Digital Abstract Photography

Untitled (Claudia) 1999 Signed, titled, dated, and numbered in pencil, recto Iris print 30 x 22 inches (76.2 x 55.9 cm) This work is offered by ClampArt in New York City.

Kneeling Magical Figure 1999 Signed by Laurie Simmons (Executor of the Jimmy DeSana Trust), titled, dated, and numbered in pencil, verso Iris print (Edition of 100) 30 x 22 inches...

Photo-respiration Yura #340, 1998 by Japanese artist Tokihiro Sato is a contemporary abstract photograph signed by the artist. Sato used a large-format camera for a long exposure ima...

'Smiltis' London, United Kingdom 2020 Limited edition of 5. Printed of heavy-weight fine art paper. COA included.

Wallscape VI by Frank Schott from a series of photographic observances capturing urban textures and palimpsest color palettes 32 x 40 inches / 81cm x 102cm edition of 25 signed 48...

large format photograph from a series of photographic observances capturing urban textures and palimpsest color palettes of Italy Wallscape VII (Green Door) by Frank Schott 32 x 40 ...

CREATURE II by Christian Stoll from a series of still life photographs capturing fantastical creatures made of found objects and organic materials 28 x 40 inches (71 x 102cm) editi...

WALLSCAPE V by Frank Schott from a series of photographic observances capturing urban textures and wallscape color palettes 60 x 48 inches / 122cm x 182cm edition of 7 signed 3...

large scale photography of mesmerizing color compositions of liquid cloudscape painting in water, hypnotizing abstract liquidscapes from the body of works titled 'Stratosphere' STRA...

large scale photography of mesmerizing color compositions of liquid cloudscape painting in water, hypnotizing abstract liquidscapes from the body of works titled 'Flow' Flow II by C...

In this image, Jessie Spiess applies her signature multiple-exposure technique to the Milwaukee Art Museum's famous Quadracci Pavilion, designed by architect Santiago Calatrava. She ...

Radiating with mythic sexuality, the mermaid’s topless body becomes fluid, her multiplying naked breasts and her scaly tail swirling into the hips of a real woman form a Möbius Strip...

Stars 4, 2014 - Stars and Trees in Ancient English Woodland and Forest Landscape by Ellie Davies Stars 4 by Ellie Davies is a stunning Digital C-Type Print on Fuji Maxima Matte Pape...

Edition of 50. All items are shipped as a print only and come unframed. Jo Crowther was born in York in 1963, and a childhood of much travelling resulted in her attending 14 differ...

The value of money is always going to be a topical discussion. ‘Dollar’ looks at the current climate of relationships, value and connections within currency what some might say the s...

Cristian Stefanescu Monochromatic #03 Black and White Abstract Geometry, Limited Edition Digital Photograph Edition of 30 Artists Proofs 3 Ultra HD Photo Prints On Aluminium Dibond developed on matte Fuji Crystal Professional Archive Maxima photo paper. The matte surface prevents glare; surfaces are laminated with a UV protective film that makes them resistant to light. Image Size: 60 cm x 90 cm x 2 cm Sold Unframed Arrive Ready to Hang (integrated wall-mounts on the back using aluminium rail rectangle) Free Shipping Please note that in situ images are purely an indication of how a piece may look. Monochromatic #02 is part of a series of photographs entitled Monochromatic by Cristian Stefanescu. This black and white abstract geometry series is presenting a dialogue with the elements of perceptions and space. Seeing is unconscious using our senses, our intellect and our emotions in order to interpret the world around us according to our own personality, frame of reference or system of beliefs. I like to use as starting point the elements already created in our reality, fragments of nature or made by human hand. I like to restructure the images I am taking, by altering the angles and relative lengths, joining structures or spatial symbols into a combined representation of matter, just as I like to reorganise my thoughts, in order to be able to change my interpretation, or better say my perception and while doing so I add new forms or perspectives to each thought. Cristian Stefanescu, artist, is available for sale online and in our art gallery at Wychwood Art. Oxford based artist Cristian Stefanescu was born in 1968 in Bucharest. He obtained an MSc degree in 1992 at the Technical University of Construction Bucharest, specialisation in Water and Wastewater Treatment followed by the second MSc in 1994 obtained at University of Liège, specialisation in Groundwater Engineering. After having spent more than a decade of his life teaching at the Technical University of Construction Bucharest, Cristian moved from academia to photography working in fashion industry. The passion for photography developed in the early years of college and became a constant element of his life. After long and constant collaborations with fashion brands in Romania, in 2018 Stefanescu moved to London to open his own studio. Photography was born black and white and he chose to continue this tradition, while working on evolving the visual aesthetics of this raw art form rendering his believes. Cristian Stefanescu’s distinctive monochrome photographs are an exploration into the psychological and metaphysical. He captures nature or buildings in specific moments in time – through highly visual heartbreakingly dark images often overlapped with low-contrast minimal landscapes – to create works that stretch the idea of a hypothetical time. His photo installations exist in dialogue with the elements and perceptions of space and time. “Seeing is unconscious using our senses, our intellect and our emotions in order to interpret the world around us according to our own personality, frame of reference or system of beliefs.” he has said. “I like to use as starting point the elements already created in our reality, fragments of nature or made by human hand. I like to restructure the images I am taking, by altering the angles and relative lengths, joining structures or spatial symbols into a combined representation of matter, just as I like to reorganise my thoughts, in order to be able to change my interpretation, or better say my perception and while doing so I add new forms or perspectives to each thought. This is perhaps why I love photography, because it is simply a visual capture of something already created in the world and is always changing through our interpretation, it is more like a reflexion of our thoughts.” Always preferring to focus on the space rather than its subjects Stefanescu is obsessive about the contrast of his photography, in order to channel the intensity of light and texture of the storied buildings or nature elements. He documents concrete buildings, using the subject as representative for its physical referents, while considering metaphorically the world as the concrete representation of our emotions. Concrete thinking requires facts and representation about everyday life, palpable objects in a tree dimensional world. Stefanescu uses his photographs to deconstruct and alter reality in order to obtain abstract images, since by definition the abstract thinking involves a mental process and an abstract object does not exist in time or space, but rather exists as a thought, as an idea. “I use art in a reversed process of creation. I believe thought forms what our eyes can see, so I take what was already created by the thought of another and I try to place it back into what is known forever in the mind” he has said. Cristian Stefanescu believes in the energy of every being, of each object or nature element. He upholds that photography renders the ineffable combination of the object’s energy and the photographer’s one while taking a picture. And what is the energy of a photograph? Is it the energy of the space that is framed in the viewfinder, is it the energy of the photographer? I think it is an ineffable combination of the photographer’s energy when he pressed the shutter button and everything that forms the energy of the photographed space...

Muralla – Limited Edition Contemporary Abstract Landscape Photograph by Gina Parr [2016] limited_edition and hand signed by the artist Photograph printed on 310gsm Hahnemuhele Germa...

Katie Hallam Connect Limited Edition Digital Photograph Edition of 25 Size: H 63cm x W 53cm X D 0.5cm Sold Unframed Please note that in situ images are purely an indication of how a ...

Abstracted floral still life color photograph, yellow magnolias in an abstract motif Archival digital print 30 x 30 inches, edition of 30 Print is unframed and made to order Addition...

Katie Hallam Dollar Digital Photograph The value of money is always going to be a topical discussion. ‘Dollar’ looks at the current climate of relationships, value and connections...

We live in a world obsessed with image, what we look like, what our clothes, houses, and cars look like etc. Nick Veasey counters this obsession with superficiality by using x-rays t...

Katie Hallam Red Sea Digital Photograph A dramatic view of the oceans surface creating warmth and heat from a beautiful sunset. This direct photographic prin...

"Starburst" Photography 24" x 36" inch Edition 1/15 by Larsen Sotelo Not framed. Ships in tube Giclee (Archival Ink) print on 310G Platine Fibre Cotton Rag w/satin finish Shot wi...

This piece is a collaboration between Sarah Phyllis Smith and Douglas Degges. Douglas Degges (b. Shreveport, LA) is an artist and educator currently based in Mansfield Center, CT w...

Chromaticism III (2014-2019) 100 x 178 cm - original / single unique print + 1AP Museum-Quality Fine Art Printing. Ship in a well protected, solid tube. Original Warranty for all th...

A photograph on fine art Baryta paper mounted to Dibond and floated in a black wood frame with a UV 70 Glass. A limited edition of 10 in total plus artist proofs. About the Artist:...

This photograph was previously on display at Robin Rice Gallery as a part of the annual Summertime Salon. Tanya Malott has a talent for capturing the beauty of nature-many times thr...

In this image, Jessie Spiess applies the multiple-exposure technique to the downtown of the City of Milwaukee as seen from the Milwaukee River. She often turns her camera to views of...

Flowered Umbrella by Denny Haskew Figurative Photographic Print 26x16" Framed in Black A woman photographed behind a waterwall taken during one of the artist's travels. ABOUT THE ...

RINKO KAWAUCHI (*1972, Japan) Untitled, from the series of Halo 2017 Lambda print Sheet 50 x 75 cm (19 5/8 x 29 1/2 in.) Edition of 3 (#1/3) Kawauchi burst on the international scene in 2001 when she was awarded the Kimura-Ihei-Prize, Japan’s most important emerging talent photography prize, shortly followed by the simultaneous publication of three beautiful books, Utatane (Catnap), Hanabi (Fireworks), and Hanako, her very personal study of a young girl of the same name. Met with great critical acclaim, these “visual essays” demonstrate her finesse and skill of telling a photographic tale. Since this triple-debut, the artist has gone to publish another eleven books, the newest of which are Illuminance and Ametsuchi. Kawauchi, currently one of the most famed contemporary female Asian artists...

In this image, Jessie Spiess applies the multiple-exposure technique to the Milwaukee Art Museum's famous Quadracci Pavilion, designed by architect Santiago Calatrava. She often turn...

In this image, Jessie Spiess applies her signature multiple-exposure technique to the Duomo di Milano, the lauded Gothic masterpiece. Indeed, this particular view of the Duomo recall...

In this image, Jessie Spiess applies her signature multiple-exposure technique to the towering historic structure of the Milwaukee City Hall. She often turns her camera to views of s...

"Drift 34" Abstract Photography 40" x 30" Edition of 5 by Rowan Daly Digital print on Ultra Smooth Fine Art Paper Unframed - ships rolled in a tube DRIFT Behind the scenes of t...

In this image, Jessie Spiess applies her signature multiple-exposure technique to the buildings of Milwaukee downtown. Specifically, she looks to the massive Postmodern 1000 North Water Street...

In this image, Jessie Spiess applies her signature multiple-exposure technique to the City of Milwaukee, emphasizing its many tall buildings. She often turns her camera to views of s...

In this image, Jessie Spiess applies her signature multiple-exposure technique to the City of Milwaukee as seen from the Yacht Club on Lake Michigan. She often turns her camera to vi...

RINKO KAWAUCHI (*1972, Japan) Untitled, from the series of Halo 2016 Lambda print Sheet 120 x 180 cm (47 1/4 x 70 7/8 in.) Frame 122.5 x 182.6 x 4.5 cm (48 1/4 x 71 7/8 x 1 3/4 in.) ...

We live in a world obsessed with image, what we look like, what our clothes, houses, and cars look like etc. Nick Veasey counters this obsession with superficiality by using x-rays t...

In this image, Jessie Spiess applies her signature multiple-exposure technique to the City of Milwaukee, emphasizing its many tall buildings. She often turns her camera to views of s...

"Drift 18" Abstract Photography 30" x 40" in Edition 1/5 by Rowan Daly Digital print on Ultra Smooth Fine Art Paper Unframed - ships rolled in a tube DRIFT Behind the scenes of...

"UNTITLED (Red Dot)", 2018, is a color photograph by Sophia Rauch, one of a series originating as digital scans with the artist manipulating materials dir...

"UNTITLED (Blue Erase)", 2018, is a color photograph by Sophia Rauch, one of a series originating as digital scans with the artist manipulating materials ...

"UNTITLED (Zig)", 2018, is a color photograph by Sophia Rauch, one of a series originating as digital scans with the artist manipulating materials directl...

"LUNCH", 2018, is a color photograph by Sophia Rauch, one in a series of "Ghost" pictures. It's an inkjet print on Hahnemeule Photo Rag Paper, and measure...

Ola KOLEHMAINEN (*1964, Finland) Suprematism Nr. 102 Siena dark Red, 2020 Analogue film, ink print in Artist Frame Sheet 173 x 137 cm (68 1/8 x 53 7/8 in.) Edition of 6, plus 2 AP; Ed. no. 2/6 Framed print About Back to Square Black: In his new series 'Back to Square Black', Ola Kolehmainen examines both art history and his own personal timeline. The multi-layered nature of history is the connecting thread that runs through his latest works, which take their cue from The Black Square, the iconic 1915...

"LB19" (FRAMED) Abstract Photography 68" x 48" in Edition of 4 by Giuliano Bekor 68" x 48" inch Printed on Metal Mounted on Dibond TRANSCENDENCE series If the human body contains...

Chromatism_I (2016-2019) 90 x 130 cm - original / single unique print + 1AP Museum-Quality Fine Art Printing Ships in a well protected, solid tube Original Warranty for all the artw...

Laminated Giclée print on aluminum composite panel with Hirst's printed signature and numbered from an edition of 2573 on the justification label on verso. With the original packaging.

We live in a world obsessed with image, what we look like, what our clothes, houses, and cars look like etc. Nick Veasey counters this obsession with superficiality by using x-rays t...

"Drift 20" Abstract Photography 30" x 20" Edition of 1/10 by Rowan Daly Digital print on Ultra Smooth Fine Art Paper Signed and numbered by the artist Comes with COA issued by the ...

"Proxima" Photography 45" x 30" inch Edition 1/7 by Larsen Sotelo Giclee (Archival Ink) print on 310G Platine Fibre Cotton Rag w/satin finish Not framed. Ships in tube. Shot wit...

"Starburst" Still Life Photography 30" x 45" inch Edition 1/7 by Larsen Sotelo Not framed. Ships in tube Giclee (Archival Ink) print on 310G Platine Fibre Cotton Rag w/satin finish...

Spencer Sloan is a mixed-media artist whose recent work, digitally manipulating paparazzi photographs into abstraction using a series of image-corrupting applications, stems from his...

We live in a world obsessed with image, what we look like, what our clothes, houses, and cars look like etc. Nick Veasey counters this obsession with superficiality by using x-rays t...

"Drift 15" Abstract Photography 30" x 20" Edition of 10 by Rowan Daly Digital print on Ultra Smooth Fine Art Paper Unframed - ships rolled in a tube DRIFT Behind the scenes of ...

Anne Sager (American, 1930-2024), Abstract Paint Pour Composition, Chromogenic Print, signed lower right, with artist's estate stamp to verso, unframed. Image: 10.5" H x 14.75" W; sh...

We live in a world obsessed with image, what we look like, what our clothes, houses, and cars look like etc. Nick Veasey counters this obsession with superficiality by using x-rays to strip back layers and show what is under the surface. Often, integral beauty adds intrigue to the familiar and challenges our automatic reaction to physical appearance by highlighting the beauty inside.  Society is being increasingly inhibited by security and surveillance. Take a flight or go into a high-profile courtroom and your belongings will be x-rayed. The post arriving in corporations and government departments is often x-rayed. Security cameras...

Through photography, Michel Piquette creates captures of time, animated by a paradoxical quest for an image preceding any technique. By weaving together aspects of geometry and abstr...

Jessica Houston has traveled from pole to pole—using photography, painting, oral histories and objects—to evoke natureculture entanglements. Her multimedia projects often include sit...