Amy Arbus

Looking at Fingers - Baby Portrait, Child, Black and White

1994

Hip Hop by Earlie Hudnall, Jr. is a portrait of a young shirtless boy posed against a wall, wearing baggy pants and a silver chain. Gelatin Silver Print 14 x 11 in. Signed, titled and dated in pencil on verso Growing up in Hattiesburg, Mississippi, Earlie Hudnall, Jr. learned the importance of community and culture and photography. His father was an amateur photographer, and his grandmother kept the family albums filled with valuable snapshots. After returning from his tour-of-duty in Vietnam, Earlie Hudnall moved to Houston to study at Texas Southern University. There, he continued his interest in photography. While studying art, he met one of his most significant mentors, John Biggers, the painter and muralist that depicted African American life in the South. He had impressed Earlie to make art that was drawn from his own experiences. His images capture communities much like the one in his home- town of Hattiesburg. Earlie’s strongest work was made in Houston. Earlie Hudnall’s images have been widely published. And his photographs are included in many major museum collections in the United States and Europe, including the Amon Carter Museum of American Art in Fort Worth, The Museum of Fine Arts, Houston, The Art Institute Chicago and the National Gallery in Washington, DC. Artists have been influenced by Hudnall’s work, including James Laxton, the Cinematographer of the 2017 Academy Award winner for Best Picture, Moonlight. Also, Tyler Mitchell...

Two 10 x 8 in., vintage gelatin silver prints by Ida Lansky. Artist stamp on prints' verso. Ida G. Lansky was born in 1910 in Toronto, Canada. She pursued many careers in her lifetime including Nursing, Art, and Library Science. In 1928 she moved to New York City and later attended New York University, The Jewish Hospital in Brooklyn, NY and Cornell University. In 1942 she received a B.S. in Public Health Nursing. Ida Lansky moved to Hawaii in 1945 and married Irving Lansky. She then moved to Norman, Oklahoma and then to Denton, Texas where she studied art and was mother to two children, Ellen and Michele. From 1954 - 1959 she was in the Visual Art studies program at Texas Women’s University in Denton with an emphasis on photography. She studied under Carlotta Corpron. 1959 marked a peak in her art career when she exhibited her photographs in a group exhibition curated by Henry Holmes Smith...

Jim Dine and Lee Friedlander From the Portfolio: Photographs and Etchings Lee Friedlander & Jim Dine, published by Petersberg Press 1969 Signed and numbered (Edition of 20/75). Paper...

Colony by Ida Lansky is an abstract black and white photograph, composing of various geometric shapes in varying achromatic tones. Gelatin Silver Print 9 3/8 x 7 1/2 in. Mounted wit...

This photograph is printed on Japanese Paper. The price is for an unframed photograph. 11" X 14" Edition of 25. The Robin Rice Gallery is pleased to announce, 25 Years of Polaroi...

Listing is for UNFRAMED print. Inquire within for framing. Edition of 25. If the exhibition piece is sold or the customer orders a different print size, the photograph is produced upon purchase. Please allow two weeks for production. Shipping time depends on method of shipping. Price is subject to availability. The Robin Rice Gallery reserves the right to adjust this price depending on the current edition of the photograph. Ted Adams’ first solo show at the Robin Rice Gallery juxtaposes surrealism with the documentary art form. What differentiates Mr. Adams’ work from traditional photojournalism is his keen eye for capturing the irony in the events that unfold before our eyes. It is the found objects in everyday life to which Adams is most attuned. He creates a subtle mood and visual mystery that conveys meaning not only from the image itself but also through imagining what exists just beyond the frame. "I see photography as a way of cropping the world—selectively taking things out of context—which often results in stripping the meaning out of the original subject matter, or at least making the image open to interpretation. It’s the opposite of traditional photojournalism whose intention is to create ‘narrative’ and context rather than discard them." While he has exhibited artistic photography in a variety of genres, in the past five years he turned his artistic eye inward to reflect a more autobiographical tone. While some people compare his work to that of Robert Frank, Adams finds himself more and more influenced by Larry Clark whose career was built on pictures drawn from his own life and drug-addled friends rather than a specific documentary mission. The unique presentation of this collection of twenty-three silver gelatin prints enhances the voyeuristic sensibility of Mr. Adams’ work. Each photograph is jewel box in size, measuring 4" x 6" to invite the viewer in to make an intimate appraisal. The craftsmanship of the wide, dark wood frames hearkens back to late 19th-century Shaker design—yet the aesthetic is boldly contemporary, providing a strong backdrop to draw the viewer’s gaze directly to the subject matter. This artisanship extends to the printing where Adams exhibits his skills in traditional darkroom processes. He shoots mostly with Leica and Nikon 35mm film cameras...

This photograph is printed on Japanese Paper. The price is for an unframed photograph. 11" X 14" Edition of 25. The Robin Rice Gallery is pleased to announce, 25 Years of Polaroi...

These were from a show of her work. Influenced by Surrealism and Dada Photographs these are images of old children's dolls in various states of decay. These bear the influence of Ha...