Ansel Adams

Yosemite Valley Winter and Sleigh Ride, 1938

1938

Mary Pickford and Douglas Fairbanks at Walpi First Mesa Hopi Village 1920 Photograph Original Sepia toned Silver gelatin photographic print by Charles Roshe (British, 1885-1974). Provenance: Mary Pickford, Elizabeth (Bess) Huggins. Image 10.75"H x 13.75"W He was Mary Pickford's favorite cinematographer and a personal friend, shooting all of the films in which she starred from 1918 to 1927, before they had a falling out during production of Coquette (1929). He was the first cinematographer to receive an Academy Award, along with Karl Struss, for Sunrise: A Song of Two Humans (1927), and won again for The Yearling (1946), with Leonard Smith and Arthur Arling. He was also nominated four times. Walpi, pueblo (village), Navajo county, northeastern Arizona, U.S., on the edge of a high mesa in the Hopi Indian Reservation. It comprises a group of angular stone houses of two to three stories crowded on a narrow tip of the steep-walled mesa at an elevation of 6,225 feet (1,897 metres). The original pueblo (founded c. 1700) was on a lower part of the mesa, but following the Pueblo Rebellion, the inhabitants moved to the top as a defensive measure against Spanish retaliation. Walpi is known for an antelope ceremony and for snake dances, held during odd years in August and generally closed to non-Hopi spectators. Shitchumovi (Sichomivi) pueblo is adjacent and Hano is nearby. Pickford was the first Canadian to win an Oscar. She was also the second to win best actress and the first for a role in a film with sound. She was one of the founding members of the Academy of Motion Picture Arts and Sciences. In 1919 Pickford took the lead in organizing the United Artists Corporation with Griffith, Charlie Chaplin, and Douglas Fairbanks. In 1920, after the dissolution of her first marriage (1911–19) to actor Owen Moore, she married Fairbanks (divorced 1936). Pickford’s popularity continued unabated in Pollyanna (1920), Little Lord...

Reprint of a vintage photograph titled "Monsieur (Louis) and Madame Paulhan of France ready to fly a Farman model lll in Los Angeles - 1910 from an original photograph by an unknown ...

"Sidewalk Club of the Motherlode" a Lithobrome photograh by Sigismund Blumann (American, 1872-1956). Signed "Sigismund Blumann" lower right. Titled "Sidewalk Club of the Motherlode" on verso. Image size, 11.25"H x 13.25"W. Between 1923 and 1932, his pictures were accepted at photographic salons in Amsterdam, Toronto, Rochester, Seattle, and Los Angeles. In 1927, a one-person exhibition of his bromoil prints traveled to camera clubs in Chicago, Akron, Cincinnati, and New York. In addition to bromoil, a process that yields pointillistic images, Blumann utilized such unusual processes as kallitype (Vandyke brown), lithobrome, and pastelograph (the latter two probably his own inventions) to create original photographs using chemical processes he invented. Sigismund Blumann (1872–1956) (figure 1) was a prominent tastemaker in Californian photography during the 1920s and 1930s. Based in the San Francisco Bay Area for his entire career, he edited magazines, wrote books, and made creative photographs. From 1924 to 1933 Blumann edited Camera Craft, the leading West Coast photographic monthly. Subsequently he established his own periodical, Photo Art Monthly, which he published until 1940. In these two magazines — for over fifteen years — Blumann found a large audience of mainstream pictorial photographers. In addition, he wrote five instructional books on photography...

"Lighthouse & Bicycle", black and white photograph on Fujicolor professional paper of the Santa Cruz Yacht Harbor Breakwater Lighthouse by Richard Francis Singer (American, 20th Cent...