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Jason EngelundFields of the Sun 49 (Abstract photography)2019
2019
$3,340.61
£2,450
€2,842.80
CA$4,599.32
A$5,033.40
CHF 2,659.71
MX$60,076.96
NOK 33,941.22
SEK 31,042.01
DKK 21,234.23
About the Item
Fields of the Sun 49 (Abstract photography)
Film photograph, archival print on Hahnemühle Fine Art paper — Unframed.
This work is exclusive to IdeelArt.
Limited edition of 10 + 1 AP
(Meta-Landscape series)
Night time in a seascape, a deception, the reveal, and the mystery come together as the composition of this photograph in Engelund’s Meta-Landscapes series. The dark waters and blackness of the seascape appear at first to suggest night, but the qualities of the glimmering light on the upside down waves show that in fact it is Sunlight on water. The high contrast of the blinding glare of Sunlight in multiple exposures on one film frame is dimmed to create the subtle light reflections and dark purple hued ultra-marine blues. This inverted world view’s billowing clouds buffer the lower quadrant of the composition, a buffering from the dramatic image of the torn and burnt film negative, which curls to reveal itself as the plastic film representation of the landscape that it is. The eye moves to the finale of the artwork's narrative to wander up and onwards following the three bright lights, and as the eye moves past the nearly invisible, three horizon lines in the middle of
the composition, we realize, these are three Suns, moving upward and onward.
Engelund’s creative process juxtaposes material and the spirit, a new existential, a new way of seeing. Photographed on the coast of California, Fields of the Sun 49 presents elements of the landscape that evoke the mysterious feeling of the mythic coastline.
- Creator:Jason Engelund (1971, American)
- Creation Year:2019
- Dimensions:Height: 40.01 in (101.6 cm)Width: 30.01 in (76.2 cm)
- Medium:
- Movement Style:
- Period:
- Condition:
- Gallery Location:London, GB
- Reference Number:1stDibs: LU659314585482
Jason Engelund
San Francisco-based artist Jason Engelund merges aspects of painting and photography in ways that expand the definition of both mediums. His compositions are grounded in the realm of landscape, where foreground and background elements lead the eye inwards towards a rational picture space. Engelund upends that sensible grasp of visual reality, which we have come to expect from a landscape photograph, dissolving into an abstracted dreamscape in which the mind is tantalized by psychedelic color fields, burned out light blots, flashes of text, and visceral encounters with paint. Positioned somewhere between memory and metaphor, the work invites viewers to question pre-supposed limitations of the photographic image. Engelund earned his Bachelor of Fine Arts with Distinction at the California College of Arts and Crafts and his Master of Fine Arts from the University of California, Davis. In addition to numerous private collections, work by Engelund is in the permanent collection of the Museum of Photographic Arts of San Diego.
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