Herb Greene

Grateful Dead

1965

Residents of Deerfield, IL learned a housing developer planned to sell homes in the village to black and white buyers. Many residents opposed integration and sought reasons to halt the development. A smaller group, the Deerfield Citizens for Human Rights, formed in support of the development. In the weeks that followed, Deerfield residents passed a park referendum to condemn the developer’s land. The crisis in Deerfield became a national story, attracting the attention of Martin Luther King Jr., James Baldwin, and Eleanor Roosevelt. The activists rallied and sang freedom songs at dusk on May 18, 1963 captured here by Art. After years of demonstrations and legal battles, the land became parks that stand today. This artwork is not framed. Please contact the gallery for framing information. Art Shay Deerfield Rally, 1963 silver gelatin print 16h x 20w in 40.64h x 50.80w cm ASY15079 “Art Shay’s photography shakes you up, sets you down gently, pats you on the head and then kicks you in the ass.” Roger Ebert “[Shay’s work] ranks with some of the greats of the 20th century.” Ellen & Richard Sandor, Renowned photo collectors “I’ve admired Art Shay’s work for almost forty years, and he keeps getting better. He can do anything with a camera, but what he mostly does is capture real moments and transform them into visual poetry. His work continues to be an inspiration to me.” William Friedkin, Director of French Connection “Art Shay is one of our finest photographers. His work over the past fifty years has artfully captured the beauty, humor, and pathos of America.” Studs Terkel “Art Shay is one of the best photojournalists I know. I’ve been a fan of his work since the early 1950s - before the launch of playboy magazine.” Hugh Hefner “Algren, Terkel, Royko, they gave us a voice. Art Shay gave us a face.” Tony Fitzpatrick, Chicago Artist “Art Shay is America’s Cartier-Bresson.” Thomas Dyja, author of The Third Coast “Chicago’s Art Shay in many ways is to American photography what Nelson Algren was to American writing: that rare and absolutely necessary citizen who’s blessed with a cold eye, a clear head, and a warm heart. What is it about Chicago that keeps giving us men like this?” Russell Banks, Novelist “The best images of Simone de Beauvoir and her times have been passed down to us by Henri Cartier-Bresson, Gisele Freund, Robert Doisneau, Georges Brassai, and in America, the Chicago-based Art Shay, all world-class photographers.” Christophe Loviny, Art Editor, Paris “Art Shay is the best photo-journalist Chicago ever produced.” Arthur Siegel, photographer; IIT Institute of Design President “I have one of Art Shay’s pictures over my desk. It reminds me every morning of my Chicago roots. Arts photos, like me, have the Chicago accent, which may be to say he’s telling you the truth. I think it takes a realist to see the humor in things. I know it takes a realist to see the depths of tragedy. Art’s work is so real it feels like a Madison Street guy tapping me on the forearm.” David Mamet

Edward Ranney is an internationally recognized photographer who has photographed the natural and man-altered landscape for over forty years. In 1980 Edward Ranney was awarded a grant from The Northern Arts Council of Great Britain to photograph throughout Cumbria, in Northern England, and to exhibit a selection of the resulting work at the Carlisle Museum and Art Gallery. The work extended into 1981, and the exhibition took place in 1982. This selection of photographs favors views of the open spaces of the hills, or fells, of Cumbria and Northumberland including Hadrian’s Wall, the fortified earthwork delimiting the northernmost Roman occupation of the British Isles. Born in 1942, educated at Yale University, internationally recognized landscape photographer Edward Ranney is the recipient of numerous awards and grants including NEA grants (1974 and 1982), a Guggenheim Memorial Fellowship (1977), and Fulbright Fellowships (1964 and 1993). His work is represented in public and private collections alike including The Museum of Modern Art, New York and San Francisco, The Museum of Fine Arts, Santa Fe and Houston, the Victoria and Albert Museum, London, and The Art Institute of Chicago. His photographic monographs...

Hip Hop by Earlie Hudnall, Jr. is a portrait of a young shirtless boy posed against a wall, wearing baggy pants and a silver chain. Gelatin Silver Print 14 x 11 in. Signed, titled and dated in pencil on verso Growing up in Hattiesburg, Mississippi, Earlie Hudnall, Jr. learned the importance of community and culture and photography. His father was an amateur photographer, and his grandmother kept the family albums filled with valuable snapshots. After returning from his tour-of-duty in Vietnam, Earlie Hudnall moved to Houston to study at Texas Southern University. There, he continued his interest in photography. While studying art, he met one of his most significant mentors, John Biggers, the painter and muralist that depicted African American life in the South. He had impressed Earlie to make art that was drawn from his own experiences. His images capture communities much like the one in his home- town of Hattiesburg. Earlie’s strongest work was made in Houston. Earlie Hudnall’s images have been widely published. And his photographs are included in many major museum collections in the United States and Europe, including the Amon Carter Museum of American Art in Fort Worth, The Museum of Fine Arts, Houston, The Art Institute Chicago and the National Gallery in Washington, DC. Artists have been influenced by Hudnall’s work, including James Laxton, the Cinematographer of the 2017 Academy Award winner for Best Picture, Moonlight. Also, Tyler Mitchell...

After Blossfeldt by Jo Ann Callis is a black and white photograph of 3 clay sculpted flowers, reminiscent of Karl Blossfeldt's close up photogravures of plant life. 13 x 10 in. Gela...

Renato D'Agostin No. 12 (Paris 2006) from Metropolis, 2006 Silver gelatin photograph, selenium-toned 16 x 20 inches (40.6 x 50.8 cm) Edition 1/10

"The Glimmer Twins - Mick Jagger" Photography 40x30 in by Charlie Auringer Year: 1978 Edition of 50 Medium: Silver gelatin limited edition photographic print on paper Signed and num...

A Babalao or priest of the Santeria religion The Spirit of the Revolution series documents the generation of Cubans that saw the dramatic changes of 1959 as young adults. They have ...

A musician from the band Iroso Obba at home with his collection of discs James Sparshatt’s photographs of music and dance capture the emotion and intensity of people lost in the rhy...

Dancer in the School of Spanish Dance in the Gran Teatro in Old Havana. James Sparshatt’s photographs of music and dance capture the emotion and intensity of people lost in the rhyt...

Each day the students at the School of Spanish Dance in Havana strut and twirl and leap across boards tin dance studios hat have seen better days. The da...