Burk Uzzle

Woodstock (child with nude woman)

1969

Gelatin silver print. Hand signed, titled and numbered by the artist. Artwork is in excellent condition. Sheet size: 8 x 10 in. Image size: 5 x 7 in. Certificate of authenticity incl...

Jacques Lowe stamp and various inscriptions on print verso. Sheet size 11 x 13.9 inches. Image size approx 9 x 13 inches. Frame size approx 18.5 x 22.5 inches. Certificate of authen...

Edited photo of a young girl in sepia tones with 3 and a half stars written across her forehead. Artist Biography: Born in Guatemala in 1957, he lives and...

Black and white contemporary photograph by Houston, TX artist Delilah Montoya. This conceptual photograph captures a young child with long, dark, curly hair, resembling that of Christ's, also wearing a white dress with a thick, patterned lining. The young subject also holds what appears to be a heart figure, also replicated as a graffiti on the wall. Signed and labeled at the back. Framed and matted in a black wooden frame. Dimensions Without Frame: H 23 in. x W 18 in. Artist Biography: Although she was born in Texas and lived in Nebraska into her twenties, photographer and printmaker Delilah Montoya has deep roots in northern New Mexico through her mother's family. Raised by her mother, Montoya observes that women have empowered her family for five generations. Montoya studied photography and printmaking at the University of New Mexico, where she received her bachelor's degree, master's degree, and master of fine arts. She works in a variety of two-dimensional photographic and printing processes as well as creating larger installations. The artist describes her approach as postmodernist and uses documentary strategies to interpret her own distinct vision. Politically, Montoya is committed to exploring issues of identity in terms of a Chicano cultural context:"In my own evolving ideology I question my identity as a Chicana in occupied America, and articulate the experience of the minority woman. I work to understand the depth of my spiritual, political, emotional and cultural icons, realizing that in exploring the topography of my conceptual homeland, Aztlan, I am searching for the configuration of my own vision. " (Montoya n.d.) Montoya is committed to the expression of Chicana experience and history, but she does not consider herself as a feminist. Indeed, Montoya rejects identification as a United States-style feminist because she believes that "Feminists don't give us solidarity. As a Chicana my issues are multifaceted, not just gender, but class, race. " The border, for Montoya, is a politically imposed construct, a part of a United States colonialist enterprise that was forced upon the Chicano community. It is the environment in which Chicano life and history unfolds. Montoya's work explores contemporary and historical issues, sometimes win a humorous twist. Her artist's book for the 1992 Chicano Codices exhibition organized by the Mexican Museum in San Francisco, Codex Delilah: a Journey From Mechica to Chicana (including text by poet Cecilio Garcia-Camarillo), traces the imaginary journey of Six Deer, a character who embodies the contact between indigenous and Spanish culture in her trip "pal norte" towards Aztlan, the "spiritual homeland of her ancestors." As she journeys to the north, the character also journeys forward in time, meeting important Chicanas from the past, including La Llorona...

Black and white contemporary photograph by Houston, TX artist, Jim Reitz. This photograph depicts a wig shop that is stocked to the brim with inventory. Curr...

Black and white contemporary photograph by Houston, TX artist, Jim Reitz. This photograph depicts a street scene where a couple stands by an Obama mural. ...

A photograph of Mick Jagger and Andy Warhol together in New York City in January of 1977. Estate Stamped and Numbered

Mick Jagger of The Rolling Stones by iconic photographer, Baron Wolman, Taken on the set of "Performance" in London, September 1968. One copy available 11x14” hand printed silver ge...

This is a very rare signed photograph by the Late Barry Feinstein. Roughly 50 of this photograph exist in the world that are signed. Slight crease in bottom right corner. Not in t...

Johnny Cash. Taken onstage, San Carlos, CA, 1967 For an early Rolling Stone assignment in December 1967, Baron traveled south from San Francisco to a suburb named San Carlos, Califor...