Vik Muniz

Reversal Grey Marilyn (Pictures of Diamond Dust)

2003

Haystack, After Monet #3 was created by Vik Muniz for his 'Pictures of Color' series. The art is 47.5 x 67 inches and the framed size is 52.25 x 72.5 inches. There is a label on the verso with the artist's signature and edition number AP 1/5. From the total edition of 15 of which there were 10 Arabics and 5 APs. Framed in the original artist's frame. Literature: Pedro Corrêa do Lago, Vik Muniz: Obra Completa 1987-2009, Rio de Janeiro, 2009, pg.456. Vik Muniz — Haystack, After Monet #3 (from Pictures of Color) Vik Muniz’s Pictures of Color series stands at a pivotal moment in the evolution of visual culture. Conceived for the Venice Biennale, the series responds to the year when digital cameras first outsold film cameras worldwide, a symbolic tipping point in how images are made, shared, and believed. While exploring Venice’s long tradition of mosaic art, Muniz recognized a striking parallel between ancient mosaics and the emerging digital pixel: both construct images from countless discrete units, inviting viewers to experience perception as an assembly of parts. In Pictures of Color, Muniz replaces the pixel with a tactile, analog counterpart: Pantone color chips. Each work is composed of thousands of hand-placed squares, arranged with meticulous precision to form images that appear crisp and cohesive at a distance. As the viewer approaches, the illusion dissolves into grids of pure color. This oscillation between clarity and fragmentation, between image and code, lies at the heart of the series. Muniz reveals the mechanics behind seeing in the digital age, prompting the viewer to consider how images are built, translated, and trusted. Within this broader project, Muniz created a subseries dedicated to reinterpreting Monet’s iconic haystacks. Monet’s original paintings...

Gray Dress (Laura) is a serigraph on paper with an image size of 36 x 28, signed 'Alex Katz' and annotated lower left, framed in a contemporary black fram...

Vik Muniz Memory Rendering of John John (Vik Muniz The Best of Life): 'John John' is a selection from Vik Muniz's The Best of LIFE series from 1989. Muniz's...

The popular and innovative American Neo-Pop artist Craig Alan was born in San Bernardino, California, in 1971. Although Alan was inclined to creativity and the visual arts from an early age, it was not until his family moved to New Orleans, where he truly developed a sense of artistic purpose in earnest. Alan’s first concentrated attempts at visual expression were through street portraiture, which provided him with the experience and means to purchase art supplies and further his informal artistic studies. Craig Alan attended the University of Mobile in Alabama, where he pursed a degree in the visual arts. During his time at the university, Alan garnered academic recognition and earned awards for excellence in studio art practice. He participated in Art with a Southern Drawl, one of the university’s most popular art exhibitions, which featured forty-two of Alan’s artworks. The artist’s specialty has been and is predominantly figurative works, with Alan seeking new and innovative modes or re-working historical modes of figural representation. He has experimented with and incorporated elements of make-up/cosmetic artistry, set design, sculpture, and traditional figure drawing in his oeuvre. And his shadowbox series, which combines seemingly contrasting and contradictory elements—dresses made of ribbons and feather; shells made of pierced-paper and sticks—and transcends the traditional two-dimensional art form. Craig Alan has received his greatest popular acclaim from collectors for his POPULUS series. Through an intricate process of deconstruction and construction, Alan re-creates iconic images of popular figures through the working and reworking of hundreds of miniature, individuated figures viewed from an aerial or birds-eye-view. His images of celebrities, heroes, or recognizable sites, such as the U.S. Capitol or Statue of Liberty, invite close, slow viewing and scrutiny, that ultimately reveals greater thematic associations and allusions through finely rendered hand details. Craig Alan’s variety of series of art-making—Populus, Narrative, and Motivo—reveals, through different modes of expression, the artist’s knowledge of and proficiency with the art historical figurative...