this poster exemplifies the best of pre-war French advertising: bold, technically impressive, and infused with a spirit of innovation. Whether you're a collector of vintage cycling memorabilia...

Untitled (Venice canal, man departing the gondola) Drypoint, c. 1930-1931 Signed in pencil lower right (see photo) Annotated in the lower margin: "Just a souvenir made ___ Monclair L...

This striking Art Deco poster from the 1930s offers a gleaming tribute to one of the era’s most beloved household products: Diamantine, the "merveilleuse encaustique" (marvelous wax ...

Women illustrators were alive, well, and quite active in the early 20th century. Most of their production was associated with topics that dealt with the home, children or fairy tales. In this masterfully rendered work in pen and ink, Jacobs displays great technical skill in presenting three maidens dressing a beautiful female member of the Court wearing a tiara. Signed in a cartouche lower right From: Stella Mead, Great Stories from Many Lands, London: James Herbert and Co, 1936, page 78 " Red and White Roses" Provenance: Chris Beetles Work is elegantly matted and not framed. Helen Mary Jacobs was born in Ilford, Essex, the sister of the writer W.W. Jacobs; she studied art at the West Ham...

Medium: original lithograph. Printed in 1938 and published in Paris by Teriade for the art revue Verve (volume 1, number 2). Andre Masson was invited to contribute an original compos...

Numbered 1/8 Cast Fonderie Rocher A fine cast with a vivid green patina of a bird of prey

The painting is signed, inscribed "Jerusalem" and dated "1931" at the lower right corner. Condition: Good Condition. unexamined out of the frame. Note: This work will be shipped from Israel...

ALEXANDER KREISEL "MAN WITH YELLOW TIE" OIL ON CANVAS BOARD, SIGNED RUSSIAN-AMERICAN, C.1935 26 X 19.5 INCHES FRAMED 29.5 X 23.5 INCHES Alexander Krei...

Medium: Oil on Canvas Signature: Signed Lower Right Literature: The Saturday Evening Post, October 15, 1938, cover illustration. J. Cohn, Covers of The Saturday Evening Post, New Yo...

Medium: lithograph. Medium: lithograph. Printed in 1939 by Mourlot Freres and published by Teriade for Verve (Volume 1, Number 5-6). Size: 13 3/4 x 10 1/8 inches (347 x 257 mm). Ther...

Signed "James Montgomery Flagg" Lower Right by Artist "'I've found a woman to sew on buttons,' he said politely. 'Have I?' he inquired of Nancy. 'Big Boy, you have.'" Illustration ...

Horst P Horst (1906-1999) (Black and White Photography) Lisa With Harp, 1939 Signed on reverse Silver gelatin print 20 x 16 inches Horst was a perfectionist who raised the standards...

Suzanne VALADON (1865-1938) Naked Women Under the Trees, 1932 Original etching Signed in pencil On BFK Rives vellum 47 x 37 cm (c. 18.5 x 14.5 in) INFORMATION : Printed in 1932, th...

Signature: Signed & Dated Lower Left:

Artist/ School: British School, circa 1930's Title: The Art Class Medium: oil painting on canvas, unframed Size: painting: 28.75 x 23.75 inches Provenance: private collection, E...

Linen-backed original 1939 James Montgomery Flagg vintage poster: You're in Trust; we must protect it from fire. "If we would have forests--we must prevent fires: Maryland Stat...

French chromolithograph, published in 1931. Signed by artist in the plate. Printed title lower right of sheet. Plate number top right. From a French series of illustrations of sporti...

Art Sz: 15"H x 10"W

Max Kalish (American, 1891-1945) Nude Walking, 1930 Bronze Signed and dated on base 17 x 9 x 4 inches Born in Poland March 1, 1891, figurative sculptor Max Kalish came to the United States in 1894, his family settling in Ohio. A talented youth, Kalish enrolled at the Cleveland Institute of Art as a fifteen-year-old, receiving a first-place award for modeling the figure during studies with Herman Matzen. Kalish went to New York City following graduation, studying with Isidore Konti and Herbert Adams...

Edition of 1000 copies including illustrations by Cartégle. Very rare copy on Japon Imperial (one of only 67 copies). Uncut. Wore on binding and some flowering on cover. Internal pag...

Signed lower right, 'Gerbino' for Rosario Urbino Gerbino (Italian-American, 1900 - 1972) and painted circa 1935. Born in Italy, Rosario Gerbino first...

Eliseo Meifren Roig (1859-1940) - Barcelona - Pencil drawing Drawing measurements 9x12 cm. Frame measurements 22x25 cm.

Robert Doisneau 1912-1994 L' aéroplane de Papa, 1934 Signed in ink on recto; Titled and dated in ink on verso Gelatin silver print Image 9-1/2 x 12", Paper 12 x 6", Mat 16 x 20

Jim’s of Lambertville is proud to offer this artwork by: Vaclav Vytlacil (1892-1984) He was born to Czechoslovakian parents in 1892 in New York City. Living in Chicago as a youth, he took classes at the School of the Art Institute of Chicago, returning to New York when he was 20. From 1913 to 1916, he enjoyed a scholarship from the Art Students League, and worked with John C. Johansen (a portraitist whose expressive style resembled that of John Singer Sargent), and Anders Zorn. He accepted a teaching position at the Minneapolis School of Art in 1916, remaining there until 1921. This enabled him to travel to Europe to study Cézanne’s paintings and works of the Old Masters. He traveled to Paris, Prague, Dresden, Berlin, and Munich seeking the works of Titian, Cranach, Rembrandt, Veronese, and Holbein, which gave him new perspective. Vytlacil studied at the Royal Academy of Art in Munich, settling there in 1921. Fellow students were Ernest Thurn and Worth Ryder, who introduced him to famous abstractionist Hans Hofmann. He worked with Hofmann from about 1922 to 1926, as a student and teaching assistant. During the summer of 1928, after returning to the United States, Vytlacil gave lectures at the University of California, Berkeley, on modern European art. Soon thereafter, he became a member of the Art Students League faculty. After one year, he returned to Europe and successfully persuaded Hofmann to teach at the League as well. He spent about six years in Europe, studying the works of Matisse, Picasso, and Dufy. In 1935, he returned to New York and became a co-founder of the American Abstract Artists group in 1936. He later had teaching posts at Queens College in New York; the College of Arts and Crafts in Oakland, California; Black Mountain College in North Carolina; and the Art Students League. His paintings exhibit a clear inclination toward modernism. His still lives and interiors from the 1920s indicate an understanding of the art of Cézanne. In the 1930s, his works displayed two very different kinds of art at the same time. His cityscapes and landscapes combine Cubist-inspired spatial concerns with an expressionistic approach to line and color. Vytlacil also used old wood, metal, cork, and string in constructions, influenced by his friend and former student, Rupert Turnbull. He eventually ceased creating constructions as he considered them too limiting. The spatial challenges of painting were still his preference. During the 1940s and 1950s, his works indicated a sense of spontaneity not felt in his earlier work. He married Elizabeth Foster in Florence, Italy, in 1927 and they lived and worked in Positano, Italy for extended periods of time. Later on, they divided their time between homes in Sparkill, New York and Chilmark, Massachusetts, where Vyt, as he was affectionately called, taught at the Martha's Vineyard Art...

Medium: original etching. This impression on Canson et Montgolfier wove paper was printed in 1937 in an edition of 500 for the "Paris 1937" portfolio. Printed at the atelier of Jean-...

Jim’s of Lambertville is proud to offer this artwork. Pastel portrait of artist's granddaughter. Complemented by original signed Harer frame. Illustra...

Stark and emotional depiction of a family after a natural disaster by Charles Kinghan (American, 1895-1984). This grayscale painting was created as an ...

Colour Plate for Polo Magazine of "Valentine's Brook, Grand National at Aintree" by Paul Desmond Brown pencil signed (LR) Image Sz: 10.5"H x 18.5"...

Gay Head Cliffs, a 1935 lithograph by Adolf Dehn (1895-1968), depicts a National Landmark in Aquinnah, Martha's Vineyard, MA. Somehow Dehn has managed to capture the very texture of ...

A Fine 1930s, Modern Academic Anatomical Figure Study Drawing of a Standing Male Nude Model (Study of Legs) by Notable Chicago Artist, Harold Haydon (Am. 1909-1994). An exceptionall...