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Joshua LutzPastor of Extortion2017
2017
$2,000
£1,514.81
€1,739.71
CA$2,802.65
A$3,047.05
CHF 1,615.55
MX$36,526.40
NOK 20,532.80
SEK 18,810.84
DKK 13,002.14
About the Item
Digital C-print
Signed and dated on label, verso
14 x 11 inches
(Edition of 5)
24 x 20 inches
(Edition of 5)
40 x 30 inches
(Edition of 5)
This photograph is offered by ClampArt, located in New York City.
Please note that prices increase as editions sell.
“There are these two worlds vying for my attention at all times. In one of them this diagnosis has metastasized to the brain and I am no longer able to care for my children. The bank takes over the house and I become an albatross in hands not fully formed. . . In the other world, noise shuts down for a very split second and the smallest fragment of light becomes a pathway to immortality. Color is no longer a placeholder and language no longer a tool. . . You can read this as small moments of clarity or large chunks of confusion. Either way, they mix with the noise and become gaps I long to posses.” — Joshua Lutz
The images and text accompanying Joshua Lutz's series, "Mind the Gap," attempt to locate some semblance of truth in the chaos of hierarchy, class, and privilege. It is a journey for clarity, hijacked by sex, addiction, and mental illness. As they travel between black-and-white and color photographs, the audience is confronted with a sensation of groundlessness. Protagonists in the story are found clinging to and grasping at everything they believe to be true.
“Mind the Gap” points to the physical and psychological gap one confronts in daily life. It is a reference to the gap between thoughts as well as the gap between comprehension and confusion. Caught between thinking something is one thing and the reality of what it actually is, “Mind the Gap” functions as a reminder of the effort needed to let go of the stories we tell ourselves and to rest for a brief moment in the here and now.
- Creator:Joshua Lutz (1975, American)
- Creation Year:2017
- Dimensions:Height: 14 in (35.56 cm)Width: 11 in (27.94 cm)
- Medium:
- Movement Style:
- Period:
- Condition:
- Gallery Location:New York, NY
- Reference Number:1stDibs: LU93233113303
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By Joshua Lutz
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Digital C-print
Signed and dated on label, verso
14 x 11 inches
(Edition of 5)
24 x 20 inches
(Edition of 5)
40 x 30 inches
(Edition of 5)
This photograph is offered by ClampArt, located in New York City.
Please note that prices increase as editions sell.
“There are these two worlds vying for my attention at all times. In one of them this diagnosis has metastasized to the brain and I am no longer able to care for my children. The bank takes over the house and I become an albatross in hands not fully formed. . . In the other world, noise shuts down for a very split second and the smallest fragment of light becomes a pathway to immortality. Color is no longer a placeholder and language no longer a tool. . . You can read this as small moments of clarity or large chunks of confusion. Either way, they mix with the noise and become gaps I long to posses.” — Joshua Lutz
The images and text accompanying Joshua Lutz's series, "Mind the Gap...
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Materials
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GFBD, Levy
By Joshua Lutz
Located in New York, NY
Digital C-print
Signed and dated on label, verso
14 x 11 inches
(Edition of 5)
24 x 20 inches
(Edition of 5)
40 x 30 inches
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This photograph is offered by ClampArt, ...
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By Joshua Lutz
Located in New York, NY
Digital C-print
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14 x 11 inches
(Edition of 5)
24 x 20 inches
(Edition of 5)
40 x 30 inches
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2010s Contemporary Portrait Photography
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By Joshua Lutz
Located in New York, NY
Digital C-print (Edition of 10)
Signed, dated, and numbered, verso
30 x 35.5 inches, sheet
22 x 27 inches, image
This photograph is offered by ClampArt, located in New York City.
Please note that prices increase as editions sell.
Joshua Lutz is an American artist working with large-format photography and video. Lutz began photographing the Meadowlands ten years ago as a a documentary study of the 32-square-miles of marshy wilderness that sits between New Jersey and New York (while ostensibly searching for the remains of Jimmy Hoffa). Over the years, however, this project evolved into a compelling artistic exploration, revealing the soul of this liminal space.
Lutz was given his first solo exhibition at Gitterman Gallery during the summer of 2004. In 2008, “Meadowlands,” was published as Lutz's first book, with powerHouse Books. In essayist Robert Sullivan’s introduction to the monograph, he describes the Meadowlands as “. . .that giant swath of swamp and space that separates New Jersey from New York City, or, put another way, from New York City and the rest of the United States of America.” “The New Yorker” wrote: “Joshua Lutz takes the New Topographics...
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