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White Archival Print
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Arslan SükanUntitled 70, Calvin Klein, Fashion Black
White Archival Print2007
2007
$4,000
£3,031.15
€3,493.06
CA$5,657.10
A$6,083.74
CHF 3,252.99
MX$73,368.19
NOK 41,136.26
SEK 37,480.43
DKK 26,100.87
About the Item
Sükan created the series as he was working for international magazines such as L'Uomo Vogue (Italy), A Magazine (France), Crash (France), Faces (Switzerland), and Muse Magazine (Italy) between 2004-2008. He captures the tension and the individuality that remain present at backstages before the models enter the catwalk where they lose their individuality becoming actors of consumerism or objects of art. Sükan momentarily steals these figures - who are preparing for other roles to create his own dialogue and mise-en-scène right before they appear on the actual stage.
Arslan Sukan is a multi-faceted artist who is trained in interior architecture and photography and has tackled with ideas that question the limitations of human perception, the borders between the physical and the virtual as well as the visible and the invisible. Sukan’s work positions the artist as a challenging narrator who re-creates an idea or a form that confirm viewer expectations at first glance while undercutting them in practice.
From the series of Prelude
Black and white archival inkjet print on baryta photographic paper
Edition 1/6 + 1AP
- Creator:Arslan Sükan (1973, Turkish)
- Creation Year:2007
- Dimensions:Height: 29.53 in (75 cm)Width: 19.69 in (50 cm)Depth: 0.04 in (1 mm)
- More Editions Sizes:Small image size: 45 cm H x 30 cm W, Edition 1 of 6 + 1APPrice: $3,000Large image size: 120 cm H x 80 cm W, Edition 1 of 3 + 1APPrice: $5,500
- Medium:
- Movement Style:
- Period:
- Condition:
- Gallery Location:Miami Beach, FL
- Reference Number:1stDibs: LU45334916472
Arslan Sükan
Sukan is a multi-faceted artist who is trained in interior architecture and photography and has tackled ideas that question the limitations of human perception, the borders between the physical and the virtual as well as the visible and the invisible. Sukan’s work positions the artist as a challenging narrator who re-creates an idea or a form that confirms viewer expectations at first glance while undercutting them in practice.
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