Eduardo Rezende

Checkers, 2023

2023

Part of Eduardo Rezende’s Billboard series, this work explores the dialogue between image, architecture, and illusion. In this series, Rezende photographs urban façades and overlays ...

From Eduardo Rezende’s Lavori in Corso series, this work contemplates the quiet intervals within construction—those suspended moments when form is still becoming. Shadow, texture, an...

Afternoon light drafts the room with architectural restraint: bands of shadow, glass mullions, and poured concrete divide the space into calm planes, while a modernist floor in earth...

Leveza is part of Eduardo Rezende’s exploration of how architecture can become a stage for poetry, rhythm, and emotion. In this work, a delicate line drawing floats across a vast yel...

Architectonic 1 - Limited edition pigment print - Limited Editions of 5 Signed + numbered by artist, with certificate of authenticity This is an Archival Pigment print on fiber ...

Shirley Bleviss approaches architectural photography as a painter might approach canvas—seeking geometry, light, and rhythm rather than mere documentation. In this photograph, she is...

Abstract digital print on black/white photo paper 25.5 x 21.5 inches in custom black stained wood frame with black 8 ply mat and AR non glare glass Pairs well with Ref: LU2272395053 These energetic prints are digital copies of original handmade monoprints by photographer Birgit Blyth. Without the use of a camera, the artist produced the original chromoskedasic image by painting with the photographic chemicals directly onto black and white photo pager and exposing it to light. The rich black, faded gold, and crisp white tones are determined by the different chemicals used and the amount of time they are exposed to light. In this piece, Blyth painted gestural, intersecting lines to create a grid-like pattern that falls back in space. About the artist and work: Birgit Blyth is one of our most innovative and prolific photographers who works in a darkroom yet uses no camera! Blyth has been experimenting with a technique known as Chromoskedasic painting since the early ‘90s and variations on this concept have been shown at the gallery for the last 20 years. The unusual process involves the use of silver particles in black and white photographic paper to scatter light at different wavelengths when exposed. A chemist of sorts, Blyth demonstrates a thorough knowledge of how the various photographic chemicals will react when applied to paper and exposed. Each work is unique with palettes that resonate brilliant tonalities of brown, green, black, and purple. Using this technique, Blyth creates abstract crosshatching grids and most recently has developed a more gestural series of 20 x 16 inch chromoskedasic paintings that explores the ethereal qualities made possible by the unconventional material. Birgit Blyth succeeds at keeping her work fresh and cutting-edge using analog methods that are being quickly replaced elsewhere with digital technology. Artist Resume: Born: Kousted, Denmark Resident in U.S.A. since 1963 Education: Denmark and U.S.A. Project, Inc., Cambridge MA (Photography) DeCordova Museum School, Lincoln MA (Printmaking) Maine Photography...

Untitled IX, Firework series, is a limited-edition photograph by contemporary artist Matthieu Venot. This photograph is sold unframed as a print only. It is available in 3 dimension...