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Lewis Koch
Totem of Unmeasurable Memory, 1995 Assemblage of 7 silver gelatin prints

1995

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Tacita Dean, Aerial View of Teignmouth Electron - Contemporary Photography
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'Untitled' 2015 - Edition of 10 plus 2 Artist Proofs, 21.5 x 27cm. Archival Print, based on an 8x10" Polaroid Negative Scanning. Signed, embossed stamp and artist certificate. Not mounted. Short Bio: Xulong Zhang has been engaged in fashion portrait photography for 30 years and loves the Polaroid medium and began to working with Polaroid photography in 2000. He traveled to 34 countries for his Polaroid projects.. Vita: 1999 Has won the title “Ten Elites” in the 3rd China Portrait Photography. 2000 Named the World Chinese Artist, known as “The Prince of Album” 2001 September, CCTV special report on “Zhang Xulong’s Body Art Photography” gained strong feedback from the community. 2002 January, published “Strategies for Commercial Portrait Photograph” by Zhejiang Photography Publishing. 2002 February, launched the concept of “Tang Yun” and greatly accepted by the market. His idea has spread across whole China’s photography industry. 2002 July, launched the concept of “Picasso’s scene backdrop” for kids photography and shocking the whole industry. 2002 August, published “Ms.Tang’s Body Art Portrait Album”, the first female body photography in China, by People’s Arts Publishing 2002 September, a personal exhibition entitled “seeing memory” in the ancient city of Shanxi Province, the 2nd session of the Pingyao International Photography Festival. In December of 2002, he was invited to give lectures in Malaysia and auction off the “Fruitful Achievements” exhibition in Kuala Lumpur, donating all money to the Kuala Lumpur Charitable aid for nursing homes and orphanages, won the "goodwill ambassador" title of honor in Kuala Lumpur. 2003 February-March, held the exhibition of “White Valentines” at Beijing International Trade and Exhibition Centre. December 2003, pioneered the new concept of "Royal Wedding", and completed the album of “Invasion 2004” wedding photography books published by Jilin art press. In December 2003 was awarded the 2003 annual contribution of the Chinese human body photography. 2003 Published “China Portrait Culture”. 2004 January, published Body Art & Portrait album “Chun Hua Qiu Shi”. 2004 March, held the exhibition of “Body Art & Portrait photography” in Chengdu. 2004 May, featured on a special report of “Match En China” in Paris. 2004 September, Pingyao international photography festival held entitled "the ambiguity of ancient legacy" xu-long Zhang body art exhibition 2005 August. 2005 August, accept the German star weekly "Der Stern" special report of “China nude” photography...
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End of the Affair #3 Ltd Ed.
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Vintage 50's Barbie with vintage accessories and set. Narrative depicts title - the end of the affair. Metallic print produced on metal. Black and white Photography. Ltd Ed.
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Vintage 50's Barbie with vintage accessories and set. Narrative depicts title - the end of the affair. Metallic print produced on metal. Black and white Photography. Ltd Ed.
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"Merce Cunningham" Saul Leiter, 2 Contact Sheets, Fluxus Movement, Ballet
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Saul Leiter 2 Merce Cunningham Contact Sheets, 1954 Dated and inscribed by Carolyn Brown on verso Kodak safety film 10 x 8 inches Provenance Estate of Carolyn Brown, New York 2025. Saul Leiter (1923-2013) was born in Pittsburgh to a father who was a well-respected Talmudic scholar. His passion for the arts ignited during his late teenage years, and despite being urged to follow in his father's footsteps to become a Rabbi, he chose to forgo theological studies, moving to New York at the age of 23 to delve into painting. In the city, he formed a friendship with Abstract Expressionist painter Richard Pousette-Dart, who was exploring photography. This connection, along with a subsequent friendship with W. Eugene Smith, deepened his fascination with photography. Leiter's initial black and white images reveal a remarkable talent for the art form. By the 1950s, he also began to explore color, producing a substantial and noteworthy collection during the early stages of this medium. His uniquely muted color palette often imparts a painterly essence that distinguishes his work from that of others in his era. Leiter's inaugural showcase of color photography took place in the 1950s at the Artist's Club, a gathering spot for many Abstract Expressionists of that period. Edward Steichen included twenty-three of his black and white works in the influential 1953 exhibition "Always the Young Stranger" at the Museum of Modern Art and also showcased twenty of Leiter's color photographs during the 1957 MoMA event "Experimental Photography in Color. " In the late 1950s, art director Henry Wolf featured Leiter's color fashion photography...
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Rue Muller Willy Ronis Twentieth Century Humanist photography Paris black white
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Totem of Unmeasurable Memory Assemblage 7 Silver Gelatin Photograph Photo Prints
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Dans le Quartier Hongrois de Mea Shearim, Jerusalem Vintage Silver Gelatin Print
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Meah Shearim photograph of Torah scholars. Rabbis in Jerusalem. Photo of Hungarian quarter. Frédéric Brenner (born 1959) is a French photographer known for his documentation of Jewish communities around the world. His work has been exhibited internationally, among others, at the International Center of Photography in New York, the Musée de l'Élysée in Lausanne, Rencontres d'Arles in Arles, the Brooklyn Museum in New York, and the Joods Historisch Museum in Amsterdam. Brenner was born in Paris and grew up in France. In 1981, Brenner received a B.A. in French Literature and Social Anthropology from the Paris-Sorbonne University. He went on to study at the École des hautes études en sciences sociales and received a M.A. in Social Anthropology, also awarded by the Sorbonne. Brenner is the recipient of the Niépce Prize and his book Diaspora: Homelands in Exile won the 2004 Visual Arts Award from the Jewish Book Council. At age 19, Brenner began photographing Orthodox Jews in the Mea Shearim neighborhood of Jerusalem. Initially, he believed this was "authentic Judaism," but his approach quickly evolved into an exploration of the multiplicities of dissonant identities. In 1981, Brenner began photographing Jewish communities around the world, exploring what it means to live and survive with a portable identity and how Jews adopted the traditions and manners of their home countries and yet remained part of the Jewish people. He spent 25 years chronicling the diaspora of the Jews across the world from Rome to New York, India to Yemen, Morocco to Ethiopia, Sarajevo to Samarkand. Brenner has published five books and directed three films. His work has been shown in museums and galleries around the world. He has been represented by Howard Greenberg Gallery in New York since 1990. Brenner’s opus Diaspora: Homelands in Exile was published as a two-volume set of photographs and texts by HarperCollins in 2003 and appeared in four foreign editions. Diaspora was also a major exhibition, which opened in New York at the Brooklyn Museum in 2003 and traveled to nine other cities in America, Europe and Mexico. In reviewing the book, The New Yorker wrote: “Brenner's work—elegiac, celebratory, irreverent—transcends portraiture, representing instead a prolonged, open-ended inquiry into the nature of identity and heritage.” NPR's Robert Siegel has described Brenner's work as "a celebration of the diversity and complexity of diaspora." In 2006, Brenner founded This Place, a collective photography project aimed at recontextualizing Israel from multiple perspectives. The photographers working on this project include Wendy Ewald, Martin Kollar, Josef Koudelka, Jungjin Lee...
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