1930s Art

Albert Rafols Cullerés (1892-1986) - Landscape of Mollet - Oil on cardboard Oil measures 25x32 cm. Frameless. Catalan painter formed the Llotja...

Marc Chagall (1887-1985) - L'Arbre Vert aux Amoureux Lithograph from 1980. Unsigned and unnumbered apart from the edition of 50. Dimensions of work: 64.5 x 48 cm. Reference: Chag...

This exquisite linocut by Alberto Magnelli (1888–1971), titled Composition 66, from the album XXe siecle, Chroniques du jour, 13 rue Valette (5e), Directeur G. di San Lazzaro, Sommai...

Portrait of Woman with Black Hair and Fringe styling by Anton Sailer (French 1903-1987) Signed & dated 1930 oil on canvas, framed Framed: 23.5 x 18 inches Canvas: 18.5 x 13.5 inches ...

Fernand Léger (1881-1955) - Head and Leaf Lithograph from 1939. Dimensions of work: 35 x 26 cm Publisher: Tériade, Paris. The work is in Excellent condition. Fast and secure shi...

Figure of Man is a Colored lithograph on japan paper realized by Jean Cocteau (1889 -1963) in 1930 ca. French draftsman, poet, essayist, playwright, librettist, film director. Exc...

Paper Size: 9.25 x 9 inches ( 23.495 x 22.86 cm ) Image Size: 4 x 5.5 inches ( 10.16 x 13.97 cm ) Framed: No Condition: A: Mint Additional Details: Part of AMERICAN BLOCK PRINT...

Medium: pochoir (after the gouache). This pochoir illustrates a scene from Oscar Wilde's "Salomé". It was printed in 1938 at the atelier Saudé of Paris and published by The Limited E...

Laura M. GREENWOOD (1897-1951). Portrait of Woman in Head Shawl Oil on canvas, 8 x 10 inches. Signed upper stretcher verso. Excellent condition. Would benefit from a cleaning. O...

A good abstract expressionist oil on canvas still life, by the Swiss-American artist Hans Gustav Burkhardt (1901-1994), Los Angeles California, 1937. This very attractive still life ...

Presenting an original oil on canvas by Belgian artist Karel VonBelle. "Fleurs", is an original oil on canvas, signed, dated 1935, beautifully framed.

French chromolithograph, published in 1931. Signed by artist in the plate. Printed title lower right of sheet. Plate number top right. From a French series of illustrations of sporti...

Oil and colored sand on canvas realized by Irina Zdanko (1905-1999) in the 1930s. Not signed. In Excellent condition, it includes a beautiful contemporary wooden frame. Prov. Priv...

LEVON WEST (1900 – 1968) CHANGING FLIES c. 1930 Etching and drypoint, signed in pencil and no. 28. Image, 13 1/8 x 8 3/8 inches, sheet 17 1/4 x 11 5/8 full margins with deckle edge...

American artist Burton Freund worked in Chicago in the 1930's and 1940’s for the FAP (Federal Arts Project) as an illustrator and sculptor. These original wood sculptures are time capsules of the 1930's and 1940's, hand carved out of solid wood including their bases. Walking the train platform in Chicago in 1938, the artist saw a "Red Cap" porter with a Phi Beta Kappa key hanging around his neck. When asked, the porter...

Lady Washington's Levee - 1932 Etching on Paper 1932 black and white etching titled "Lady Washington's Levee" (from the portfolio "The Bicentennial Pageant of George Washington"), 1...

Louis Bosa (Italian-American, 1905–1981) Island of the Monks, c. 1930 Oil on masonite Signed lower right 14 x 24 inches 23 x 33 inches, framed Born in Codroipo, a small village only...

Classic etching of Provence by French artist E. Roux-Fabre, circa 1930. Original artwork on paper displayed on a white mat with a gold border. Mat fits a standard-sized frame. Archi...

Marguerite Redman Dorgeloh, 'de Young Mansion – San Francisco', lithograph, c. 1937, edition 25. Signed and titled in pencil. A fine, richly-inked impr...

La bandera exhibida está compuesta por tres franjas horizontales de igual tamaño. La franja superior es de color rojo intenso, la central de color amarillo dorado y la inferior de co...

Wuanita Smith, 'Humming Birds and Orchids', white-line color woodcut, circa 1930, edition 50. Signed and titled in pencil. Annotated '50 edition', 'no 5'...

This exquisite lithograph by Marie Laurencin (1883–1956), titled Alice dans la piscine des larmes (Alice in the Pool of Tears), from the folio Les aventures d'Alice au pays des merve...

Etching on vélin Canson et Montgolfier paper. Unsigned and unnumbered, as issued. Good condition. Published by L'Imprimerie Daragnès, Paris; printed by Jean Gabriel Daragnès, Paris, ...

This piece is an original linoleum block print created and printed by George Raab. The lower margin is titled and signed by the artist in graphite. The lower left has the title. The ...

This exquisite burin etching, engraving by Louis Marcoussis (1878–1941), titled Rimbaud, from the album XXe siecle, Chroniques du jour, 13 rue Valette (5e), Directeur G. di San Lazza...

Watercolor drawing realized by Mino Maccari in 1935 ca. Hand signed in ink lower right. Good condition.

Ex Libris - Marco Binnholz is a woodcut print created by Michel Fingesten. Hand Signed on the lower right margin. Good conditions. Michel Fingesten (1884 - 1943) was a Czech pa...

This very interesting Surrealist painting is by Jack Sassoon. One can only speculate whether Siegfried Sassoon (1886-1967), the English war poet, writer an...

From a series of wood engravings by Eric Gill. To see them or our other Modern British Art, scroll down to "More from this Seller" and below it click on "See all from this Seller" - ...

Stanley William Hayter, 'Torero', engraving, 1932, edition 30, only 16 known impressions, trial proof, Black & Moorhead 71. Signed, titled, dated, and inscribed 'Essai' (test) in pencil. A superb impression with rich burr, on heavy BFK Rives cream, wove paper; full margins (2 1/4 to 6 1/4 inches). A short repaired tear (3/8 inch) in the left-center sheet edge, well away from the image; otherwise, in excellent condition. Scarce. Image size 10 9/16 x 7 5/8 inches; sheet size 15 1/2 x 11 1/2 inches. Matted to museum standards, unframed. ABOUT THE ARTIST Stanley William Hayter (1901-1988) was a British painter and printmaker associated in the 1930s with Surrealism and from 1940 onward with Abstract Expressionism. Regarded as one of the most significant printmakers of the 20th century, Hayter founded the legendary Atelier 17...

Hand Signed. Edition of 108 prints. Cat. Prouté, 1973, n.250. Provenance: Prouté 31/3/'73.

This exquisite linocut by Giorgio de Chirico (1888–1978), titled Cabina Misteriosa (Mysterious Cabin), from the album XXe siecle, Chroniques du jour, 13 rue Valette (5e), Directeur G...

This exquisite woodcut by Wassily Kandinsky (1866–1944), titled Reiterweg (Rider’s Path), from the album XXe siecle, Chroniques du jour, 13 rue Valette (5e), Directeur G. di San Lazz...

CARL HOECKNER (1883 – 1972) PHANTASY c 1935 Lithograph edition unknown, but rare. Slight glue stain upper margin. 10 ½” x 15 ¾” ...

Keepers Of The Bell by John Whorf, American (1903–1959) Date: circa 1930 Watercolor on paper, signed lower right Size: 14 x 21 in. (35.56 x 53.34 cm) Frame Size: 20.5 x 28.5 inches

Premiering for the first time in three decades, the original paintings of American artist Maurice Green. Born in 1908 in Latvia, Maurice Green studied with prominent artists of th...

Original Lee Mon Wine and Liquor Co. New York, vintage poster. Size: 17" x 22.5". It is professionally acid-free archival linen backed and ready to frame. No date is on the poster,...

Plate 24. "Petit Salon" (Small Lounge) from "Décoration moderne dans l'intérieur" by Henry Delacroix. Paris, ca. 1930. Pochoir with hand-coloring. Mild yellowing at edges.

One of the photographers at Mauritius Publishing based in Berlin was Karl Heinrich Lämmel. Born on 30 July 1910 in Riesa, Saxony, he has been missing since April 1945. In the thirtie...

(Note: This work is part of our exhibition Connected by Creativity: WPA Era Works from the Collection of Leata and Edward Beatty Rowan) Watercolor...

Ex Libris - Nina Tosi is a woodcut print created by Michel Fingesten. Hand Signed on the lower right margin. Good conditions. Michel Fingesten (1884 - 1943) was a Czech painter a...

"Conquering The Wilderness" - Lewis and Clark Expedition Original Etching Original 1932 black and white etching titled "Conquering The Wilderness" by Robert Hogg Nisbet (American, ...

The 1939 original planisphere poster by Lucien Boucher, titled “Nova et Vetera”, is an exquisite work commissioned by Air France, blending art and cartography to celebrate both the past and future of air travel. Boucher, known for his iconic map designs, produced this piece at the onset of World War II, a period where air travel was rapidly evolving, and Air France was positioning itself as a leader in global aviation. “Nova et Vetera”, which translates from Latin to "New and Old," captures the transition between the old world of sea-bound exploration and the new age of air travel. This juxtaposition is represented in the map’s composition, featuring routes that stretch across continents, symbolizing the vast reach of Air France’s network. It highlights both traditional and modern elements of travel, emphasizing the airline’s innovation while still grounding it in the historical spirit of exploration. Lucien Boucher was a master of integrating artistry with geography, and this poster exemplifies his style. The planisphere is both decorative and informative, showcasing the globe and marking the flight paths that connected Europe, Africa, the Americas, Asia, and beyond. With intricate details and imaginative design, Boucher captures the global vision of Air France, reflecting its ambition to connect the world. The poster is as much a celebration of human ingenuity as it is a technical map. Embellished with celestial motifs and decorative flourishes, the world appears almost mythological, linking the stars, air routes, and geography into one seamless image. The sky above the globe is often depicted with constellations, representing the heavens as both a guiding force for navigation and a romantic backdrop for aviation. During the late 1930s, Air France was expanding rapidly, building a global network that stretched from Europe to the farthest reaches of the world. This poster reflects the airline’s dominance and aspirations at the time, as well as its pride in the progress of aviation. It also subtly evokes a sense of nostalgia for earlier eras of exploration, blending these two worlds of discovery into a unified visual narrative. Boucher’s work often walked the line between fantasy and realism. While the map accurately displays the airline’s routes, the decorative elements elevate the poster to a work of art, inspiring viewers with the grandeur and excitement of global travel. The historical references in the title, "Nova et Vetera," suggest that the pioneering spirit of the past—whether by sea or land—is being continued in the modern age through aviation. By 1939, the world was on the brink of World War II, and the geopolitical landscape was rapidly changing. This poster, with its optimistic tone, served as a reminder of the connectivity and innovation that air travel brought to the world, even in uncertain times. Air France, in commissioning this work, sought to solidify its image as a forward-thinking and globally minded airline, contributing to the modern era of transportation. Today, Lucien Boucher’s “Nova et Vetera” poster is not only a masterpiece of aviation art but also a historical document that reflects the ambitions and challenges of the late 1930s. It stands as a testament to the golden age of aviation, when air travel was transforming the world and shrinking distances between nations. The poster is cherished by collectors of vintage airline memorabilia...

It's clear to me that that baby carriage is so beautifully drawn that it could be re-constructed from here if necessary. Without really knowing anything about Lucile Haynes I'm sure...

Study of an peasant woman. Red pastel. Signed. This work will be recorded in the catalogue raisonné of the work of the artist currently in preparation. ...

CARL HOECKNER (1883 – 1972) ORBITS, c. 1935 Lithograph, edition unknown but small. Image 11 3/3 \4 x 18 3/8 inches, sheet 12 3/8 x 19. In good condition aside from small margins an...

Portrait is an artwork realized by Antonio Feltrinelli, 1930s.  H 160 x 110 cm. Oil paiting on canvas. Hand signed lower left margin. Good cond...

Joseph Hecht, 'Lion Défendant sa Proie (Lion Defending Its Prey)', engraving, 1931, edition 50, Tonneau-Ryckelynck & Plumart 215. Signed and numbered '18/50' in pencil. A fine impres...

The Romance is a woodcut print on ivory-colored paper realized by Paul Baudier (1881-1962) in the 1930s. Good conditions. Paul Baudier, (born October 18...

Palazzo dell'Angelo 1931 Etching and drypoint on cream-colored, handmade laid paper with deckle edges, 7 1/4 x 6 3/4 inches (185 x 171 mm), edition of 100, full margins. Signed, dated and numbered "Ed. 100" in pencil, lower margin, second state (of three). Printed by Henry Carling, New York. Extremely minor mat tone and some inky residue in the top right corner, all unobtrusive and well outside of image area. An exquisite impression of this intricate image, with astonishing detail, and all the fine lines printing clearly. The image represents the first print which Arms printed on his own handmade paper. Framed handsomely with archival materials and museum grade glass in a wood gilt frame with a flower and garland motif. Illustrated: Dorothy Noyes Arms, Hill Towns and Cities of Northern Italy, p. 180; Anderson, American Etchers Abroad 1880-1930; Eric Denker, Reflections & Undercurrents: Ernest Roth and Printmaking in Venice, 1900-1940, p. 116. [Fletcher 233] Born in 1887 in Washington DC, John Taylor Arms studied at Princeton University, and ultimately earned a degree in architecture at the Massachusetts Institute of Technology in 1912. With the outbreak of W.W.I, Arms served as an officer in the United States Navy, and it was during this time that he turned his focus to printmaking, having published his first etching in 1919. His first subjects were the Brooklyn Bridge, near the Navy Yard, and it was during his wartime travel that Arms created a series of extraordinarily detailed etchings based on Gothic cathedrals and churches he visited in France and Italy. He used what was available to him, namely sewing needles and a magnifying glass, to create the incredibly rich and fine detail that his etchings are known for. Upon his return to New York after the war, Arms enjoyed a successful career as a graphic artist, created a series of etchings of American cities, and published Handbook of Print Making and Print Makers (Macmillan, 1934). He served as President of the Society of American Graphic Artists, and in 1933, was made a full member of the National Academy of Design. In its most modern incarnation, Palazzo dell'Angelo was constructed in or around 1570. The building, which has a rich and storied history, was erected upon the ruins of an earlier structure which predates the Gothic period. Some remnants of the earliest features of the residence were most certainly still visible when Arms visited, as they are today. Having a background in architecture, there's no question that Arms was moved by the beauty, history and ingenuity represented in the physical structure. One thing specifically gives away Arms's passion for the architecture, and that is the fact that he focused on the building's Moorish entranceway, balustrade, and two mullioned windows, and not on the curious Gothic era bas-relief of an angel nestled into the facade of the building, after which the structure is named. The sculpture itself doesn't appear in Arms's composition at all, despite the fact that it is the feature of the building that is most famous in its folklore. Arms instead focuses on the oldest portion of the architecture, even documenting some of the remnants of a fresco, and a funerary stele for the freedman Tito Mestrio Logismo, and his wife Mestria Sperata (visible above the water level, to the left of the door, behind the gondola), which was first described in 1436. Among the many notable bits of history regarding the Palazzo, it has been documented that Tintoretto painted frescos of battle scenes on the facade of the building. The paintings have been lost to time and the elements, but not entirely to history. The empty frame...

Sloan was so fond of this composition that he made a painting after the etching ten years after its completion, in 1943. Completed in Santa Fe, the painting is now housed in the perm...

Boston's North End is a charming Italian neighborhood with small buildings and twisting streets. The artist, John W. Gregory, captures the feeling of a pleasant afternoon visiting th...

Paul Landacre, 'Verdi', wood engraving, 1936, edition 60, (only 14 printed), Wien 188. Signed, titled, and numbered '10/60' in pencil. A fine impression, on cream, laid Japan paper, ...

Les Fauves by Henri Matisse (1869-1954), hand-signed book cover lithography printed in Switzerland, 32 x 51 x 0,2 cm - 12,5 x 20 x 0,07 in, printed by Mourlot Editions Henri Matisse...

LILIAN MILLER (1895 - 1943) LANTERN ON A HILL - NKKO - AUTUMN, 1934 (Brown 104) Color woodcut, signed and dated in ink in the image. Titled in pencil by the artist at lower sheet edge. Circular, 10 inches in diameter. Beautiful fresh impression In very good condition with full margins, sheet 10 5/8 x 10 1/2 inches. Miller carried on a tradition started by woman, Americans Helen Hyde, Berta Lum and Englishwoman Elizabeth Keith, who learned and used Japanese color woodcut making techniques in the first part of the 20th century. Illustrated in "Between Two Worlds - The Life and Art of Lilian May Miller...

The pirate in love is a color lithograph on ivory paper, created by the Italian artist Umberto Brunelleschi (Montemurlo 1879- Paris 1949). Illustration for “Tales and Short Stories”...

French chromolithograph, published in 1931. Signed by artist in the plate. Printed title lower right of sheet. Plate number top right. From a French series of illustrations of sporti...

1930. Etching. Beetles 17. 6 x 5 1/4 (sheet 11 1/2 x 9). Edition 30, #29, published by the Twenty-One Gallery. Exhibited at the Royal Society of Painter-Etchers and Engravers, 1932(...

Washington's Courtship - 1932 Etching on Paper 1932 black and white etching depicting George and Martha Washington by William Auerbach-Levy (Russian, 1889-1964). Titled "Washington'...

Simka Simkhovitch (Russian/American 1893 - 1949) This came with a small grouping from the artist's family, some were hand signed some were not. These were studies for larger paintin...