Harold Eugene Edgerton

Rodeo (Cowgirl)

c. 1940

Signed in pencil on mount margin. Toned gelatin silver print. Framing not included. Western photographer, Bank Langmore, traveled extensively with cattle drives...

Untitled (Three Cowboys on Horseback) depicts 3 cowboys riding horses out in a Western landscape. The figures are silhouetted by the harsh sunlight. One of the cowboys is swinging hi...

Signed and titled in pencil on mount margin. Toned gelatin silver print. Framing not included. Western photographer, Bank Langmore, traveled extensively with cattle...

Untitled (Roper at Bell Ranch) depicts a cowboy riding on a horse. The cowboy is turned away from the viewer, looking back over his shoulder at the rope leading to a small calf in th...

'Bucking Bronco' is a black and white photographic print by Michael Ormerod. Featured in the 2024 posthumous solo exhibition, 'Michael Ormerod: Vanishing Point'. Michael Ormerod w...

11 x 14" vintage silver gelatin photograph of Joffrey Ballet dancer Greg Huffman in "Rodeo", 1976. Signed on the print verso by Jack Mitchell. Comes directly from the Jack Mitchell A...

“I heard about the rodeo in my friend's small Colorado county, I knew I had to go and see it for myself. I wanted to see what the local western culture was all about. As I arrived ...

Listing includes framing with UV plexiglas, free shipping and a 14 day return policy. Ted Higby at Skyline Rodeo, 1928 15 x 12 inch gelatin silver print Image Size: 14 x 8.5 inches Frame size: 22.5 x 17.5 x 2 inches Edition of 15 Lora Webb Nichols was born in 1883 and grew up in the small mining town of Encampment, Wyoming. At the age of 16 Lora received her first camera and from that moment and for the next few decades she produced work that is both stunning in its singular voice and revealing in the world it opens up for us. At first Nichols photographed her family, friends, and the landscape around Encampment, but when the town experienced a copper mining boom Nichols expanded her scope to become a photographer for hire shooting portraits and industrial photographs. When the boom collapsed, Nichols took the risk of opening her own business in Encampment - The Rocky Mountain Studio - which opened in 1925. The studio ran for ten years, accumulating 24,000 negatives that illustrate the lives and environment of the people living in and around the town while creating a distinctive and surprising body of work. If one was to attempt an analogy – Nichols’ pictures fit somewhere between Lartigue and Lange - joyful and generous while objectively intimate. In particular what seems to distinguish Nichols’ work is the way she sees the world from a female perspective. As Vince Aletti...