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David Yarrow
All Nighter in Cowtown, Texas by David Yarrow - Fort Worth Stock Yards

2024

Price Upon Request
Price Upon Request
Price Upon Request
Price Upon Request
Price Upon Request
Price Upon Request
Price Upon Request
Price Upon Request
Price Upon Request
Price Upon Request

About the Item

All Nighter in Cowtown Fort Worth, Texas - 2024 Archival Pigment Print on 315gsm Hahnemuhle Photo Rag Baryta Paper. Available Sizes: Standard 37" x 55" Unframed 52" x 70" Framed Edition of 12 Large 56" x 83" Unframed 71" x 98" Framed Edition of 12 "In Fort Worth, the road under the Stockyard sign rises as it moves west away from the heart of Cowtown. This allows for much deeper visuals of the historic area and, from a filmmaker’s perspective, offers the potential of a wider narrative. If the road was flat, the location would still be strong, but it is the hill that transforms the potential. Fort Worth is a fully paid-up member of the Americana Club and the city’s rise in fortunes over the last 10 years is testimony to the role the Stockyards played in the old west. The cowboy is the most enduring symbol of America and Fort Worth is the cowboy’s spiritual home. Little wonder, therefore, that this stretch of road will host nine million visitors this year. There are few hotter areas in American real estate right now than this pocket of Texas and I sense that Taylor Sheridan has played something of a role in the growing awareness of cattle culture. The lore of the cattle markets and ranches no longer only speaks to Texans. I wanted to shoot this tableaux at first light to amplify the neon lighting in the background and create more of a visual mood. That ambition made for greater challenges with the camera, but I just hadn’t seen a picture like this before and that always energises me. The location will always be there and that forces the cameraman to push a few boundaries in the quest to be authentic. It is just not good enough to shoot the Stockyards during normal working hours. More of the same is never an option. I think the vignette plays to the vibe of Cowtown. This is a storied place where, over the last 160 years, there must have been many late nights of hard drinking and those on the street at dawn, will be going to bed, not getting up." - David Yarrow
  • Creator:
    David Yarrow (1966, Scottish)
  • Creation Year:
    2024
  • Dimensions:
    Height: 52 in (132.08 cm)Width: 70 in (177.8 cm)Depth: 2 in (5.08 cm)
  • Medium:
  • Movement Style:
  • Period:
  • Condition:
  • Gallery Location:
    Chicago, IL
  • Reference Number:
    1stDibs: LU388315309242

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Marfa, Texas, USA 2020 Archival Pigment Print on 315gsm Hahnemühle Photo Rag Baryta Paper Each is signed, dated and numbered on the front. Edition Size: 12 Available sizes: 48 x 65 inches 67 x 93 inches All prints are on 315gsm Hahnemühle photo rag Baryta paper and varnished after processing to give both endurance and sheen. Each is signed, dated and numbered on the front. Price includes David Yarrow's custom black ash frame, white archival matting and protective UV acrylic. For unframed, $1,500 will be deducted from the price. David Yarrow has built an unrivaled reputation for capturing the beauty of the planet’s remote landscapes, cultures and endangered animals. Born in Glasgow, Scotland in 1966, he is now an internationally acclaimed fine art photographer and Europe’s best selling wildlife photographer. "The outdoor bar at The Lost Horse Saloon in Marfa, West Texas, is just how I hoped an outdoor bar, in traditional cowboy country, would look like - a mishmash of wood, corrugated iron, weaponry, stuffed animals and beer merchandise. My preference is that these bars should be cluttered and deeply individualistic - there are no formulas in West Texas other than in the Crystal Meth motorhomes. On our scouting, I was immediately drawn to the sign on the front of the bar which located the destination in the most authoritative of ways. Marfa may only have a modest population of 2,121, but almost everyone in Texas has heard of Marfa. It is the art outpost where “Burning Man” meets “No Country for Old Men”. Absolutely nothing about the place - which sits three hours from the nearest commercial airport - is in any way normal. My creative prompts in using the facade of the bar were led by two dominating objectives - firstly, to make sure that everything and everyone in the picture earned their space and secondly, I wanted the lighting to remain fairly dim so that the character of the joint was retained. To flood the narrative with light would give me greater depth of focus, but it could turn the bar into a sitcom studio. We needed to hold back. The magnificent seven...
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