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Size: Miniature
A fine romance.
Located in Carmel-by-the-Sea, CA
In 1981 Maggie Taylor (b. 1961) began to photograph while she was a student at Yale University majoring in philosophy. She primarily took photographs of suburban landscapes and stran...
Category

21st Century and Contemporary Surrealist Color Photography

Materials

Digital Pigment

Summer Interlude II (Deconstructivism) - Contemporary, Expired Polaroid
Located in Morongo Valley, CA
Summer Interlude II (Deconstructivism) - 2020 - about the narrative potential of images. 20x20cm, Edition of 10 plus 2 Artist Proofs. Archival C-Print, based on the Polaroid, Art...
Category

Early 2000s Contemporary Abstract Photography

Materials

Archival Paper, Photographic Paper, C Print, Color, Polaroid

Paris 1952 , Arc de Triomphe
Located in Cologne, DE
This is a black-and-white photograph of the Arc de Triomphe in Paris, France, taken in 1952. The image shows the monumental arch, a symbol of French national pride and history, locat...
Category

1950s Modern Black and White Photography

Materials

Silver Gelatin

Struda II
Located in Sante Fe, NM
In 2015 I visited many ancient olive groves in Italy. The Province of Lecce is known for having the oldest trees. The groves, only accessible by stone paths or mule tracks, give a se...
Category

21st Century and Contemporary Contemporary Photography

Materials

Mixed Media, Archival Pigment

Hollywood : Mr and Mrs Woodman - Original Handsigned Gelatin Silver Print
Located in Paris, IDF
Man Ray (Emmanuel Radnitsky, called) Hollywood : Mr and Mrs Woodman, 1970 Original gelatin silver print Handsigned on the back Authenticated with the artist stamp "Epreuve originale...
Category

1970s Surrealist Black and White Photography

Materials

Silver Gelatin

Paris, Seine, Fisher in the morning, 1955
Located in Cologne, DE
Silver Gelatine Print by Erich Andres, 1955. Andres was born 1905 in Germany and passed away 1992. He started his career as a photographer in 1920. He was one of the first photograph...
Category

1950s Modern Black and White Photography

Materials

Silver Gelatin

Helena Christensen, 1993 - Pirelli 1994 (July), Paradise Island, Bahamas
Located in London, GB
Photographer Herb Ritts was pivotal in launching the career of Danish model Helena Christensen in the early 1990s. Working together on the 1994 Pirelli Cal resulted in this beach por...
Category

1990s Contemporary Portrait Photography

Materials

Photographic Film, Archival Paper, Photographic Paper, Color

The bird watchers.
Located in Carmel-by-the-Sea, CA
In 1981 Maggie Taylor (b. 1961) began to photograph while she was a student at Yale University majoring in philosophy. She primarily took photographs of suburban landscapes and stran...
Category

21st Century and Contemporary Surrealist Color Photography

Materials

Digital Pigment

When there s nobody worth talking to.
Located in Carmel-by-the-Sea, CA
In 1981 Maggie Taylor (b. 1961) began to photograph while she was a student at Yale University majoring in philosophy. She primarily took photographs of suburban landscapes and stran...
Category

21st Century and Contemporary Surrealist Color Photography

Materials

Digital Pigment

Welcome to my office.
Located in Carmel-by-the-Sea, CA
In 1981 Maggie Taylor (b. 1961) began to photograph while she was a student at Yale University majoring in philosophy. She primarily took photographs of suburban landscapes and stran...
Category

21st Century and Contemporary Surrealist Color Photography

Materials

Digital Pigment

Time will tell.
Located in Carmel-by-the-Sea, CA
In 1981 Maggie Taylor (b. 1961) began to photograph while she was a student at Yale University majoring in philosophy. She primarily took photographs of suburban landscapes and stran...
Category

21st Century and Contemporary Surrealist Color Photography

Materials

Digital Pigment

Juniper, Lake Tenaya
Located in Fairlawn, OH
Juniper, Lake Tenaya Gelatin silver print, 1937 Unsigned Edward Weston Estate stamp verso (see photo) A lifetime printing by Brett Weston, supervised by his father Edward, printed in...
Category

1930s American Modern Landscape Photography

Materials

Silver Gelatin

Dreaming with open eyes.
Located in Carmel-by-the-Sea, CA
In 1981 Maggie Taylor (b. 1961) began to photograph while she was a student at Yale University majoring in philosophy. She primarily took photographs of suburban landscapes and stran...
Category

21st Century and Contemporary Surrealist Color Photography

Materials

Digital Pigment

Elephant in the room.
Located in Carmel-by-the-Sea, CA
In 1981 Maggie Taylor (b. 1961) began to photograph while she was a student at Yale University majoring in philosophy. She primarily took photographs of suburban landscapes and stran...
Category

21st Century and Contemporary Surrealist Color Photography

Materials

Digital Pigment

Phil Hill, Ferrari. 1561F2, Nurburgring, Germany
Located in Denton, TX
No Edition Signed in black ink on print margin by Jesse Alexander Gelatin silver print Paper size: 14 x 11 in. Image size: 9 1/2 x 9 1/2 in. "Soon-to-be World Champion Phil Hill is in his first Grand Prix drive for Ferrari. The car is a single seater Formula Two machine, and he is seen rushing downhill through the infamous "Fuchsröhre" section of the Ring. The image is unusual for several reasons: it was taken with a Rolleiflex camera...
Category

1950s Modern Black and White Photography

Materials

Silver Gelatin

Original Photo of Register Wedding of Prince Charles and Lady Diana Spencer
Located in Roma, IT
SEE PA STORY "WEDDING REGISTER" TIMED 1620 UPT OUR MARRIAGE REGISTER SIGNATURES มันใจ 29%2 2981 PAP 193000-52-(0-F) London, Wednesday, PA: The official entry in the St Pan1"g Cathedr...
Category

1980s Black and White Photography

Materials

Photographic Paper

Welcome to the water planet.
Located in Carmel-by-the-Sea, CA
In 1981 Maggie Taylor (b. 1961) began to photograph while she was a student at Yale University majoring in philosophy. She primarily took photographs of suburban landscapes and stran...
Category

21st Century and Contemporary Surrealist Color Photography

Materials

Digital Pigment

Vanilla.
Located in Carmel-by-the-Sea, CA
In 1981 Maggie Taylor (b. 1961) began to photograph while she was a student at Yale University majoring in philosophy. She primarily took photographs of suburban landscapes and stran...
Category

21st Century and Contemporary Surrealist Color Photography

Materials

Digital Pigment

Sandy Bum, Nude At Beach Carmel, California
Located in Carmel, CA
Hand Printed by artist signed in pencil edition 2/15 Matted to 18x24" with 8ply opening.
Category

21st Century and Contemporary Nude Photography

Materials

Silver Gelatin

NYC Subway Voyeur photograph (NY street photography)
Located in NEW YORK, NY
Fernando Natalici, "MTA Subway Voyeur" photograph, New York City, 2015: An artful and secretly explorative composition of everyday city life by heralded NY underground photographer, ...
Category

21st Century and Contemporary Street Art Black and White Photography

Materials

Inkjet

Reflection, Venice, Italy, black and white fine art landscape photography print
Located in Vienna, Vienna
Black and White Fine Art cityyscape - landscape photography. Reflection, Santa Maria della Salute, Venice, Italy. Archival pigment ink print, edition of 9. Signed, titled, dated and ...
Category

2010s Contemporary Black and White Photography

Materials

Archival Ink, Archival Paper, Archival Pigment

Stories will be told.
Located in Carmel-by-the-Sea, CA
In 1981 Maggie Taylor (b. 1961) began to photograph while she was a student at Yale University majoring in philosophy. She primarily took photographs of suburban landscapes and stran...
Category

21st Century and Contemporary Surrealist Color Photography

Materials

Digital Pigment

Manhattan Bridge Brooklyn New York City USA limited
Located in Vienna, Vienna
Manhattan Bridge, Brookly, New York City, USA - no. 18069 Archival pigment ink print, edition of 9. Signed, titled, dated and numbered by artist. Certificate of authenticity include...
Category

2010s Contemporary Black and White Photography

Materials

Digital Pigment

Stellar stories.
Located in Carmel-by-the-Sea, CA
In 1981 Maggie Taylor (b. 1961) began to photograph while she was a student at Yale University majoring in philosophy. She primarily took photographs of suburban landscapes and stran...
Category

21st Century and Contemporary Surrealist Color Photography

Materials

Digital Pigment

Only on Thursdays.
Located in Carmel-by-the-Sea, CA
In 1981 Maggie Taylor (b. 1961) began to photograph while she was a student at Yale University majoring in philosophy. She primarily took photographs of suburban landscapes and stran...
Category

21st Century and Contemporary Surrealist Color Photography

Materials

Digital Pigment

Indomitable.
Located in Carmel-by-the-Sea, CA
In 1981 Maggie Taylor (b. 1961) began to photograph while she was a student at Yale University majoring in philosophy. She primarily took photographs of suburban landscapes and stran...
Category

21st Century and Contemporary Surrealist Color Photography

Materials

Digital Pigment

Invincible.
Located in Carmel-by-the-Sea, CA
In 1981 Maggie Taylor (b. 1961) began to photograph while she was a student at Yale University majoring in philosophy. She primarily took photographs of suburban landscapes and stran...
Category

21st Century and Contemporary Surrealist Color Photography

Materials

Digital Pigment

Beijing, China
Located in Sante Fe, NM
Finnish photographer Pentti Sammallahti depicts nature, eroded and broken down by civilization, but does not put man and the environment in opposite camps. He sees an equal relations...
Category

1980s Black and White Photography

Materials

Silver Gelatin

Cute and Soft
Located in New York, NY
image size: 9 3/4 x 12 5/8 inches William Wegman is a renowned photographer famous for his unique and artistic photographs of Weimaraner puppies. His approach to is far from conven...
Category

2010s Contemporary Still-life Photography

Materials

Pigment

The Three Brothers, Yosemite
Located in Pacific Grove, CA
This early albumen silver print is titled in ink on the front of the mount. Printed before 1876, when Watkins lost his negatives to a creditor, who sold them to his competitor, Isaia...
Category

1850s Black and White Photography

Materials

Silver

Full Moon Setting
Located in Sante Fe, NM
Kate Breakey's artistic process is an act of investigation – a passionate attempt to establish an understanding of the natural world – a version that incorporates both intellectual a...
Category

2010s Contemporary Landscape Photography

Materials

Gold Leaf

Jackie Kennedy Onassis; Black and White Photography, 1973, 20, 2 x 29, 8 cm
Located in Cologne, DE
Jacqueline Lee "Jackie" Kennedy Onassis (July 28, 1929 – May 19, 1994) was an American socialite, writer, and photographer who became First Lady of the United States as the wife of P...
Category

1970s Modern Black and White Photography

Materials

Black and White, Silver Gelatin

Star gazer.
Located in Carmel-by-the-Sea, CA
In 1981 Maggie Taylor (b. 1961) began to photograph while she was a student at Yale University majoring in philosophy. She primarily took photographs of suburban landscapes and stran...
Category

21st Century and Contemporary Surrealist Color Photography

Materials

Digital Pigment

Sailor s delight.
Located in Carmel-by-the-Sea, CA
In 1981 Maggie Taylor (b. 1961) began to photograph while she was a student at Yale University majoring in philosophy. She primarily took photographs of suburban landscapes and stran...
Category

21st Century and Contemporary Surrealist Color Photography

Materials

Digital Pigment

Jerry Schatzberg - Bob Dylan, Red Ladder Contact, 1965, Printed After
Located in Stamford, CT
Available Sizes: 11" x 14" $6,000.00 Edition of 25 + 5 AP 16" x 20" $8,000.00 Edition of 20 + 4 AP 20" x 24" $10,000.00 Edition of 20 + 4 AP 30" x 40" $16,500.00 Edition of ...
Category

2010s Color Photography

Materials

Pigment

The philosopher s study II.
Located in Carmel-by-the-Sea, CA
In 1981 Maggie Taylor (b. 1961) began to photograph while she was a student at Yale University majoring in philosophy. She primarily took photographs of suburban landscapes and stran...
Category

21st Century and Contemporary Surrealist Color Photography

Materials

Digital Pigment

Palm Trees in Mist, Los Angeles
Located in Los Angeles, CA
Archival pigment print Hand printed by Sarah Hadley on Canson Baryta Photo paper Hadley's photographs have been exhibited at the Milan Photo Fair (Italy)...
Category

2010s Romantic Black and White Photography

Materials

Archival Ink, Archival Paper, Photographic Paper

The wanderer.
Located in Carmel-by-the-Sea, CA
In 1981 Maggie Taylor (b. 1961) began to photograph while she was a student at Yale University majoring in philosophy. She primarily took photographs of suburban landscapes and stran...
Category

21st Century and Contemporary Surrealist Color Photography

Materials

Digital Pigment

Cloud nine.
Located in Carmel-by-the-Sea, CA
In 1981 Maggie Taylor (b. 1961) began to photograph while she was a student at Yale University majoring in philosophy. She primarily took photographs of suburban landscapes and stran...
Category

21st Century and Contemporary Surrealist Color Photography

Materials

Digital Pigment

Iconics by Fabrizio La Torre - Set # 2 - Roma - 1956 - Vintage Photographs
Located in Brussels, BE
Artworks sold in perfect condition : Set # 2 composed of 5 Gallery Print 30x40 cm This is an exceptional offer that we are presenting today. For almost four years, here on 1stdibs, a...
Category

1950s Photorealist Black and White Photography

Materials

Archival Pigment, Pigment

Florence (City Photography, Italy, Firenze, Black White Photography)
Located in Kansas City, MO
Heinz Finke Florence (City Photography, Italy, Firenze, Black & White Photography) Photograph Titled by hand, verso size: 8.4 × 6.6 inches COA provided (gallery issued) Heinz Finke (born January 27, 1915 in Haldensleben ; November 28, 2007 in Konstanz ) was a German photographer and photojournalist. Heinz Finke, whose father died in the First World War , was forced into the Reich Labor Service in 1935, later as a "PK-Bildberichter" for the army newspaper "Der Sieg" in the Propaganda Company 625 of the Wehrmacht . There he met the journalist Hans Bayer , who became known as " Thaddäus Troll " after the war . After the end of the war he settled in Wertheim am Main and founded the "Wertheimer Pressedienst". Among other things, he worked for the then publisher and later Federal President Theodor Heuss . As the holder of one of the rare American press licenses, he was like for several daily newspapersFränkische Rundschau , Main-Post , Mannheimer Morgen and Hannoversche Allgemeine work as text and image authors. Finke lived since 1951 in Konstanz and was Ullstein people to the publisher for the recent Berliner John Weyl founded Südkurier active in Konstanz as a press photographer. He became known as a photo reporter in the post-war years, especially with his photo reports, for example about Theodor Heuss , Albert Schweitzer , Willy Brandt and Konrad Adenauer...
Category

1960s Modern Black and White Photography

Materials

Black and White

The garden game.
Located in Carmel-by-the-Sea, CA
In 1981 Maggie Taylor (b. 1961) began to photograph while she was a student at Yale University majoring in philosophy. She primarily took photographs of suburban landscapes and stran...
Category

21st Century and Contemporary Surrealist Color Photography

Materials

Digital Pigment

Pegasus
Located in Morongo Valley, CA
Atlas Shrugged 20x20cm, Edition of 10 plus 2 Artist Proofs. Archival C-Print, based on the Polaroid. Signature Label and Certificate. Not Mounted.
Category

1990s Contemporary Color Photography

Materials

Photographic Film, Archival Paper, Photographic Paper, C Print, Color

Pegasus
$304 Sale Price
20% Off
Now.
Located in Carmel-by-the-Sea, CA
In 1981 Maggie Taylor (b. 1961) began to photograph while she was a student at Yale University majoring in philosophy. She primarily took photographs of suburban landscapes and stran...
Category

21st Century and Contemporary Surrealist Color Photography

Materials

Digital Pigment

Self portrait as a butterfly.
Located in Carmel-by-the-Sea, CA
In 1981 Maggie Taylor (b. 1961) began to photograph while she was a student at Yale University majoring in philosophy. She primarily took photographs of suburban landscapes and stran...
Category

21st Century and Contemporary Surrealist Color Photography

Materials

Digital Pigment

Palm Beach Pastels (1959) Limited Estate Stamped
Located in London, GB
Palm Beach Pastels (1959) Limited Estate Stamped (Photo By Slim Aarons) Socialite Alice Topping relaxing by a swimming pool in Palm Beach, Florida, ...
Category

1950s Modern Portrait Photography

Materials

Color, Archival Pigment

Between
Located in Slovak Republic, SK
The photo was done during a lovely walk in the park during the pandemic.
Category

21st Century and Contemporary Abstract Landscape Prints

Materials

Archival Pigment

Between
$249 Sale Price
75% Off
Lifeguard Tower, Palm Trees, Miami Beach, black and white photography, landscape
Located in Vienna, Vienna
Black and white fine art photography. Lifeguard tower on Miami beach with palm trees and beach chairs, Florida, USA. Archival pigment ink print, edition of 9. Signed, titled, dated a...
Category

2010s Contemporary Black and White Photography

Materials

Digital Pigment

Alligator man.
Located in Carmel-by-the-Sea, CA
In 1981 Maggie Taylor (b. 1961) began to photograph while she was a student at Yale University majoring in philosophy. She primarily took photographs of suburban landscapes and stran...
Category

21st Century and Contemporary Surrealist Color Photography

Materials

Digital Pigment

Later
Located in Sante Fe, NM
Maggie Taylor creates evocative single-scene narratives in her whimsical and often elaborate photomontages. Working intuitively, Taylor combines 19th Century photographs, found objec...
Category

2010s Contemporary Color Photography

Materials

Archival Pigment

Waterfall, monochrome photograph, long exposure waterscape, limited edition
Located in Vienna, Vienna
Black and white fine art long exposure waterscape - landscape photography. Archival pigment ink print as part of a limited edition of 7. All Gerald Berghammer prints are made to orde...
Category

Early 2000s Contemporary Black and White Photography

Materials

Digital Pigment

Living in a Dream (Till Death do us Part) - Contemporary, Polaroid, Women
Located in Morongo Valley, CA
Living in a Dream (Till Death do us Part) - 2005 20x20cm, Edition of 10, Archival C-Print print, based on the Polaroid. Certificate and Signature label, artist Inventory No. 9781. Not mounted. on offer is a piece from the movie "Till Death do us Part" Stefanie Schneider’s Till Death Do Us Part or “There is Only the Desert for You.” BY DREW HAMMOND Stefanie Schneider’s Til Death to Us Part is a love narrative that comprises three elements: 1. A montage of still images shot and elaborated by means of her signature technique of using Polaroid formats with outdated and degraded film stock in natural light, with the resulting im ages rephotographed (by other means) enlarged and printed in such a way as to generate further distortions of the image. 2. Dated Super 8 film footage without a sound track and developed by the artist. 3. Recorded off-screen narration of texts written by the actors or photographic subjects, and selected by the artist. At the outset, this method presupposes a tension between still and moving image; between the conventions about the juxtaposition of such images in a moving image presentation; and, and a further tension between the work’s juxtaposition of sound and image, and the conventional relationship between sound and image that occurs in the majority of films. But Till Death Do Us Part also conduces to an implied synthesis of still and moving image by the manner in which the artist edits or cuts the work. First, she imposes a rigorous criterion of selection, whether to render a section as a still or moving image. The predominance of still images is neither an arbitrary residue of her background as a still photographer—in fact she has years of background in film projects; nor is it a capricious reaction against moving picture convention that demands more moving images than stills. Instead, the number of still images has a direct thematic relation to the fabric of the love story in the following sense. Stills, by definition, have a very different relationship to time than do moving images. The unedited moving shot occurs in real time, and the edited moving shot, despite its artificial rendering of time, all too 2009often affords the viewer an even greater illusion of experiencing reality as it unfolds. It is self-evident that moving images overtly mimic the temporal dynamic of reality. Frozen in time—at least overtly—still photographic images pose a radical tension with real time. This tension is all the more heightened by their “real” content, by the recording aspect of their constitution. But precisely because they seem to suspend time, they more naturally evoke a sense of the past and of its inherent nostalgia. In this way, they are often more readily evocative of other states of experience of the real, if we properly include in the real our own experience of the past through memory, and its inherent emotions. This attribute of stills is the real criterion of their selection in Til Death Do Us Part where consistently, the artist associates them with desire, dream, memory, passion, and the ensemble of mental states that accompany a love relationship in its nascent, mature, and declining aspects. A SYNTHESIS OF MOVING AND STILL IMAGES BOTH FORMAL AND CONCEPTUAL It is noteworthy that, after a transition from a still image to a moving image, as soon as the viewer expects the movement to continue, there is a “logical” cut that we expect to result in another moving image, not only because of its mise en scène, but also because of its implicit respect of traditional rules of film editing, its planarity, its sight line, its treatment of 3D space—all these lead us to expect that the successive shot, as it is revealed, is bound to be another moving image. But contrary to our expectation, and in delayed reaction, we are startled to find that it is another still image. One effect of this technique is to reinforce the tension between still and moving image by means of surprise. But in another sense, the technique reminds us that, in film, the moving image is also a succession of stills that only generate an illusion of movement. Although it is a fact that here the artist employs Super 8 footage, in principle, even were the moving images shot with video, the fact would remain since video images are all reducible to a series of discrete still images no matter how “seamless” the transitions between them. Yet a third effect of the technique has to do with its temporal implication. Often art aspires to conflate or otherwise distort time. Here, instead, the juxtaposition poses a tension between two times: the “real time” of the moving image that is by definition associated with reality in its temporal aspect; and the “frozen time” of the still image associated with an altered sense of time in memory and fantasy of the object of desire—not to mention the unreal time of the sense of the monopolization of the gaze conventionally attributed to the photographic medium, but which here is associated as much with the yearning narrator as it is with the viewer. In this way, the work establishes and juxtaposes two times for two levels of consciousness, both for the narrator of the story and, implicitly, for the viewer: A) the immediate experience of reality, and B) the background of reflective effects of reality, such as dream, memory, fantasy, and their inherent compounding of past and present emotions. In addition, the piece advances in the direction of a Gesammtkunstwerk, but in a way that reconsiders this synaesthesia as a unified complex of genres—not only because it uses new media that did not exist when the idea was first enunciated in Wagner’s time, but also because it comprises elements that are not entirely of one artist’s making, but which are subsumed by the work overall. The totality remains the vision of one artist. In this sense, Till Death Do Us Part reveals a further tension between the central intelligence of the artist and the products of other individual participants. This tension is compounded to the degree that the characters’ attributes and narrated statements are part fiction and part reality, part themselves, and part their characters. But Stefanie Schneider is the one who assembles, organizes, and selects them all. THE RELATIONSHIP BETWEEN THIS IDEA (above) AND PHOTOGRAPHY This selective aspect of the work is an expansion of idea of the act of photography in which the artistic photographer selects that which is already there, and then, by distortion, definition or delimitation, compositional and lighting emphasis, and by a host of other techniques, subsumes that which is already there to transform it into an image of the artist’s contrivance, one that is no less of the artist’s making than a work in any other medium, but which is distinct from many traditional media (such as painting) in that it retains an evocation of the tension between what is already there and what is of the artist’s making. Should it fail to achieve this, it remains, to that degree, mere illustration to which aesthetic technique has been applied with greater or lesser skill. The way Til Death Do Us Part expands this basic principle of the photographic act, is to apply it to further existing elements, and, similarly, to transform them. These additional existing elements include written or improvised pieces narrated by their authors in a way that shifts between their own identities and the identities of fictional characters. Such characters derive partially from their own identities by making use of real or imagined memories, dreams, fears of the future, genuine impressions, and emotional responses to unexpected or even banal events. There is also music, with voice and instrumental accompaniment. The music slips between integration with the narrative voices and disjunction, between consistency and tension. At times it would direct the mood, and at other times it would disrupt. Despite that much of this material is made by others, it becomes, like the reality that is the raw material of an art photo, subsumed and transformed by the overall aesthetic act of the manner of its selection, distortion, organization, duration, and emotional effect. * * * David Lean was fond of saying that a love story is most effective in a squalid visual environment. In Til Death Do Us Part, the squalor of the American desert...
Category

Early 2000s Contemporary Color Photography

Materials

Archival Paper, Photographic Paper, C Print, Color, Polaroid

Women s Rights Movement - Historical Photo -1970s
Located in Roma, IT
Women's Rights Movement - Historical Photos is a vintage black and white photograph realized in the 1970s in Italy, it belongs to an album of women rights, protests, manifestation fo...
Category

1970s Modern Figurative Photography

Materials

Photographic Paper

Birds on Wire
Located in Sante Fe, NM
The Element ‘Gold, (Au) can only be made in the nuclear reactor of stars. It came to our planet when the Earth was first forming, as dust from catastrophic astronomical events –stars...
Category

2010s Contemporary Black and White Photography

Materials

Gold Leaf

Sade Adu, Contemporary Photograph by David Ogburn
Located in Long Island City, NY
David Ogburn, American (1942 - ) - Sade Adu, Medium: Gelatin Silver Print, Size: 10 x 8 in. (25.4 x 20.32 cm)
Category

1990s Contemporary Black and White Photography

Materials

Silver Gelatin

Fifth Avenue Broadway Flatiron Building balck and white photograph limited
Located in Vienna, Vienna
Fifth Avenue, Broadway, New York City - no. 11777 Black and White Fine Art cityscape photography. Archival pigment ink print, edition of 9. Signed, titled, dated and numbered by arti...
Category

2010s Contemporary Black and White Photography

Materials

Digital Pigment

Street Musician in Lyon, France, Silver Gelatin Black and White Photography 1930
Located in Atlanta, GA
A unique original silver gelatin black and white photograph. Street musicians and singers in Lyon, France, circa 1930. Street musicians playing accordion with singers in Lyon, Franc...
Category

1920s Art Deco Black and White Photography

Materials

Silver Gelatin

Untitled - Polaroid, Contemporary, China, 21st Century, Color
Located in Morongo Valley, CA
Untitled 2014, Edition of 10 plus 2 Artist Proofs, digital C-Print, based on an Polaroid 125i, 10.2 cm x 8.5cm Signed, embossed stamp and artist certificate. Not mounted. Xulong Z...
Category

2010s Conceptual Nude Photography

Materials

Photographic Paper, C Print, Color, Polaroid

Fern I (20x20cm) - Polaroid, Contemporary, Color, 21st Century, Nude
Located in Morongo Valley, CA
Fern I, 2018, Edition 1/7 plus 2 Artist Proofs. Based on an original Impossible film Digital C-print, not mounted. Signed on the back and with certificate. Artist inventory PL2018-47...
Category

2010s Contemporary Nude Photography

Materials

Archival Paper, Photographic Paper, C Print, Color, Polaroid

Untitled (Last Picture Show) - 1999
Located in Morongo Valley, CA
Untitled (Last Picture Show) - 2001 40x40cm, Edition of 10, Lambda Print based on the Polaroid Certificate and signature label artist inventory number: 1268. Not mounted. Insta...
Category

2010s Contemporary Color Photography

Materials

Archival Paper, Photographic Paper, C Print, Color, Polaroid

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