Judith Henry

Anna May Wong in Williamsburg

2014

"Let's Catch the Last Train Home" 2018 Archival Pigment Print LARGE Edition of 12 + 3 APs (Artist Proofs) Unframed Size: 79" x 56" Framed Size: 94" x 71" STANDARD Edition of 12 ...

Untitled (Nr. 0999) Black & White Photography 36" x 44" Ed. of 12 by Ben Cope Signed and numbered by the artist Comes with COA issued by the artist. Unframed - ships rolled in a tu...

Untitled (Nr. 0382) Black & White Photography 36" x 44" in Ed. of 12 by Ben Cope Signed and numbered by the artist. Comes with COA issued by the artist. Unframed - ships rolled in a...

"Untitled (Nr. 1002)" Black & White Photography 18x24 in Ed. of 20 by Ben Cope Signed and numbered by the artist. Comes with COA issued by the artist. Unframed - ships rolled in a t...

Muhammad Ali (Point Left) by Al Satterwhite is a black and white portrait of the famous boxer in the boxing ring. Muhammad dramatically points to the left with an intense look on his...

Paper size: 17 x 22 in., Image size: 18 x 12.8 in. Signed, titled, and dated in pencil on print verso. Michael O’Brien is an American photographer noted for his compelling portrait...

Steven Spielberg by Michael O'Brien is a black and white portrait of the iconic film director, taken during the filming of his famous thriller, Jaws. Archival Pigment Print 17 x 22 ...

Signed, titled, and dated in pencil on print verso. Image size: 16 x 16 inches Paper size: 20 x 20 inches

Artist Proof Signed and numbered by Al Satterwhite AVAILABLE SIZES: 11 x 14 in., AP $4,000 16 x 20 in., AP $8,000 24 x 36 in., AP $14,000 36 x 54 in., AP $18,000 48 x 72 in., AP $20...

Edition of 25 Signed, titled, dated and numbered. Paper size: 20 x 16 in. *Framing not included AVAILABLE SIZES: 11 x 14 in., Edition of 25 16 x 20 in., Edition of 25 "The discovery of fast cars and auto racing rocked my world as a high school student in the early 1960s. After graduating I did everything I could to wrangle assignments to cover two of the biggest international endurance races held annually in Florida. The Daytona 24-Hour and Sebring 12-Hour races were the highlight of my early years as a photographer. Covering racing events in the Sixties was a lot different from what it is today. Access to the racers and the cars was much easier and there were far fewer photographers covering any event. As a fan and a photojournalist in search of a great story, I usually hung around Carroll Shelby’s pit. Shelby and his Cobras were always race winning contenders. “Shel” was easy to work with and to be around. He let me do what I wanted and go where I pleased to capture a story. At the 1964 Sebring race, Shel was recovering from surgery, alternating between crutches and a wheelchair. As his good friend and motor racing artist Bill Neale...