Gerald Berghammer

Ancient Laurisilva Forest Madeira, black and white panorama photography

2022

Ancient Laurisilva Forest Study 9, Portugal - no. 21033 )) Black and white fine art landscape photography. Crooked tree in fairy forest in foggy mood, Fanal, Portugal. Archival pigm...

Black and white fine art landscape photography. Archival pigment ink print as part of a limited edition of 7. All Gerald Berghammer prints are made to order in limited editions on Ha...

Ancient Laurisilva Forest Study 17, Portugal - no. 21047 // Black and white fine art landscape photography. Old tree in the fog on the mystical island of Madeira, Portugal. Archiva...

Black and white fine art long exposure waterscape - landscape photography. Skogafoss gigantic waterfall, Iceland. Archival pigment ink print, edition of 7. Signed, titled, dated and ...

Michael Kenna is a master of contemporary photography. Known for clean compositions, long exposures and minimalist aesthetics, Kenna’s signature style remains highly influential am...

Araquém Alcântara Trancoso, Bahia, Brazil, 2008 70 x 105 cm 27.5 x 41 inches Edition of 10 100 x 150cm 40 x 60 inches Edition of 10 120 x 180 cm 47 x 71 inches Edition of 10 Arch...

'Foggy Hill Trees' is a black and white landscape photograph of rolling hills in the fog. This print is edition 1 of 20. This listing is for an unframed print - a framed print is also available. Chris Little is inspired by the work of Ernest Hass, Jay Maisel...

'Baltic pine' 2021 The pine forests of the Baltic coast are shaped by conditions that are both precise and unforgiving: sandy soil, constant wind, salt carried inland from the sea, and long seasonal extremes of light and darkness. These forces slow growth and distort form. Branches extend horizontally, twist, or break, adapting to pressure rather than symmetry. This photograph was made in Giruliai forest, Lithuania, using a large-format 4×5 film camera. The process demands stillness and time, mirroring the environment itself. Each exposure is deliberate; nothing is incidental. In Baltic landscapes, pine is not decorative. It is structural, a species that persists where others cannot. Its presence defines the rhythm of the coast and the experience of space within the forest. The image isolates this tension between endurance and fragility, movement and restraint. Rendered in black and white, the work removes seasonal colour and geographic nostalgia, allowing form, density, and light to become the primary language. The resulting image is not a description of a place, but a study of adaptation, how nature holds itself under continuous pressure. Printed as a limited edition of ten, this work belongs to an ongoing body of analogue photographs exploring northern landscapes through minimal intervention and material presence. Photographed in Lithuania, Giruliai forest using a 4x5 large format camera...