Paper Abstract Photography

Lumen print of fish bladder, gold toned

A photogram is a cameraless photographic image made by placing objects directly onto the surface of a light-sensitive material, such as photographic paper, and then exposing the mate...

Floriculture 2 by Lisa Creagh 45" x 72" Lightjet Print from a Limited Edition of 10 Creagh's project 'Floriculture' draws on the theme of The Instant Garden, which derived from an ...

Primo Tempo 1 is a 30cm x 30cm digital print on 50cm x 50cm cotton paper in a limited edition of 9 + 2 Artist Proofs. In this photograph of a landscaped garden, Basurto takes an ex...

Edition of 3 + 1 Artist’s Proof. Ultrachrome print. Young-Jin Choi, was born in 1965 in the southern coastal area of Jeollanam-do province. He began taking photographs in high schoo...

"TV 2" is an atmospheric C-Type print by Samuel Hicks. It is available in this size of 16" x 20" in a Limited Edition of 25. The apricot hued glow of the analogue television on thi...

These are tiny paintings, made with a few grains of developer and a drop of water

Lumen print of sweet pea

Apartments Nice is a dynamic C-Type Matte Print by Contemporary photographer Chris Frazer Smith It is available in this size in an Edition of 25, and is sold unframed. Vast urban ...

Edition of 50. All items are shipped as a print only and come unframed. Jo Crowther was born in York in 1963, and a childhood of much travelling resulted in her attending 14 differ...

Driving Range is a dynamic C-Type Matte Print by Contemporary photographer Chris Frazer Smith. It is available in this size in an Edition of 25, and is sold unframed. In a departur...

"Polk" Large Scale Textural Photograph Detailed macro photo by Bill Clark (American, 20th Century). Clark has taken a photograph of heavily painted concrete. The paint is bold yello...

Adolph Studly, Swiss born American photographer. His work is kept in the Photographic Archive at The Museum of Modern Art Archives, New York. He was known for his gallery photograp...

BIG DOT, photography, signed by the author.

This series of images reflects a time when I was caring for my mother, who was rapidly declining into dementia, in my home. Each morning before the long day...

Christopher Colville is an American artist working to push the boundaries of the photographic medium in both experimental and traditional forms. His images are created outdoors by ig...

Abstract still life photograph of pink magenta Bougainvillea flowers and green leaves against a white sky background Photograph printed on Japanese Kozo paper infused with encaustic ...

Black and white fine art landscape photography. Archival pigment ink print as part of a limited edition of 9. All Gerald Berghammer prints are made to order in limited editions on Ha...

“Surprise” is a part of Alex Sher’s popular series REFLECTIONS - underwater photographs that could be almost mistaken for abstract paintings as they bring up recollections of masterpieces by Picasso...

Christopher Colville is an American artist working to push the boundaries of the photographic medium in both experimental and traditional forms. His images are created outdoors by ig...

Christopher Colville is an American artist working to push the boundaries of the photographic medium in both experimental and traditional forms. His images are created outdoors by ig...

Christopher Colville is an American artist working to push the boundaries of the photographic medium in both experimental and traditional forms. His images are created outdoors by ig...

Christopher Colville is an American artist working to push the boundaries of the photographic medium in both experimental and traditional forms. His images are created outdoors by ig...

Christopher Colville is an American artist working to push the boundaries of the photographic medium in both experimental and traditional forms. His images are created outdoors by ig...

Abstract still life photograph of yellow flowers against a white sky background Photograph printed on Japanese Kozo paper infused with encaustic on four panels Edition 3/12, 36 x 45....

'Ice, Rock & Sea' Archival Pigment Print Amundsen Gulf sea ice coverage, June 2015. Satellite image showing sea ice edge in the Amundsen Gulf, between Victoria Island and mainland Canada. This Archival Pigment print is a LARGE 30 30" inches / 76 x 76 cm's (30x40" paper size) and printed on beautiful Hahnemühle photorag art paper. Gloriously vivid colours and fine detail - this abstract-like photograph is a breathtaking image of our word taken from above. Science Photo Archives, London. EDGE PRINTS...

Artwork sold in perfect condition - Off-Print # 1 from the portfolio Au Chic Parisien (Coffret Prestige # 8 on 1stdibs) This image was captured on film (1981) The selected negative ...

“Astrologist” is a part of Alex Sher’s series "Reflections" - underwater photographs that could be mistaken for paintings as they bring up recollections of masterpieces by Picasso, D...

Ink painting evaporated off glass and printed

Flashlight exposure with cookie pastilles

Salt, lit by a flashlight

Ink painting evaporated off glass and printed

Flashlight popped multiple times through a thin sheet of broken glass

Statuary Portfolio, 12 photos It is undoubtedly in this portfolio that the artist's will is best seen. The dialogues and interactions are so powerful and numerous that the cacophony ...

Artwork sold in perfect condition - Portfolio Au Chic Parisien - 5 photos In a text devoted to him, evoking these seemingly silent photos of Krichbaum, one critic used the term "din" to define the flow of thoughts and feelings that escaped from it. In this too quick glimpse of Paris, the artist creates a dialogue between the white glass balls of a hotel chandelier with two ostrich eggs in the window of a fashionable decorator, while the fashion models, scattered at will shops and seasons, endless stories are exchanged. From left to right and top to bottom: 1981, 1977, 1976, 1981, 1981, 1983. 5 baryta prints 24 cm x 30 cm mounted under a mat in 40 cm x 50 cm format, 2mm thick with the artist's stamp and signature on the back. This constitutes a very exceptional offer. German photographer Jörg Krichbaum...

This listing is for a framed cyanotype photograph on mulberry paper in a simple white frame behind museum glass. The framed size measures 25.5 by 31.5 inches framed. Unique/not of an...

Portfolio Rivages, 6 photos. The sun, the sea, the waves, the spray, the bodies lying on the sand. Krichbaum's photos are like the antithesis of "postcard". No bather, no walker, not...

Artwork sold in perfect condition Zoological Park Portfolio, 8 photos Still not a single human being in this portfolio, only representatives of the animal kingdom, confined, sad, em...

Abstract digital print on black/white photo paper 31.5 x 26.5 inches in custom black stained wood frame with black 8 ply mat and AR non glare glass These energetic prints are digital copies of original handmade monoprints by photographer Birgit Blyth. Without the use of a camera, the artist produced the original chromoskedasic image by applying the photographic chemicals to black and white photo pager and exposing it to light. The rich black, faded gold, and crisp white tones are determined by the different chemicals used and the amount of time they are exposed to light. In this piece, Blyth painted gestural, intersecting lines to create a grid-like pattern that falls back in space. About the artist and work: Birgit Blyth is one of our most innovative and prolific photographers who works in a darkroom yet uses no camera! Blyth has been experimenting with a technique known as Chromoskedasic painting since the early ‘90s and variations on this concept have been shown at the gallery for the last 20 years. The unusual process involves the use of silver particles in black and white photographic paper to scatter light at different wavelengths when exposed. A chemist of sorts, Blyth demonstrates a thorough knowledge of how the various photographic chemicals will react when applied to paper and exposed. Each work is unique with palettes that resonate brilliant tonalities of brown, green, black, and purple. Using this technique, Blyth creates abstract crosshatching grids and most recently has developed a more gestural series of 20 x 16 inch chromoskedasic paintings that explores the ethereal qualities made possible by the unconventional material. Birgit Blyth succeeds at keeping her work fresh and cutting-edge using analog methods that are being quickly replaced elsewhere with digital technology. Artist Resume: Born: Kousted, Denmark Resident in U.S.A. since 1963 Education: Denmark and U.S.A. Project, Inc., Cambridge MA (Photography) DeCordova Museum School, Lincoln MA (Printmaking) Maine Photography...

“Astrologist” is a part of Alex Sher’s series "Reflections" - underwater photographs that could be mistaken for paintings as they bring up recollections of masterpieces by Picasso, D...

“Alice” is a part of Alex Sher’s popular series Reflections - underwater photographs that could be almost mistaken for abstract paintings as they bring up recollections of masterpiec...

Abstract still life photograph of a magenta cana lily flower on a white sky background Photograph printed on Japanese Kozo paper infused with encaustic Edition 1/12, 36 x 22.5 inches...

Abstracted landscape color photograph of clouds and blue sky on 4 panels Japanese Kozo paper infused with encaustic on 4 panels, each panel is 36...

Listing includes framing with UV plexi, free shipping in the US, and 14-day return policy. Corinne Vionnet Mecca from the series "Photo Opportunities" 15 x 20 inch archival pigmen...

A moody, silver and grey light, composed of harmonious hues, caresses the Chrysler Building, while subtle highlights shimmer off the glass facades that frame it. Photographer Mitch...

Grid No.6, 2009 (Contemporary Framed Abstract Grid in Neutral Shades Black & Coffee) by Birgit Blyth 40" X 25" paper vertical chromoskedesic monoprint 44 x 29 inches framed, custom frame with black wood molding and anti-reflective glass This contemporary, abstract style chromoskedasic monoprint was created by experimental photographer, Birgit Blyth. Without the use of a camera, the artist produced this chromoskedasic image by applying the photographic chemicals to black and white photo pager and exposing it to light. The variety of caramel, toffee, brown and black tones is determined by the different chemicals used and the amount of time they are exposed to light. Here, the artist paints with the photographic materials in a gestural, linear motion. Beautiful hues of coffee, caramel, brown, grey, and black intersect to create unique abstract, intersecting grid patterns that resembles a basket weave motif. The photograph is complimented with a black metal frame with non-glare glass. It is equipped with sturdy wire on the back for instant and professional quality hanging. About the artist and work: Birgit Blyth is one of our most innovative and prolific photographers who works in a darkroom yet uses no camera! Blyth has been experimenting with a technique known as Chromoskedasic painting since the early ‘90s and variations on this concept have been shown at the gallery for the last 20 years. The unusual process involves the use of silver particles in black and white photographic paper to scatter light at different wavelengths when exposed. A chemist of sorts, Blyth demonstrates a thorough knowledge of how the various photographic chemicals will react when applied to paper and exposed. Each work is unique with palettes that resonate brilliant tonalities of brown, green, black, and purple. Using this technique, Blyth creates abstract crosshatching grids and most recently has developed a more gestural series of 20 x 16 inch chromoskedasic paintings that explores the ethereal qualities made possible by the unconventional material. Birgit Blyth succeeds at keeping her work fresh and cutting-edge using analog methods that are being quickly replaced elsewhere with digital technology. Though Birgit Blyth began her photographic career using conventional photographic methods, she quickly became more interested in alternative processes. In the mid 1990’s a colleague showed her an article in Scientific American and it was here that she first discovered the technique called “chromoskedasic” painting, which would eventually lead her to fully finding her voice as a photographer. Blyth had always aligned herself with and been moved by abstract expressionist painting. The series of veil paintings by post-abstract expressionist, Morris Louis, was especially inspiring to her and caused her to ask herself how she could do similar interpretations photographically. In “chromoskedasic” painting, she found the answers and would begin on a new path in her artwork. The term “chromoskedasic” is derived from Greek roots meaning color by light scattering. Developed by a photographer named Dr. Dominic Man-Kit Lam, this process exploits the capability of silver particles in black and white photographic paper to “scatter” light at different wavelengths when exposed to light and chemicals. In her mastery of this photochemical drawing process, Blyth has painted lush washes of color into her own “Veil Series;” she has envisioned landscapes, both rural and urban, with melting swirls and marbled colors into rich palettes of toffee and lead. She has used this essentially experimental process to help her “see” the world around her. Blyth says she continues to be fascinated by the process because it requires “a combination of discipline, experimentation, and imagination, making possible a wonderful balance between control and surprise.” Because the chromoskedasic work is all analog, Blyth spends much of her studio time in the darkroom, which has become a rarity in the current world of digital photography. She does however, continue her preference for experimentation in numerous directions, even employing aspects of the digital age – this exhibit will also feature a new series of pieces created with the now defunct but much loved SX-70 polaroid camera, scanned and archivally printed on 24” x 24” fine cotton rag paper. Whatever the process, Blyth’s work is, as the painter and poet, Peter Sacks noted, a blend of “precision and mystery, of articulation and atmosphere.” Her images leave us with the feeling of ongoing action despite the apparent stillness; of qualities both dreamy and stark as light hits a stand of birch trees in a valley or a group of buildings in New York City. As Morris Louis evolved a style of painting that produced a complete integration of paint and canvas, so too has Blyth, with photo paper and chemicals, created a perfect integration of method and content. Artist CV: Born: Kousted, Denmark Resident in U.S.A. since 1963 Education: Denmark and U.S.A. Project, Inc., Cambridge MA (Photography) DeCordova Museum School, Lincoln MA (Printmaking) Maine Photography...

Abstracted landscape sepia toned photograph of clouds and sky on 3 panels Japanese Kozo paper infused with encaustic on 3 panels, each panel is 3...

Abstract landscape color photograph of clouds and sky on 3 panels Japanese Kozo paper infused with encaustic on 3 panels, each panel is 36 inches...

Abstract landscape sepia tone photograph of clouds Japanese Kozo paper infused with encaustic on 4 panels, each panel is 36 inches x 11 inches ...

Swept Away 4 ( Unique Gestural Abstract Camerless Photograph in Black and Pink) Abstract photograph, chromoskedasic monoprint 20 x 16 inches 28 x 24 inches framed, custom black wood,...

20 x 16 inches Unique chromoskedasic monoprint on black and white photo paper with gloss finish This contemporary, abstract style chromoskedasic monoprint was created by experimenta...

They are a part of a limited edition of 8 and 2 artist proofs, all sizes included. After a career of more than 30 years in the research of textures (20 years as a textile stylist an...

This unique multistep technique is a combination of a painting and a photograph or monotype. Cyanotypes are a kind of alternative photographic process from the 1800s. The chemicals a...

Print. Signed, limited edition of 5. The picture should represent a face.

Alyson Belcher's Ice Portals series of black and white photographs depict an unusually cold Northwestern winter. These photographs are records of the unique ice formations that the ...

Abstract still life photograph of a magenta cana lily flower on a white sky background Photograph printed on Japanese Kozo paper infused with encaustic Edition 1/12, 36 x 22.5 inches...

Silhouette of man in blue window. This archival color photograph by fine art photographer Mitchell Funk is signed, dated and numbered 2/15, lower right recto. Other sizes are availab...

Shocks of light -- yellow , indigo, red and white -- zip through the night in this dynamic photographic print by Mark Bartkiw. This C-print is sealed between dibond and plexiglass. T...

Aditya Dicky Singh Untitled Infrared photograph on fine-art Hahnemuhle archival paper 44 x 65" unframed (112cm x 165cm) 2022 Edition 1/8 *Should you wish the photograph to be ...

An angled swath of black, burnt umber and gold below a sky streaked with azure, dark and light blues is imprinted with two straight dark lines. This abstracted landscape, captured using time lapse...