John Simmons

Man With A Pistol, Chicago, 1965

1965

Signed, titled, dated, & numbered in pencil on verso, Artist's stamp on verso Gelatin Silver Print Image - 12 1/2" x 18 1/2"; Paper - 16 7/8" x 19 3/4"; Matted 20" x 24" Edition 15 o...

William Klein 1928-2022 Horsing around with Pepsi, Harlem, New York, 1955 Signed and dated on verso Gelatin Silver Print Image - 19" x 13.25", Paper - 16" x 20"

Signed and dated in ink on recto Gelatin silver print Paper 19" x 14-1/2"

Untitled (couple dancing by jukebox), Chicago, 1962 Signed in pencil on verso Gelatin silver print Image: 12-1/2" x 18-3/4", Paper: 16" x 20", Matted: 20" x 24"

Fashion Show, Brooklyn, New York, USA 1963 by Leonard Freed is a 19" x 13" signed and numbered archival pigment print in an edition of 10. Signed by the estate, Freed's widow Brigitte Freed, on back of photograph. Available: 3/10. Provenance: Freed Estate *** Artist’s Bio: Leonard Freed (1929-2006) was an American photographer from Brooklyn, New York. His "Black in White America" series made him known as a documentarian, a social documentary photographer. Freed worked as a freelance photographer from 1961 onwards and as a Magnum photographer Freed traveled widely abroad and, in the US, photographing African Americans (1964-65), events in Israel (1967-68, 1973), and the New York City police department...

African American Man on Street is a dramatic Black & White photographic print on Hahnemuhle Paper available in this size in an Edition of 10. States of America is the photographic legacy of one of the UK’s leading photographic talents whose untimely death in 1991 ended prematurely the highly promising career of a distinctive and powerful photographic voice. Michael Ormerod was born in Cheshire in 1947. He lived in Newcastle, but spent many years travelling America. Fascinated by the American image, and following in the footsteps of Robert Frank, Ormerod took to the American West to find a washed out dream of capitalism. His images capture a strange juxtaposition of an American beauty tainted by a hidden sense of menace and corruption. The photographs are understated, but show an unseen America, where the industrial heartland is decaying, highways stand empty and towns are deserted. The subjects of Ormerod’s work are the disenfranchised. A teenager cycles through her neighbourhood wearing a Halloween-style hockey mask, a Native American man stands in a graveyard, their expressions are unreadable. The work subverts traditional American icons. A white picket fence is staved in, a huge billboard for Miss Teen Dakota USA stands next to an empty highway. Inverting the famous Hollywood sign, Ormerod photographs a Texaco sign...

The photograph captures and translates the American South of the 1960s. Southern State, 1964 by Leonard Freed, is an 11” x 14” gelatin silver photograph from the photographer's Black...

Harlem, 1954 by Leonard Freed, is a 14” x 11” photograph from the photographer's Black in White America book (p. 91). The gelatin silver print from the estate is stamped verso (back ...