Karen Mason-Blair

Elliott Smith, 1998

"Inside" Black White Photography 47" x 47" in Ed of 25 by Yevgeniy Repiashenko Photography Year photo was taken: 2016 Works are hand signed and numbered by the artist on ve...

Sardines - Limited edition archival pigment print , 1993 - Edition of 5 This image was captured on film in 1993. The negative was scanned creating a digital file which was then...

Untitled (Nr. 1036) Portrait Photography 36" x 44" Edition of 12 by Rowan Daly Unframed - ships rolled in a tube Ben Cope + Rowan Daly Off the Grid Off the Grid is the culminati...

Muhammad Ali (Point Left) by Al Satterwhite is a black and white portrait of the famous boxer in the boxing ring. Muhammad dramatically points to the left with an intense look on his...

Paul Newman, Sebring by Al Satterwhite is a black and white portrait of the iconic actor, director, race car driver and more, dressed in his racing gear as he prepares for his upcomi...

Paper size: 17 x 22 in., Image size: 18 x 12.8 in. Signed, titled, and dated in pencil on print verso. Michael O’Brien is an American photographer noted for his compelling portrait...

Steven Spielberg by Michael O'Brien is a black and white portrait of the iconic film director, taken during the filming of his famous thriller, Jaws. Archival Pigment Print 17 x 22 ...

Edition of 25 Signed, titled, dated and numbered. Paper size: 20 x 16 in. *Framing not included AVAILABLE SIZES: 11 x 14 in., Edition of 25 16 x 20 in., Edition of 25 "The discovery of fast cars and auto racing rocked my world as a high school student in the early 1960s. After graduating I did everything I could to wrangle assignments to cover two of the biggest international endurance races held annually in Florida. The Daytona 24-Hour and Sebring 12-Hour races were the highlight of my early years as a photographer. Covering racing events in the Sixties was a lot different from what it is today. Access to the racers and the cars was much easier and there were far fewer photographers covering any event. As a fan and a photojournalist in search of a great story, I usually hung around Carroll Shelby’s pit. Shelby and his Cobras were always race winning contenders. “Shel” was easy to work with and to be around. He let me do what I wanted and go where I pleased to capture a story. At the 1964 Sebring race, Shel was recovering from surgery, alternating between crutches and a wheelchair. As his good friend and motor racing artist Bill Neale...

Signed, titled, and dated in pencil on print verso. Image size: 16 x 16 inches Paper size: 20 x 20 inches

Catching a Ride by Al Satterwhite is a 11 x 14 inch archival pigment print, available in an edition of 25. This photograph features a man surfing in the ocean while being pulled by a...