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Lawrence Schiller
Barbra Streisand

1969

$15,000
£11,361.11
€13,046.31
CA$21,021.44
A$22,863.13
CHF 12,116.62
MX$273,948.03
NOK 153,996.03
SEK 141,081.30
DKK 97,516.08

About the Item

This black and white photograph is a portrait of Barbara Streisand backstage, getting ready for a performance. It is a beautiful and intimate portrait of the celebrity.
  • Creator:
    Lawrence Schiller (1936, American)
  • Creation Year:
    1969
  • Dimensions:
    Height: 11 in (27.94 cm)Width: 14 in (35.56 cm)
  • Medium:
  • Movement Style:
  • Period:
  • Condition:
  • Gallery Location:
    Palm Desert, CA
  • Reference Number:
    Seller: 61221stDibs: LU936718952

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Untitled - Black and White Photograph Portrait of Barbra Streisand, 1969
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Black and White Photograph of Barbra Streisand filming of "On A Clear Day” 1969
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Set of 10 Black and White Photos of Barbra Streisand, 1969
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A set of 10 prints by Lawrence Schiller. “Barbra Set, Set of 10” is a set of 10 photographs, chromogenic prints in color by American artist Lawrence Schiller. The artwork is signed i...
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Barbra Streisand (Fur Hat) - Black and White Portrait, 1969
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A photograph by Lawrence Schiller. “Barbra Streisand (fur hat)” is a figurative photograph, vintage silver gelatin photograph in black and white by American artist Lawrence Schiller....
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Barbra Streisand (in her hotel room)
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A photograph by Lawrence Schiller. “Barbra Streisand (in her hotel room)” is a figurative photograph, vintage silver gelatin photograph in black and white by American artist Lawrence Schiller. The artwork is signed on the verso. Lawrence Schiller only remembers the 60s in this way: Fast. As in: Blur. Which is, for those who lived through it, as accurate a description as one is likely to find about the decade that began with optimism and ended in chaos. It was ten years of turmoil and exploration. And through this turbulent and tumultuous decade, it often seemed that whenever a headline-making news event occurred, Lawrence Schiller was there. Schiller was not just lucky to be in the right place at the right time; he was prescient. He was there to cover the event, to add to it, to help us see it, to aid its meaning and its depth. "It was a time in which things happened awfully fast," Schiller says of the decade. "It was a wild, wild period; an uncontrolled period. I don’t think you had any sense of perspective in the 60s. You had to wait and look back at it, because it was a period in which things were happening that had no rhyme or reason to it. But by the end of the ‘60s I had covered so many stories, had so many magazine covers, I had somehow become part of that decade’s history. And I already had my eye on the future." When Lawrence Schiller got the assignment from the French magazine, Paris Match to photograph Marilyn Monroe on the 20th Century Fox set of Something’s Got to Give, he thought nothing of it. It wasn’t to be a private, studio shoot. He wasn’t going to set up lights, create backgrounds, or use a tripod. Just another assignment, he figured. Monroe by then was firmly established as a figment in the imagination of most young men. The orphan Norma Jean had recreated herself as the blonde bombshell Marilyn Monroe. She’d appeared in twenty-nine films by the time Schiller photographed her in black and white and color in May, 1962. The world was unprepared for the moment when Marilyn jumped in the swimming pool in a flesh-colored bikini and came up out of the water au natural. She was all smiles and in her element: the sex goddess...
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Mid-20th Century Post-War Portrait Photography

Materials

Silver Gelatin

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