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David Yarrow
Jurassic Park, South Africa by David Yarrow - Contemporary Wildlife Photography

2024

Price Upon Request
Price Upon Request
Price Upon Request
Price Upon Request
Price Upon Request
Price Upon Request
Price Upon Request
Price Upon Request
Price Upon Request
Price Upon Request

About the Item

"Jurassic Park" Durban, South Africa - 2024 Archival Pigment Print on 315gsm Hahnemühle Photo Rag Baryta Paper Edition Size: 12 Available sizes: Standard Image Size: 37" x 49" Framed Size: 52" x 64" Large Image Size: 56" x 74" Framed Size: 71" x 89" "There is something so downright terrifying about an adult crocodile that the poorer the light, the greater the sense of horror and threat. It is the most primeval of all animals and the bigger it comes, the more it elicits a sense of dropping into a Spielberg movie. This photograph of a four-meter-long male crocodile is elevated by the lighting conditions at dusk. Three hours before, it was all too bright and any photographs would be less dramatic. He is believed to be over 110 years old and weighs more than 750 kgs. I am not good with crocs and I do tend to suffer from camera shake more than when filming any other animal. I have a steady hand, but not so much in encounters such as this. The other problem I have, is that when the camera is head on to a subject, there is always a decision to be taken as to whether to focus on the mouth or the eyes. It’s a dilemma for me because my default position is to have the eyes in focus and make sure that the nearest feature to the camera is not so out of the focal plane as to create a tension point. In most cases, however, that is not an issue and the face is all in focus. But with an adult crocodile, the filmmaker must make a choice, as the distance from the nose and teeth to the eyes is material. I don’t think there is a choice; the focus should be on the nose and this photograph offers some big clues as to why. I could not have taken this image 20 years ago. Cameras and lenses work so much better in low light than they used to and I was pushing my camera to the edge of its capability. I was also pushing myself to the edge of mine." - David Yarrow
  • Creator:
    David Yarrow (1966, Scottish)
  • Creation Year:
    2024
  • Dimensions:
    Height: 52 in (132.08 cm)Width: 64 in (162.56 cm)Depth: 2 in (5.08 cm)
  • Medium:
  • Movement Style:
  • Period:
  • Condition:
  • Gallery Location:
    Chicago, IL
  • Reference Number:
    1stDibs: LU388315165522

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10, 000 BC
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Archival Pigment Print on 315gsm Hahnemühle Photo Rag Baryta Paper Each is signed, dated and numbered on the front. Edition Size: 12 Available sizes: 41 x 85 inches 51 x 110 inches All prints are on 315gsm Hahnemühle photo rag Baryta paper and varnished after processing to give both endurance and sheen. Each is signed, dated and numbered on the front. Price includes David Yarrow's custom black ash frame, white archival matting and protective UV acrylic. For unframed, $1,500 will be deducted from the price. David Yarrow has built an unrivaled reputation for capturing the beauty of the planet’s remote landscapes, cultures and endangered animals. Born in Glasgow, Scotland in 1966, he is now an internationally acclaimed fine art photographer and Europe’s best selling wildlife photographer. " This is the first photograph that I have taken of a big Nile crocodile that is strong enough to be released as a print. It’s taken me 30 odd years, but in crocodile years that is nothing. These monsters were around long before man and can live to 100 years old. Big crocs are not easy to capture in a way that conveys their enormity, their primeval menace or indeed their textural magnificence. But this image works and when I saw it in large size at the printers in LA, my heart skipped a beat. It has been worth the wait. I think we pushed a few boundaries here. The picture was made as opposed to taken as I had a preconceived idea of what I was trying to do. The starting point was my acceptance that head on images of crocodiles struggle as there is never enough depth of field with a telephoto to do them justice. The teeth can be in focus, but then probably not their eyes and certainly not their back or tail. I don't like to have my focal point half way back in an image - it creates a tension point if the nearest point of a portrait is out of focus. A head on portrait fails to convey length and length is the key variable. I knew I needed to work at 90 degrees, with the croc perpendicular to the camera. I also wanted to be low and close and I wanted a big crocodile - why on earth photograph...
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