David Hill

Candid and Young Stevie Nicks Smiling Vintage Original Photograph

Listing includes framing with UV Plexi ($900 value), free shipping, and a 14-day return policy. Seydou Keïta Untitled Portrait, 1952 - 1955 (02158) 23...

Te veo… I see you. Matanzas 2005. The Spirit of the Revolution series documents the generation of Cubans that saw the dramatic changes of 1959 as young adults. They have a strength ...

Silver gelatin print The present work is hand signed with the artist's copyright, dated 1983, and titled on the back. It is numbered 3 of an edition of only 10. On October 3, 1983, Madonna headlined a memorial concert in honor of Michael Stewart, a graffiti artist in the midst of the AIDS crisis who became a victim of police brutality. Madonna was only 24 years old in 1983, but had already signed her first record deal and was on the cusp of superstardom. In 1984, the year after Madonna appeared in Kroll's shoot, she would release chart hits Like A Virgin, Material Girl and Crazy For You, cementing her place as an international star. This photograph was taken by renowned photographer and editor Eric Kroll backstage at Danceteria - a gritty and popular after hours club and concert venue on West 21st Street in Manhattan, operating out of the first three floors in an old industrial 12-story building. The visible text "ACCUTUNKTIONA TO THE POINT!" and "UNK" are actual, gritty wall graffiti from the venue, adding to the candid nature of the shot. Eric Kroll is a notable photographer, best known for his many fetish subjects, and for documenting America’s seediest spots and denizens, sharing a certain aesthetic with fellow photographers Larry Clark and Richard Kern...

A Babalao or priest of the Santeria religion The Spirit of the Revolution series documents the generation of Cubans that saw the dramatic changes of 1959 as young adults. They have ...

A girl at one with the rhythm of her guitar in Holguín, Cuba. James Sparshatt’s photographs of music and dance capture the emotion and intensity of people lost in the rhythm of the...

“I walked into a timeless place … full of supporting actors and actresses of every conceivable role,” Abramson wrote in Light: On the South Side, published by Chicago’s Numero Group in 2009. “Brassai, who photographed nocturnal Paris around 1930, had always been one of my favourite. Having seen, his pictures and, later, read about his experiences, I was fascinated by the implied romance with which he viewed his photography. (…) When I photographed on the South Side, especially in Peppers Hideout, it was very much in recognition of a Brassai–type world. Whether it be ambiance, gestures, or dress, there seemed to be a direct correlation with the Parisian bistros and dance halls that Brassai had photographed.” - Michael Abramson, “Black Night Clubs of Chicago’s South Side”, May 1977. Print details: © Michael L Abramson, Untitled #112, CA. 1974 -1977 Vintage Gelatin Silver Print, in custom made frame Image size: 20.5 x 30.5 cm, Printed on 11 x 14" paper (27.9 x 35.4 cm), white border Series: 1970s Nightclubs of Chicago South Side Stamped; "Provenance Authenticated by Michael L Abramson Estate, 2011" on verso Frame: 38 x 48 cm (Custom made classic hardwood frame, stain in black, museum mount board and antireflective UV AR protective art glass) All prints from 1970s South Side Chicago series are available for purchase as the singular works or as the group of images - please view a selection on 1stDibs and the gallery storefront. All works are Vintage Silver Gelatin prints made by the photographer at the time there were taken. All prints can be purchased in bespoke hardwood frames, museum mount board and anti-reflective UV protective Art Glass. If you wish to ship or purchase unframed prints, we are happy to arrange that for you. About the Photographer: Michael L Abramson was born in New Jersey in 1948, the late American photographer graduated with Master of Photography from Institute of Design, Illinois Institute of Technology in Chicago in 1977. His work was regularly featured in Time, New York Times, Newsweek, People, Forbes, Harpers, Wall Street Journal and other popular American and international magazines. He was a highly sought after commercial portrait photographer and photojournalist. His subjects comprised celebrities, prominent stars from sport, politics and the entertainment industry included Bill Clinton, Steve Jobs, Steven Spielberg, Michael Jordan, Oprah Winfrey and many more. Yet it was his 1970s series documenting the Chicago South side club scene that made Abramson’s name. Influenced by Brassaï’s photographs of the 1920s Paris, Abramson caught the stylish nightlife of the funk and soul era in full, alluring swing. His work was exhibited frequently since 1978, including a solo show at Museum of Contemporary Photography, Chicago, in 2014 and in the same year the group show on American Photography since 1950 at Madison Museum of Contemporary Arts (US). Following Abramson’s death in 2011 a new book entitled Gotta Go Gotta Flow: Life, Love, and Lust From Chicago’s South Side was released by Chicago-based Chicago City...

Hip Hop by Earlie Hudnall, Jr. is a portrait of a young shirtless boy posed against a wall, wearing baggy pants and a silver chain. Gelatin Silver Print 14 x 11 in. Signed, titled and dated in pencil on verso Growing up in Hattiesburg, Mississippi, Earlie Hudnall, Jr. learned the importance of community and culture and photography. His father was an amateur photographer, and his grandmother kept the family albums filled with valuable snapshots. After returning from his tour-of-duty in Vietnam, Earlie Hudnall moved to Houston to study at Texas Southern University. There, he continued his interest in photography. While studying art, he met one of his most significant mentors, John Biggers, the painter and muralist that depicted African American life in the South. He had impressed Earlie to make art that was drawn from his own experiences. His images capture communities much like the one in his home- town of Hattiesburg. Earlie’s strongest work was made in Houston. Earlie Hudnall’s images have been widely published. And his photographs are included in many major museum collections in the United States and Europe, including the Amon Carter Museum of American Art in Fort Worth, The Museum of Fine Arts, Houston, The Art Institute Chicago and the National Gallery in Washington, DC. Artists have been influenced by Hudnall’s work, including James Laxton, the Cinematographer of the 2017 Academy Award winner for Best Picture, Moonlight. Also, Tyler Mitchell...

Artist: Francesco Scavullo (after) Title: Sting, 1984 Portfolio: A Photographic Retrospective, Volume I: Song Medium: Gelatin Silver Print Year: 2004 Edition: AP 7/50 (aside from the...

11 x 14" vintage silver gelatin photograph of Pulitzer prize-winning playwright Tennessee Williams, close up portrait with diamond pinky ring, photographed in 1971. Signed by Jack Mitchell in pencil on the print verso. NOTE: minor corner bends/cracks can be slightly matted to conceal. Comes directly from the Jack Mitchell Archives...

Artist Jasper Johns photographed in his New York City studio in 1971. Vintage silver gelatin exhibition photograph made by Jack Mitchell. Signed by Jack Mitchell on the front and rev...