Vertical Photography

This ethereal monochromatic underwater nude photograph captures a young woman wrapped in flowing translucent fabric. The sepia-toned composition emphasizes texture and movement, wher...

Signed and numbered on front of mount. Titled and dated with artist's stamp on back of mount. Available in two sizes. Prices subject to change.

This exquisite heliogravure after Man Ray (1890–1976), titled Rayograph, originates from the 1980 folio Man Ray, Electa Editrice Portfolios. Published by Gruppo Editoriale Electra, Milano, and printed by Gruppo Editoriale Electra, Milano, 1980. This image exemplifies Man Ray’s pioneering “rayograph” technique—a cameraless photographic process in which objects were placed directly onto photosensitive paper and exposed to light, creating luminous abstract compositions that fused chance, intuition, and surrealist invention. Through this groundbreaking process, Man Ray transformed photography into pure visual poetry, redefining its potential as a form of modern art. Executed as a heliogravure on velin paper, this work measures 15.75 x 11.75 inches. Unsigned and unnumbered as issued. The edition exemplifies the refined craftsmanship of Gruppo Editoriale Electra, Milano. Artwork Details: Artist: After Man Ray (1890–1976) Title: Rayograph Medium: Heliogravure on velin paper Dimensions: 15.75 x 11.75 inches (40.01 x 29.84 cm) Inscription: Unsigned and unnumbered as issued Date: 1980 Publisher: Gruppo Editoriale Electra, Milano Printer: Gruppo Editoriale Electra, Milano Condition: Well preserved, consistent with age and medium Provenance: From the folio Man Ray, Electa Editrice Portfolios, published and printed by Gruppo Editoriale Electra, Milano, 1980 Notes: Excerpted from the folio (translated from Italian), Limited edition of M examples, drawn in heliogravure on special paper, designed specifically for the Portfolios Electa. Gruppo Editoriale Electra/Milan. Printed in Italy. About the Publication: The Man Ray, Electa Editrice Portfolio (1980) was published by Gruppo Editoriale Electra in Milan as part of the distinguished Electa Portfolios series, which celebrated the masters of 20th-century photography through the artisanal process of heliogravure printing. This edition was dedicated to Man Ray’s seminal body of photographic work from 1920 to 1934—an era in which he redefined modern image-making through technical invention, surrealist experimentation, and intellectual daring. Produced in collaboration with leading photographic historians and Italian master printers, the portfolio was printed on specially manufactured velin paper designed exclusively for the Electa Portfolios, ensuring tonal precision and textural depth true to the artist’s originals. The publication represents one of the most refined posthumous tributes to Man Ray’s legacy, combining Italian craftsmanship with avant-garde vision to preserve the luminous complexity of his photographs. Created with the same devotion to innovation and elegance that characterized Man Ray’s own practice, this edition remains an important intersection of fine art publishing and modernist history. About the Artist: Man Ray (1890–1976) was an American-born painter, sculptor, photographer, filmmaker, and conceptual visionary whose radical imagination and technical innovation transformed modern art and established him as one of the leading figures of the 20th century. Born Emmanuel Radnitzky in Philadelphia, he became a central force in both the Dada and Surrealist movements, defying artistic boundaries and redefining the relationship between art, technology, and the unconscious. After early involvement in New York’s avant-garde with Francis Picabia and Marcel Duchamp, Man Ray moved to Paris in 1921, where he joined a revolutionary circle of artists including Pablo Picasso, Alexander Calder, Alberto Giacometti, Salvador Dali, Joan Miro, Wassily Kandinsky, and Marcel Duchamp. There, he pioneered the “rayograph,” or photogram—a cameraless photographic technique that used light and shadow to create ethereal abstract compositions—and produced some of the most iconic images in art history, including Le Violon d’Ingres (1924) and Noire et Blanche (1926). His photography, distinguished by its fusion of elegance, surrealism, and psychological depth, captured the essence of modernist Paris and immortalized creative icons such as Kiki de Montparnasse, Gertrude Stein, and James Joyce. At the same time, Man Ray’s experimental films, including Le Retour a la Raison (1923) and L’Etoile de mer (1928), and his sculptural works like The Gift (1921) and Object to Be Destroyed (1923), expanded the possibilities of art itself, transforming ordinary objects into symbols of mystery and desire. His conceptual approach—viewing art as an idea rather than an object—anticipated later movements such as Pop Art, Minimalism, and Conceptual Art, profoundly influencing artists like Andy Warhol, Robert Rauschenberg, Jasper Johns, and Joseph Beuys, as well as photographers Helmut Newton, Guy Bourdin, Cindy Sherman, and Richard Avedon. Even in exile during World War II, while working in Los Angeles, he continued to innovate, blending Surrealist fantasy with the luminosity of the California landscape before returning to Paris, where he spent his final decades refining his poetic, intellectual, and sensuous vision. Exhibited in major institutions such as the Museum of Modern Art, the Tate Modern, and the Centre Pompidou, Man Ray’s work remains foundational to modern art history—bridging painting, photography, film, and sculpture in a body of work that continues to shape the language of visual culture. Standing alongside Pablo Picasso, Alexander Calder, Alberto Giacometti, Salvador Dali, Joan Miro, Wassily Kandinsky, and Marcel Duchamp, Man Ray endures as one of the most original and influential artists of the modern era. His highest auction record was achieved by Noire et Blanche (1926), which sold for 3.13 million USD at Christie’s, Paris, on November 9, 2017, confirming his status as a timeless innovator whose genius continues to inspire artists, collectors, and dreamers worldwide. Man Ray Rayograph...

Structure and abstraction – High-rise communal living was once seen as a great step forward for mankind. Cawston’s Tenement series captures the individual within the collective. By...

St. Nectans Glen Study 1, England - no. 21370 // Black and white long exposure waterscape photography. Pigment ink print as part of a limited edition of 7. Prints are made to order i...

Mascot, photograph from Richard Heeps' series, Man's Ruin. Captured at the Hot Rod Hayride this Jesus on a Cross, was meant to protect the Hot Rodders in their cars. There is somethi...

'Lily in Charcoal no.3' 2023 From raw energy to sublime. 'Lily in Charcoal No.3' is an expression piece combining an abstract charcoal drawing with a live lily emerging from a gash....

Unique piece More sizes and an Essay from Lyle Rexer about this series on request. Joachim Schmeisser’s work rescues photography from the centuries-old straightjacket of realism to...

The photographic work of Raphael Macek offers profound meditation on the timeless bond between humans and horses. With exceptional sensitivity, Macek captures the equine form as both...

16 x 20" vintage silver gelatin photograph, multiple exposure female nude. Titled, numbered, dated, and signed by Jack Mitchell on the recto. Comes directly from the Jack Mitchell Ar...

"Chrysalis" Nude Photography 36" x 24" in Ed. 1/7 by Aaron Mcpolin Signed and numbered by the artist. Comes with COA issued by the artist Archival Giclee Print NOT framed. Ships in ...

Castro’s labor-intensive, photo-collage works of drug kingpins, smugglers, hitmen, countrymen, street vendors, soldiers, paramilitaries, kidnappers, and pimps pose showing with pride...

This is an original signed archival pigment print on Hahnemühle Photo Rag® Baryta 315 gsm paper by Scottish artist Ian Sanderson (1951- 2020) titled ‘ Caroline ‘ A naked woman at...

"The work explores the ephemeral nature of moments in time. The basic elements of light, water, mist, smoke and fire are combined to create mysterious ...

Lakelands is a color vintage photo, realized in 1960s. Good conditions and aged. It belongs to a historical and nostalgic album including hi...

THIS PIECE IS AVAILABLE FRAMED. Please reach out to the gallery for additional information. ABOUT THIS PIECE: French photographer Ludwig Favre recently road tripped to California. ...

Vintage b/w photograph realized by Eve Arnold in 1960. Copyright: Magnum Photos and Agenzia Contrasto. Excellent condition.

This exquisite photogravure after Robert Mapplethorpe (1946–1989), titled Cross IV, from the folio A Season in Hell, originates from the 1986 edition published by The Limited Edition...

A single bloom, stripped of sentiment, stands quiet in a field of darkness. Splatters break the surface, suggesting memory, erosion, or quiet rupture. This is not a floral study, it ...

From The series Guerreros Unique Photomontage on archival paper Unframed Signed, titled and dated by the artist The root of these unique photographic works by the artist Celso Cast...

image size: 8 5/8 x 7 7/8 inches William Wegman is a renowned photographer famous for his unique and artistic photographs of Weimaraner puppies. His approach to is far from convent...

Unique piece in this size More sizes and an Essay from Lyle Rexer about this series on request. Joachim Schmeisser’s work rescues photography from the centuries-old straightjacket ...

Frida at the Barbizon Plaza Hotel by Lucienne Bloch is a black and white portrait of Mexican painter Frida Kahlo sitting in a chair under her self portrait hanging on the wall. Im...

Nick Cave Soundsuit #6 Year: 2010 Archival Pigment Print on Premium Rag Size: 17 x 12 in. Edition: 200 Signed by hand on label COA provided Ref.: 924802-2069 Tags: #NickCave #Missou...

George Platt Lynes Photograph #11 of dancer Francisco Moncion 1949. George Platt Lynes rare original vintage 1949 gelatin silver photograph of dancer Francisco Moncion. Stamped on verso - GEORGE PLATT LYNES. Photo is 7 3/4 x 9 1/2 inches, glossy finish in excellent condition. This photograph is #11 from a collection of 12 different poses in this series taken in Platt Lynes's NYC studio in 1949 (as per the NY Public Library archives). The cloud backdrop is recognizable in other Platt Lynes photographs. Moncion was a personal friend of Platt Lynes and this photograph is from Moncion's personal photographic collection. George Platt Lynes (1907–1955), was a gregarious American portrait, dance, fashion, and male nude photographer whose career spanned the late 1920s through the early 1950s. From age eighteen, Lynes entered the cosmopolitan world of the American expatriate community in Paris when he became acquainted with the salon of Gertrude Stein and Alice B. Toklas. He began photographing authors like Stein, Jean Cocteau, André Gide, and Colette and soon established himself as one of the premier fashion photographers in the Condé Nast stable, documenting the ballet companies of George Balanchine/Lincoln Kirstein, and pursuing a private obsession with seductive images of young male nudes rarely published in his lifetime. Platt Lynes photographs are in the collections of every major art museum and university archive including the Metropolitan Museum of Art, Museum of Modern Art, Yale Art Museum, and the Smithsonian. Francisco Moncion (July 6, 1918 – April 1, 1995) was a charter member of the New York City Ballet. Over the course of his forty year career, choreographers George Balanchine, and Jerome Robbins in the New York City Ballet created 22 major roles for Moncion including the Dark Angel in Orpheus, Death in La Valse, Prince Ivan in Firebird, and the Boy in Afternoon of a Faun. He was also a choreographer and a talented painter who exhibited alongside Miro, Picasso and Carrado Cagli. Moncion was a popular model for many famed mid-century (late 1930s, 1940s - 1950s) figure photographers including Platt Lynes, Carl van Vechten, Maurice Seymour...

Vintage dye transfer print from the portfolio "Transformations" (Edition of 50) Signed and numbered, verso 30 x 24 inches, mount size 22 x 15 inches, image size This artwork is off...

Julius Shulman Case Study House #22. Playboy 1960 C print Paper size: 20.5″ x 41.5″ (52.07 cm. x 104.14 cm.) Print size: 19″ x 40″ (48.26 cm. x 101.6 cm.) Shulman's studio stamp and...

THIS PIECE IS AVAILABLE FRAMED. Please reach out to the gallery for more information. ABOUT THIS ARTIST: Tom Fabia is a french artist living in the south of France. His parents are...

Rare 1950s Iconic Original Vintage Gelatin Silver Photograph by DOUGLAS JULEFF - also known as DOUG OF DETROIT - of popular physique models VIC SEIPKE and JIM PARK. Fireman Vic Se...

The artist was enchanted by some images he had a relationship with since childhood, working them into iconographies, such as the image of the fisherman carrying on his back a cod alm...

An underwater nude photograph of a beautiful young woman diving in a red pool. Ripples and sunbeams are painting mysterious pattern on her perfect breasts. Original gallery quality...

This captivating, one-of-a-kind silver gelatin photograph print showcases a timeless black-and-white view of New York City as it appeared under the nocturnal sky circa 1950. Framed w...

Frida by the Lamp by Lucienne Bloch is a black and white portrait of Mexican painter Frida Kahlo sitting in an armchair with a tall lamp behind her. Signed in pen by artist on prin...

“Fiddlehead” is a photograph of a bright green emerging fiddlehead fern which becomes transformed by the inclusion of the image of a handcrafted glass bead. The 20 x 16 inch print on...

Rome (Campidoglio), a large format photograph of Michelangelo's famous Roman square, from a series of works capturing Rome's urban surfaces and wallscape color palettes 72 x 48 inc...

Polaroid transfer on Rives BFK paper Signed, dated, and numbered in pencil, recto Also blindstamped, l.r. 22 x 15 inches, sheet 10 x 8 inches, image This artwork is offered by Clam...

Faun, 2018, Edition 1/7, 2 APs Based on an original Impossible film Digital C-print, not mounted. Signed on the back and with certificate. Artist inventory PL2018-168 Kirsten Thys v...

Unique piece More sizes and an Essay from Lyle Rexer about this series on request. Joachim Schmeisser’s work rescues photography from the centuries-old straightjacket of realism to...

8 x 10" vintage silver gelatin photograph of dancer and choreographer Louis Falco, performing in 1962. This is a print that was published by a newspaper or...

Presenze is a print realized by Franco Fontana, in 1981. Offset print. Rondanini Galleria D'arte Contemporanea - Roma. Coloured poster from a photograph by Franco Fontana (Modena, ...

Katia - Signed limited edition archival pigment print - Edition of 5 This image was captured on film in 1989. The negative was scanned creating a digital file which was then pri...

Lights of Mong Kok, Kowloon, Asian architecture photograph by Richard Heeps. The artwork captures the spirit of walking the streets in Hong Kong, the overwhelming buzz of the compet...

The first encounter I had with the abyss, was arriving to a place that does not exist, a point suspended in time where I am without being. An unreal world...

Poppy Bud captures a quiet, transitional moment in nature—the fragile opening of a poppy bud. The tightly closed bud, with its textured, velvety surface, contrasts beautifully with t...

A cowboy in contemplative pose in front of a saguaro cactus.  The man is wearing a stetson hat and smoking a pipe.  The image evokes the solitude of life on the plains and seems to e...

Crystalised - 2021 25x20cm, Edition of 7 plus 2 Artist Proofs. Archival C-Print based on the Polaroid. Signed on the back and with certificate. Artist inventory PL2021-1091. No...

The artist was enchanted by some images he had a relationship with since childhood, working them into iconographies, such as the image of the fisherman carrying on his back a cod alm...

Polaroid transfer drawing of a reclining male nude on Rive BFK paper by Mark Beard 9.5 x 7 inch image size 22 x 15 inch paper size Ed. 5/6, Polaroid Transfer on Rives BFK paper, unfr...

Zupan combines images from old masters, alchemical prints, contemporary artists, and bits from magazines and newspapers to create overlapping, intersecting worlds of transparencies a...

Bruce of L. A. - Set of 2 Vintage 1950s gelatin silver photographs by celebrated 20th Century photographer Bruce Bellas also known as Bruce of Los Angeles, of physique models Ed Lincoln and Jim Drinkward in the early 1950s. Lincoln and Drinkward often posed as a duo. These are original photographs from the "posing strap" era when nude photography was illegal. 'Bruce Los Angeles...

Vintage, signed on the Verso.

Unique piece More sizes and an Essay from Lyle Rexer about this series on request. Joachim Schmeisser’s work rescues photography from the centuries-old straightjacket of realism to...

Tiziana Audino 1984 (printed later) Chromogenic Lambda Print Estate edition of 150 A topless Tiziana Audino enjoys a shower at the Hotel San Pietro in Positano, 1984. Estate stamp...

Ariane - Signed limited edition archival pigment print - Edition of 10 Signed + numbered by artist with certificate of authenticity, unframed This print that is being offered is...

Original large format still life photograph of purple anemone from Linda Rosewall's series "Flora Italiana", an intensely beautiful body of works exploring the botanical splendor of ...

"Duality" Black & White Nude Photography 49" x 39" in Ed. 1/3 by Olha Stepanian Printed on Epson Professional Paper Signed and numbered by the artist Comes with COA issued by the a...

Muchacho con vasija Chimila by Celso José Castro Daza From the Series Guerreros. One-of-a-kind Photomontage on archival paper Image size: 27.5 H x 19.5 W in. Frame size: 28.5 in H x...

Archival pigment print Signed and numbered, verso 30 x 24 inches (Edition of 6) 40 x 30 inches (Edition of 6) This photograph is offered by ClampArt, located in New York City. Plea...

An original signed archival pigment print on Hahnemühle Photo Rag® Baryta 315 gsm paper by Scottish artist Ian Sanderson (1951- 2020) titled ‘ Flower 02' An original signed archiva...

George Platt Lynes 1948 Photograph #5 of George Balanchine Ballet ‘Orpheus’. George Platt Lynes rare original vintage 1948 gelatin silver photograph (dated by the NY City Public Library) of nude dancers Francisco Moncion and Nicholas Magallanes in George Balanchine's iconic mid-20th Century ballet 'Orpheus'. Stamped on verso in dark blue ink at upper center, "GEORGE PLATT LYNES/145 EAST 52 STREET NEW YORK”. Photo shoot took place in NYC. Costumes and Set by ISAMU NAGUCHI. Photo is 7 5/8 x 9 1/4 inches, soft satin finish in excellent condition. This photograph is from Francisco Moncion's original collection given to him by George Platt Lyons. It is one of 14 different poses in the 'Orpheus' series. 8 different photographs are remaining for sale and are available on request. All are original Platt Lyons gelatin silver prints original to Moncion's collection and are stamped by the photographer. Photographs from this celebrated series are in the permanent collections of the Metropolitan Museum of Art (NYC), Museum of Modern Art (MOMA, NYC), the NYC Public Library, and many university art archives. George Platt Lynes (1907–1955), was a gregarious American portrait, dance, fashion, and male nude photographer whose career spanned the late 1920s through the early 1950s. From age eighteen, Lynes entered the cosmopolitan world of the American expatriate community in Paris when he became acquainted with the salon of Gertrude Stein and Alice B. Toklas. He began photographing authors like Stein, Jean Cocteau, André Gide, and Colette and soon established himself as one of the premier fashion photographers in the Condé Nast stable, documenting the ballet companies of George Balanchine/Lincoln Kirstein, and pursuing a private obsession with seductive images of young male nudes rarely published in his lifetime. Orpheus represents a major 20th Century artistic collaboration between composer Igor Stravinsky, choreographer George Ballanchine, and artist/designer Isamu Naguchi. Orpheus is a thirty-minute neoclassical ballet composed by Igor Stravinsky in collaboration with choreographer George Balanchine in Hollywood, California in 1947. The work was commissioned by Ballet Society, later renamed New York City Ballet, which Balanchine founded with Lincoln Kirstein. Sets and costumes were created by Isamu Noguchi. Noguchi’s lyre harp from the production became the symbol of the New York City Ballet. Francisco Moncion (July 6, 1918 – April 1, 1995) was a charter member of the New York City Ballet. Over the course of his forty year career, choreographers George Balanchine, and Jerome Robbins in the New York City Ballet created 22 major roles for Moncion including the Dark Angel...