Jennifer Greenburg

When I posed for a camera club, 2012

Jennifer Greenburg challenges social norms and the nature of vernacular photographs in her series Revising History. Interjecting herself in mid-century images from the 1940’s – 60’s,...

Jennifer Greenburg challenges social norms and the nature of vernacular photographs in her series Revising History. Interjecting herself in mid-century images from the 1940’s – 60’s,...

Jennifer Greenburg challenges social norms and the nature of vernacular photographs in her series Revising History. Interjecting herself in mid-century images from the 1940’s – 60’s,...

Jennifer Greenburg challenges social norms and the nature of vernacular photographs in her series Revising History. Interjecting herself in mid-century images from the 1940’s – 60’s,...

Dee Weingarden with her intimate black and white self portrait photography, created only using natural sunlight and a pin hold filter, this work pulls you in. Whilst using no make...

Listing is for UNFRAMED print. Inquire within for framing. Edition of 20 CURRENT EXHIBITION - runs through December 31, 2017. Any framed photographs purchased during the show will be after December 31st. If the exhibition piece is sold or the customer orders a different print size, the photograph is produced upon purchase. Please allow two weeks for production. Shipping time depends on method of shipping. Price is subject to availability. The Robin Rice Gallery reserves the right to adjust this price depending on the current exhibition of the photograph. ABOUT The idyllic and playful world of The Peconic Bay in Southampton, NY dances to life in Luciana Pampalone’s first solo exhibition. Each location was scouted by Pampalone and transformed into a vintage 1930s setting by the use of her models and props. A Graphlex camera, aviator goggles, parasols, retro bathing suits and games of croquet, (just to name a few) subtly tamper with the past, breathing life back into the 1930s. Moment by moment, Pampalone encapsulates the ephemeral quality of life, bending and blending human subjects within the natural landscape. Never has a world of black and white looked so colorful. In the gallery installation, a red accent wall will emphasize the spirit and energy evoked by Pampalone’s black and white photographs. The strong compositions and delicate imagery of each photograph come together to transport us into a world of amusement and joy. “Smile”, the invitational image, let us in on the surreptitious but not-so-secret powers of Pampalone as director. The woman wielding the artist’s personal ‘30s Graphlex camera confronts the male model, embodying strength, poise and an engaging sense of playfulness. Her commanding presence draws him in until he is physically leaning towards her and becomes her subject. Strong and confident, the heroine radiates the eternal spirit of adventure. Pampalone’s love of photography started at the age of 16. She was inspired by the great artists, Helmut Newton and Deborah Tuberville...

Infinite Exile, 2012 12 x 20 (editions of 12) 18 x 24 (editions of 12) 32 x 42 (editions of 6) New York based artist Jennifer Mien Mien Lin’s (1983-) conceptual photography is ...

Infinite exile: Ode to Sylvia Plath Archival pigment print 32 x 42 inches Edition of 6 New York based artist Jennifer Mien Mien Lin’s (1983-) concep...