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Fernando Natalici1970s Times Square New York photograph (New York City street photography)printed later
printed later
Price:$560
About the Item
- Creator:Fernando Natalici (1949, Brazilian)
- Creation Year:printed later
- Dimensions:Height: 13 in (33.02 cm)Width: 19 in (48.26 cm)
- Medium:
- Movement Style:
- Period:
- Condition:
- Gallery Location:NEW YORK, NY
- Reference Number:1stDibs: LU354312359332
Fernando Natalici
Fernando Natalici is best known for his iconographic documentation of the downtown Manhattan art scene of the mid-70s and early 80s. Natalici’s portfolio includes sought after images of a young Patti Smith, Blondie, Talking Heads, Keith Haring, The Ramones and more. As an Art Director, Natalici has played a key role in creating memorable visuals for historic NY venues such as CBGB's, The Mudd Club, Area and Danceteria.
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BASQUIAT Dancing at The Mudd Club, 1979 (Basquiat Boom For Real photograph)
By Nicholas Taylor
Located in NEW YORK, NY
'Jean Michel Basquiat Dancing at The Mudd Club', New York City, 1979:
This rare Basquiat photograph was taken from Nicholas Taylor’s well-documented portfolio exploring his friendship with Jean-Michel Basquiat - a friendship which began when both collaborated on the historic New York No Wave band, “GRAY” in the late 1970s; before the two briefly lived together in the East Village. Selections from Taylor's portfolio were most notably exhibited as part of the Basquiat retrospective at London's Barbican in 2017 and have been featured in numerous noteworthy publications on Basquiat.
Archival inkjet print on 310gsm fiber based paper.
11 x 14 inches (including borders).
Hand signed & numbered from an edition of 50.
Provenance: Obtained directly from artist.
Shipped flat using protective materials.
Lot 180 gallery is an authorized dealer rep of Nick Taylor.
Taylor’s insightful photographs of a young Basquiat have been featured in numerous world renown publications, exhibits and documentaries surrounding Basquiat, among these:
"How Music Powered Basquiat," The New York Times, 9/22/17
Sotheby's "Untitled, 1982;" catalog, May, 2017
Artnet, 9/18/17: Debunking Basquiat’s Myths
The Mudd Club: Richard Boch, 2017
Jean-Michel Basquiat: 1981, The Studio of the Street; Diego Cortez
King for a Decade: Jean Michel Basquiat; Taka Kawachi
Exhibits:
Basquiat: Boom For Real, The Barbican, London, 2017/2018.
More on Nicholas Taylor:
Nicholas Taylor (American, b. 1953) is a renowned photographer and musician. Taylor moved to New York in 1977 to pursue a career as a photographer and it was through the vibrant New York art scene that he came to know the young artist, Jean-Michel Basquiat. It was, in fact, his intimate portfolio of photographs documenting his friendship with Basquiat that rocketed Taylor to fame. The two would collaborate in the No Wave band “Gray” before Taylor launched a successful career as a DJ famous for track-looping. His track “Suicide Mode” would later be used in the soundtrack for Julian Schnabel’s 1996 film “Basquiat."
Circa 1981, Basquiat payed homage to Taylor by incorporating "Nick Taylor" and "DJ High Priest" (a title anointed him by Basquiat) into two separate drawings. While everyone else in the downtown tries to take credit, it was in fact Taylor who first introduced Jean-Michel to Madonna - at the Mudd Club - the very place this one of a kind image was captured.
More on The Mudd Club:
In the 1970s New York City, uptown had the glitz of Studio 54 and downtown had the Mudd Club: a legendary, downtown art scene venue known for pushing the boundaries of nightlife. The space became a natural collision of fashion, art, music, and literature. And the list of guests who walked through the front door reflected that scene: musicians like Grace Jones, Madonna, David Bowie, Mick Jagger, Debbie Harry, Fab Five Freddy, Marianne Faithfull, The Ramones, The Talking Heads, and Nico; fashion luminaries such as, Anna Sui, Betsey Johnson, and Gia Carangi...
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1980s Pop Art Black and White Photography
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Inkjet
BASQUIAT photograph 1979 (Basquiat Gray photograph Nicholas Taylor)
By Nicholas Taylor
Located in NEW YORK, NY
Basquiat and Gray at Hurrah's: New York, 1979 by Nicholas Taylor:
A rare, intimate look at Jean-Michel Basquiat's history as a musician - this work was one of four Taylor photo's chosen for exhibit at the much noted, Basquiat: Boom For Real exhibition at London's Barbican Centre. This work has been featured in numerous major publications on Basquiat.
Archival Inkjet Print.
16 x 20 inches (dimensions include a an approx 2 inch border).
Hand signed & numbered from an Edition of 10 (+ 5 APs).
Excellent condition.
Provided directly by Nicholas Taylor (represented by listing dealer Lot 180 Gallery NY).
Nicholas Taylor (American, b. 1953) is a renowned photographer and musician. Taylor moved to New York in 1977 to pursue a career as a photographer and it was through the vibrant New York art scene that he came to know the young artist, Jean-Michel Basquiat. It was, in fact, his intimate portfolio of photographs documenting his friendship with Basquiat that rocketed Taylor to fame. The two would collaborate in the No Wave band “Gray” before Taylor launched a successful career as a DJ famous for track-looping (named DJ High Priest by Basquiat). His track “Suicide Mode” would later be used in the soundtrack for Julian Schnabel’s 1996 film “Basquiat."
Exhibitions:
Basquiat: Boom For Real at the Barbican Centre, London (9/21/17- Present)
Literature/Catalog Raisonne:
Basquiat: Boom For Real (Show catalog; Eleanor Nairne/Dieter Buchart)
Jean-Michel Basquiat: King For A Decade (Taka Kawachi)
Jean-Michel Basquiat: 1981, Studio of The Street (Diego Cortez)
For further history on Basquiat's and Gray please see:
"Gray Matters...
Category
1980s Contemporary Black and White Photography
Materials
Inkjet
BASQUIAT Dancing at The Mudd Club, 1979 (Basquiat Mudd Club Boom for Real)
By Nicholas Taylor
Located in NEW YORK, NY
'Jean Michel Basquiat Dancing at The Mudd Club', New York City, 1979:
This rare Basquiat photograph was taken from Nicholas Taylor’s well-documented portfolio exploring his friendship with Jean-Michel Basquiat - a friendship which began when both collaborated on the historic New York No Wave band, “GRAY” in the late 1970s; before the two briefly lived together in the East Village. Selections from Taylor's portfolio were most notably exhibited as part of the Basquiat retrospective at London's Barbican in 2017 and have been featured in numerous noteworthy publications on Basquiat.
Archival inkjet print.
18 x 24 inches (including borders).
Hand signed & numbered from an edition of 10.
Provenance: Nick Taylor.
Shipped flat using protective materials. Sold unframed.
Lot 180 gallery is an authorized dealer rep of Nick Taylor.
Taylor’s insightful photographs of a young Basquiat have been featured in numerous world renown publications, exhibits and documentaries surrounding Basquiat, among these:
"How Music Powered Basquiat," The New York Times, 9/22/17
Sotheby's "Untitled, 1982;" catalog, May, 2017
Artnet, 9/18/17: Debunking Basquiat’s Myths
The Mudd Club: Richard Boch, 2017
Jean-Michel Basquiat: 1981, The Studio of the Street; Diego Cortez
King for a Decade: Jean Michel Basquiat; Taka Kawachi
Recent Exhibitions featuring Taylor's work:
Basquiat: Boom For Real, The Barbican, London, 2017/2018.
New York, New Music 1980-86: Museum of the City of New York (2021).
Nicholas Taylor: Further Background:
Nicholas Taylor (American, b. 1953) is a renowned photographer and musician. Taylor moved to New York in 1977 to pursue a career as a photographer and it was through the vibrant New York art scene that he came to know the young artist, Jean-Michel Basquiat. It was, in fact, his intimate portfolio of photographs documenting his friendship with Basquiat that rocketed Taylor to fame. The two would collaborate in the No Wave band “Gray” before Taylor launched a successful career as a DJ famous for track-looping. His track “Suicide Mode” would later be used in the soundtrack for Julian Schnabel’s 1996 film “Basquiat."
Circa 1981, Basquiat payed homage to Taylor by incorporating "Nick Taylor" and "DJ High Priest" (a title anointed him by Basquiat) into two separate drawings. While everyone else in the downtown tries to take credit, it was in fact Taylor who first introduced Jean-Michel to Madonna - at the Mudd Club - the very place this one of a kind image was captured.
More on The Mudd Club:
In the 1970s New York City, uptown had the glitz of Studio 54 and downtown had the Mudd Club: a legendary, downtown art scene venue known for pushing the boundaries of nightlife. The space became a natural collision of fashion, art, music, and literature. And the list of guests who walked through the front door reflected that scene: musicians like Grace Jones, Madonna, David Bowie, Mick Jagger, Debbie Harry, Fab Five Freddy, Marianne Faithfull, The Ramones, The Talking Heads, and Nico; fashion luminaries such as, Anna Sui, Betsey Johnson, and Gia Carangi...
Category
1980s Pop Art Black and White Photography
Materials
Inkjet




