1990s Art

Yves Saint Laurent " 1er d'Atelier " est un dessin aquarelle , feutre, gouache et crayon de couleur ce dessin a été réalisé pour le départ à la retraite en 1991 de Monsieur Georg...

Title: El Doctor Year: circa 1990 Medium: Bronze Sculpture, signature and number inscribed Edition: V/XXX Size: 12.5 in. x 6 in. x 6 in. (31.75 cm x 15.24 cm x 15.24 cm)

Artist: Donald Sultan Title: Acanthus Portfolio: 1994 Fruit and Flowers III Medium: Screenprint Date: 1994 Edition: 39/125 Frame Size: 29 3/4" x 28 3/4" Sheet Size: 23" x 22" Image S...

Roy Lichtenstein (after) Vintage Museum Press Kit (National Gallery, LACMA & Dallas Museum), 1994 -1995 Offset Lithograph brochures, press releases, magazines and a bookmark Unsigned...

Artist: After Pablo Picasso (1881-1973) Title: Femme Songeuse et Inquiète dans L'atelier de Sculpture (after Bloch 188) Year: 1992 Medium: Reproduced from the original edition using ...

Basquiat boxing poster 1997: This rare double-sided 1997 Basquiat boxing poster was published on occasion of the 1990s exhibition, “Jean-Michel Basquiat Works and Portraits” at Parco...

Landscape Finder. Goyo painted this intriguing painting in 1994, when his inspiration from the old masters was most noticeable. The artist declares: “I feel a powerful attraction to ...

"Artist at Work" - Portrait of the Artist in Oil on Canvas Figurative painting of an artist at work by Christine Chatwell (American, 20th Century). Presented in a blue wooden frame....

MEDIUM: ​Original Production Cel on Original Background IMAGE SIZE: 10.5" x 9" PRODUCTION: Superman the Animated Series, The Main Man: Part 2 SKU: IFA1838 ABOUT THE IMAGE: As a foll...

Artist: Al Held, American (1928 - 2005) Title: Scholes II Year: 1991 Medium: Silkscreen, signed and numbered in pencil Edition: 80 Image Size: 23 x 29 inches Size: 29 x 34 in. (73.66...

Sax - Limited edition archival pigment print, 1999 - Edition of 10 This is an Archival Pigment print on fiber based paper ( Hahnemühle Photo Rag® Baryta 315 gsm , Acid-free and li...

Original acrylic painting on canvas. Hand signed upper right by Peter Max. Canvas size: 16 x 16 inches Frame size: 27 x 27 inches. Studio catalog number and date stamped on verso....

Limited Edition Serigraph published by Marco Fine Arts Contemporary Atelier and released as part of the large portfolio and book entitled "The American Dream". "The American Dream" p...

Haren Das - Untitled (Return from the Market) Woodcut on Paper 6.8 x 10 inches ( Unframed & Delivered ) Born in Dinajpur in present day Bangladesh on 1 February 1921, Das took a dip...

Original acrylic painting on canvas. Hand signed upper right by Peter Max. Canvas size: 37.5 x 49.5 inches Frame size: 41 x 53 inches. Dedicated and remarqued on verso by Peter Ma...

Two Watercolors of a Bird and Panda Watercolor on paper 4 7/8 x 7 in. 11 x 14 in. Signed, dated, and stamped with artist insignia

Double sided page produced as part of a special art insert from a well respected art publication

SOL LEWITT (1928 – 2007) Lincoln Center Color screenprint on Somerset Satin White,1998. Sheet size: 35 1/2x28 inches, full margins. Signed and numbered 73/108 in pencil, lower ri...

Tango Jose Almanzor, Mexican (1962–2015) Date: circa 1990 Bronze Sculpture with gold patina, signature and numbering inscribed Edition of 1/75 Size: 9.75...

This is a photograph by Bill Costa offered by CLAMP in New York City.

The handwritten note on the bottom stretcher strip in back reads “Dear Ted, I’m glad you appreciate these Peace roses from Ann Marie’s Santa Fe Garden. E. Baber.” Well, who wouldn’t...

Signed and numbered limited edition photograph of a polar bear by Thomas Mangelsen (American, b. 1945). Signed "Thomas Mangelsen" in the lower right corner and numbered "794/950" in the lower left corner. This particular image is no longer produced. Presented in a double mat of light grey and tan, in a wood frame. Image size: approx. 21"H x 31"W Renowned American nature and wildlife photographer Thomas D. Mangelsen (American, b. 1945) has traveled throughout the natural world for over 40 years observing and photographing the Earth’s last great wild places. A Nebraska native, Mangelsen’s love of nature, his life outdoors and business success were heavily influenced by his father. An avid sportsman, Harold Mangelsen took his sons to favorite blinds along the Platte River in Nebraska to observe the great flocks of ducks, geese and cranes that migrate through the valley. From these adventures, Mangelsen learned important lessons for photographing in the field, most notably patience and understanding animal behavior. In 1965, Mangelsen began studying business at the University of Nebraska. In 1967, Tom transferred to Doane College in Crete, Nebraska, where he changed his major and graduated with a bachelor’s degree in biology. Tom continued postgraduate study in zoology and wildlife biology at the University of Nebraska and Colorado State University. In 1970 Mangelsen moved to Nederland, Colorado. He spent two years living in the Rocky Mountains in an old mining shack without electricity or running water with his English setter, black lab and raccoon. Tom continued to work on his photography and studied arctic alpine ecology at the University of Colorado’s Mountain Research Station near Nederland. There he met Bert Kempers, a CU film producer, who later hired Tom as cinematographer and film editor for his company Westwind Productions, making educational and nature documentaries. Tom longed...

This depicts civil rights icon MLK, the Statue of Liberty, Iwo Jima, an assemblage of mixed media photographic images and painted collaged elements. A powerful, moving work, an ode to the black civil rights movement. John M. Mitchell is originally from North Carolina, and as an art student at North Carolina Central University, he was involved with the Civil Rights movement including participating and getting arrested at a sit-in protest in Durham in 1963. After graduating, he was one of the first art teachers to take a position at the newly integrated schools in his home state. Mitchell continued his education in the 1990s and earned an MFA in painting from the Savannah College of Art and Design in 1993. He later served as a professor there from 1998-2006. Of his inspiration to create, Mitchell says: "A lot of my work is based on my experiences during the Civil Rights movement," he says. "I see art making as a 'record' of experiences. My bittersweet past, growing up in the segregated South, inspires the content, focus and narrative of my work." Savannah-based artist John Mitchell believes that a home is more than a simple edifice. Rather, he argues that the sociological, psychological, architectural, and historical associations embedded in the structure “tell us about our culture, our lives. It tells us about where we come from.” Mitchell's signature shotgun house constructions, crafted from found materials and scraps of newspaper headlines, reference his childhood in North Carolina, where such modest architectural structures were once commonplace. In "ALA 1963," he uses the shotgun shape to create a heartfelt memorial to a group of African-American girls killed in a racially motivated church bombing in Alabama nearly 50 years ago. He also incorporates the shotgun symbol in "Victims," a powerful reflection upon crime in Savannah in the early 1990s, which reveals how little has changed over the past two decades. Mitchell's mixed media constructions operate, in many ways, like memory itself. Scraps, fragments and pieces loosely cohere around a central idea, making symbolic and metaphorical connections. In these richly narrative and boldly stream-of-conscious assemblages, the whole truly is greater than the sum of its parts. Mitchell's jazz collages...

James Brown (American, 1951-2020) Mixed media 1994, "Dessin (Star)", Paint and collage on paper, Hand signed and dated lower right, bears label verso Dimensions: 19.5"h x 29.5"w (sheet), 26"h x 36"w (frame) Provenance: Galerie Bernd Klüser, Bears label verso They represented internationally renowned artists such as Joseph Beuys, Tony Cragg, Enzo Cucchi, Jannis Kounellis, Mimmo Paladino and Andy Warhol. Their first exhibitions were with Andy Warhol, Tony Cragg, Julião Sarmento...

Signed lower right, 'Tremewen' for Ian Tremewen (Australian, born 1954), additionally signed, verso, dated 1993 and titled, 'Poster Idea, #9328, Pink Palms, Rainforest Beach' A watercolor and gouache study for a gallery exhibition at the Village Gallery, Lahaina, Maui, Hawaii. Ian Tremewen began showing his watercolors with Village Gallery in 1976 while living on Maui. Born in Montreal and now based in Australia, Tremewen has spent much of his life in the Caribbean and Hawaiian tropics. Tremewen's work reflects the interest he feels for light, space and shadow working in sculpture, contemporary glass and textiles. His abstract interpretation of the amorphic shapes of nature, coupled with his design and composition enable him to present his work with a view that is distinctly his own. Artist's Statement: "As an artist, I can experiment with many aspects and combinations. I've always been fascinated by the psychedelic colours hidden in rainforests. For me, these elements invite abstraction, where a shape, along with colour and texture, defines an object. There now appears to be a refreshing openness emerging in the art world. I feel there is a freedom to stretch and explore ideas and alternatives like never before using mediums and concepts that are expanding the world of art and design.” Solo Exhibitions: Napua Gallery, USA Village Gallery Contemporary, USA Karratha Art Centre, Australia Metro Arts, Australia Gold Coast City Art Gallery, Australia Grand Orbit, Australia Paperworks Gallery, Canada Corporate Art West, USA Budds Beach Gallery, Australia Pandanus Art, Australia Tremewen@Marine, Australia Group Exhibitions: S.H. Ervin Gallery, Australia Ritz-Carlton, USA Contemporary Art Gallery, USA Parliament Building, Australia Gold Coast City Art Gallery, Australia Nordstroms, USA Tattersalls Club, Australia Honolulu Academy of Art, USA Federation...What About the Nation? Museums and Galleries Foundation, Australia Selected Awards: Hui Noeau, USA Suncorp Biennial, Australia S.O.S. Festival, Australia Hawaii Watercolour Society, USA Heritage Art Festival, Australia R.E.I.Q. Bicentennial, Australia Woven Image, Australia Art Maui, USA Courier Mail Art Prize, Australia Tweed Regional Art Gallery, Australia Paradise Art Award, Australia Commissions: Sydney Airports Corporation, Australia Lloyds Of London...

Ernani Silva, Brazilian - Five Moons, Medium: Acrylic, Collage and Enamel on board, signed in marker lower left, Size: 12.75 x 21 in. (32.39 x 53.34 cm)

Fenêtre transparente is a unique contemporary modern sculpture painting panel by French-Dutch artist Olivier Julia. The panel effectively is a flat woode...

Yellow flowers. Canvas, oil, 70x50 cm impasto painting in earth color gamma

Front Yard Abstract Expressionist Landscape The viewer is greeted by rich visual texture in this abstract expressionist painting by Kristin Cohen (American, b.1963). Along the botto...

Artist: David Bromley Title: Stacked Illustrated Blocks Year: circa 1990 Medium: Six Oil- and Acrylic-Painted Wooden Blocks, Staggered in Size Size: Smallest Block: 5.5 x 5.5 x 5.5 i...

Brent and Jorge, 90s queer portrait photography, black and white by Victor Carnuccio. Brent and Jorge 1992 Signed, titled, dated, and inscribed, verso; Also studio stamp, verso Ge...

Portrait of Marty 1999 Titled, dated and inscribed in black ink, recto; Also signed, dated, numbered, and inscribed in black ink, verso Gelatin silver pr...

This is a 20 color screen print on Sommerset paper. The edition was printed at Brand X Editions in 1997. Ed Baynard’s paintings and graphic prints blend the contemporary and the cla...

Francisco Fernández, Claudia Fernández, Diego Toledo, Hector Quinones Corpse Drawing #47, The Return of the Cadavre Exquis, 1993 Ink, graphite, acrylic, and watercolor, with collage ...

Blue Scream Aluminum, and urethane car paint, artist signed and dated. The sculpture is in three seperate parts dismounted for shipping. Based in South Florida, Joseph Meerbott has...

Waddell's paintings are a combination of rough marks, thick paint, transparent elegant strokes, and, on a few occasions a slow, hard line scratched into the canvas. You can feel the ...

A busy modernist study by Clifford Hanley, capturing a second in the lives of three individuals, travelling in a car together. Signed and dated to the lower right-hand corner. Presen...

GREENFIELDS is an original handmade limited edition lithograph from the Sacred Garden Series of works by the British artist David Leverett, printed using hand lithography techniques ...

Haren Das - Untitled Woodcut on Paper 12.28 x 9 inches, 1991 ( Unframed & Delivered ) This 1991 print by Haren Das beautifully captures a serene rural scene with fine detailing and ...

JAUME QUERALT (Tarragona, 1949). “Raquel”. Técnica mixta y collage sobre papel. Firmado y titulado en el ángulo inferior izquierdo. Fechado en el ángulo inferior derecho. Medidas:...

"Harborside Bathers" Large Scale Landscape with Figures and Boats in Acrylic Idyllic harbor landscape with bathers and boats by Richard M. Bacon (American, 20th Century). Richard is...

Created by artist Richard MacDonald for the 1996 Atlanta Summer Olympics, Flair Across America celebrates the triumph of the human spirit and the idealization of the human form. Wh...

Signed limited edition photographic print of Kurt Cobain, Dave Grohl and Krist Novoselic of Nirvana by photographer Kirk Weddle from the famous 1991 swimmi...

Artist: Evelyne Brigeois – French/American (1946-2016) Title: Behind Paraportiani, Mykonos Year: ca. 1990 Medium: Watercolor Sight size: 20 x 14.75 inches. Framed size: 29.5 x 23.5 inches Signature: Signed lower left Condition: Very good Frame: Framed in original frame. Frame in good condition. This watercolor is by Evelyne Brigeois (1946-2016) a very well-known Boise, Idaho artist. It depicts an area behind Paraportiani. The Church of Paraportiani is on island of Mykonos in Greece. It is in the town of Chora. The painting is in very good condition with no flaws to note. The painting is signed in the lower left corner. It is double matted and enclosed in a simple light wood frame. The frame is in good condition, with a few very faint scratches. Born in France in 1946, Evelyne Brigeois was an internationally acclaimed watercolor artist. Having grown up in a small town east of Paris, Brigeois was particularly drawn to places which seem to have preserved their timeless and peaceful aspect. Crisp precision, strong definition of light and shadow, and beautiful composition distinguish her images of the Greek Islands, Venice and France. Brigeois received many national awards, from the Louisiana Watercolor Society, the Detroit Institute of Arts, Michigan Watercolor...

Julian Schnabel Invierno Primaveral, 1995 Hand-painted, 17-color screenprint with poured resin 40 x 30 inches (102 x 76 cm) Edition of 80 signed in pencil and stamped on verso "S...

La obra va firmada por la artista en la parte inferior El estado de conservación de la obra es bueno Se presenta bien enmarcada la obra Medidas de la obra: 50 cm x 35 cm. Medidas...

Artist: Peter Max, German/American (1937 - ) Title: Bill Clinton Inaugural, An American Reunion, New Beginnings, Renewed Hope Hand signed in marker with dedication Year: 1993 Medi...

Wavy Irregular Bands is an artwork realized by Sol Lewitt in 1996.  Etching and Aquatint on Arches 88 Paper. Edition of 35 + 8 AP + 8 T + 1 BAT + 1 NB. Edition 19/35. Signed and n...

Between the Lines - The Getaway (The Last Picture Show) - 1999 50x50cm, Edition of 10, plus 2 Artist Proofs. Archival C-Print, based on the Polaroid. Artist Inventory #694. Signature label and Certificate. Not mounted. Stefanie Schneider's photographs evoke scintillating moments suspended between daydreams and waking reality. Each scene, captured in the southwestern United States, radiates a surreal enchantment. The artist's role appears minimal yet pivotal, providing the decisive impulse that sets the imagery into motion. The figures in her photographs remain as elusive as the motivations behind their actions, and the narratives woven through her sequences are tantalizingly open to interpretation. Atmospheric disturbances in Schneider's work emerge as the result of a deliberate narrative arrangement, compelling viewers to navigate between visual mementos and the gaps in memory they conjure. Yet, her artistry is no less purposeful in its engagement with medium. Despite the inherent unpredictability of expired Polaroid film, Schneider wields it with calculated intent. The photo-chemical self-developing process, altered by age and decay, transforms the initial exposure into something alien yet mesmerizing. This dysfunction is a cornerstone of MIND SCREEN, a multi-part work that explores the fragility of reality, authenticity, and comprehension. Schneider juxtaposes this brittleness with a magical realism steeped in chimeras, crafting dreamlike sequences that resist definitive narratives. She entrusts viewers with the responsibility of piecing together presumed storylines, refusing to offer a manual for interpretation. Instead, her work draws us into a realm where the unreal reigns—shimmering scenes that evoke the mirage of a road movie, a moment of violence, or a tragic self-sacrifice. Film genres are invoked and subverted in a single breath: Paris, Texas by Wim Wenders is reimagined through a rose-tinted lens, Thelma...

Intricate and layered two-part composition by notable collage artist Graham Moody (American, b. 19XX). Two vertical panels are composed primarily of handwritten musical scores and notations, mounted on maps. Layered atop the sheet music art sections of technical illustrations, topographic maps, magazine cutouts, and books. Exhibited: “Two Decades of Collage” - Morris Graves Museum of Art - Eureka, California Each piece is signed and dated "Moody 1990" in the lower right. Titled "From Grief" and "I Cannot Measure" in the lower left of each piece. Each piece measures: 25.75"H x 11"W Graham Moody (American, b.1948) studied art history and political science at Humboldt State University, graduating in 1980. While maintaining a career as an artist, Moody also worked as the Art Program Director for Pelican Bay State Prison, bringing art instruction to incarcerated individuals. Moody lives and works in Eureka, California. Moody’s artwork is held in various collections, including: Hewlett Packard Corporation - Palo Alto, California Fresno Museum of Art - Fresno, California Morris Graves Museum of Art - Eureka, California Boston Edison - Boston, Massachusetts Intertael Books - Amsterdam, Holland Kintetsu - Nara, Japan Sun Bank - Jacksonville, Florida Yokohama Royal Park Hotel - Yokohama, Japan Four Seasons Hotel - Las Vegas, Nevada Ontogeny - Potomac, Maryland Fidelity Investments - Boston, Massachusetts New Saint Andrews College - Moscow, Idaho Ken Houldsworth Financial Planner - Arcata, California Bank of America World Headquarters - San Francisco, California Kaiser Permanente Hyatt Regency Hotel Chicago, Illinois Hyatt Hotel - New York, New York La Playa Beach Resort - Naples, Florida Stanford University Hospital - Palo Alto, California Selected Exhibitions: “Two Decades of Collage” - Morris Graves Museum of Art - Eureka, California “Celebration of the Arts” - Robert Allen Fine Art - San Francisco, California Butters Gallery - Portland, Oregon Art LA - Los Angeles, California The Allrich Gallery - San Francisco, California Theatres d'Ermont - Val d'Oise, France Galerie Kunsthaar - Amsterdam, Nederlands Galerie Yurn - Paris, France Galerie Tagliana - Auvers-sur-Oise, France Humboldt Cultural Center - Eureka, California Group Shows: Humboldt Arts Council - Eureka, California “Collecting Ourselves: Works from the Permanent Collection” - Morris Graves Museum of Art - Eureka, California “Persistence: Collage” - Butters Gallery - Portland, Oregon Exposition 'Alcools' - Galerie L'Autre - Paris, France Exposition 'Ars Longa...

Rare Limited Edition Serigraph of John Lennon's handwritten lyrics for the song "I'm So Tired," first released on the Beatles "White Album" in 1968. This limited edition was release...

A practitioner of the French “Naif” movement, Michel Delacroix’s style is a simplistic and flattened rendition of everyday life, often mixed with a certain collaged aesthetic. This p...

Louis Icart, After, French (1888 - 1950) - Spring, Year: circa 1990, Medium: Giclee Print, numbered in pencil, Edition: 57/500, Size: 10 x 7.5 in. (25.4 x 19.05 cm), Frame Size: ...

Abram Lerner (founding director of Hirshorn Museum, 1917-2009) Still Life with Mango, 1999 Oil on wood panel 10 x 10 1/3 in. Signed and inscribed verso: A...

Artist: Lina Binkele, Colombian Title: Fragment No. 4 Year: 1995 Medium: Bronze Sculpture Edition: 2/5 Size: 25 in. x 40 in. x 17 in. (63.5 cm x 101.6 cm x 43.18 cm)

The Hideout - The Getaway (The Last Picture Show) - 1999 20x20cm, Edition of 10, plus 2 Artist Proofs. Archival C-Print, based on the original Polaroid. Artist Inventory #724. Signature label and Certificate. Not mounted. Stefanie Schneider's photographs evoke scintillating moments suspended between daydreams and waking reality. Each scene, captured in the southwestern United States, radiates a surreal enchantment. The artist's role appears minimal yet pivotal, providing the decisive impulse that sets the imagery into motion. The figures in her photographs remain as elusive as the motivations behind their actions, and the narratives woven through her sequences are tantalizingly open to interpretation. Atmospheric disturbances in Schneider's work emerge as the result of a deliberate narrative arrangement, compelling viewers to navigate between visual mementos and the gaps in memory they conjure. Yet, her artistry is no less purposeful in its engagement with medium. Despite the inherent unpredictability of expired Polaroid film, Schneider wields it with calculated intent. The photo-chemical self-developing process, altered by age and decay, transforms the initial exposure into something alien yet mesmerizing. This dysfunction is a cornerstone of MIND SCREEN, a multi-part work that explores the fragility of reality, authenticity, and comprehension. Schneider juxtaposes this brittleness with a magical realism steeped in chimeras, crafting dreamlike sequences that resist definitive narratives. She entrusts viewers with the responsibility of piecing together presumed storylines, refusing to offer a manual for interpretation. Instead, her work draws us into a realm where the unreal reigns—shimmering scenes that evoke the mirage of a road movie, a moment of violence, or a tragic self-sacrifice. Film genres are invoked and subverted in a single breath: Paris, Texas by Wim Wenders is reimagined through a rose-tinted lens, Thelma...

Lithograph realized in 1990s. Hand signed in pencil. Unnumbered, as issued. Excellent condition.

LES QUATRE SAISONS DE L'AMOUR is a very distinctive boxed set of 4 signed original hand drawn limited edition lithographs in a red clamshell box by ...

Selenium-toned gelatin silver print Signed, titled, dated, and numbered in pencil, verso Also blindstamped with artist's name and edition number, recto 8 x 8 inches, image size (Ed...

This reproduction of Ansel Adams’ iconic photograph, “Oak Tree, Snowstorm, Yosemite National Park, California, 1948,” captures the majestic beauty of a snow-covered landscape within ...