Michael Ormerod

Bespoke Purchase Link: Bucking Bronco by Michael Ormerod

c. 1989

Unique Vintage gelatin silver print 10 x 8 in. Titled and artist stamp on verso. Born in Munkacs, Hungary, John Albok learned photography as a boy. He came to the U.S. in 1921 findi...

Vintage gelatin silver print 9 1/2 x 7 1/4 in. Titled, dated and artist stamp on verso. Born in Munkacs, Hungary, John Albok learned photography as a boy. He came to the U.S. in 192...

Unique Vintage gelatin silver print 10 x 8 in. Titled, dated, and artist stamp. Born in Munkacs, Hungary, John Albok learned photography as a boy. He came to the U.S. in 1921 findin...

Unique Vintage gelatin silver print 7 1/4 x 6 1/8 in. Titled, dated, and artist stamp. Born in Munkacs, Hungary, John Albok learned photography as a boy. He came to the U.S. in 1921...

Kent, England, 1968 Gelatin silver print Paper size: 20 x 24 in., Image size: 14 3/4 x 21 3/4 in. Printed c. 1985 Signed in black ink on print margin by Elliott Erwitt Born to Russi...

Diane Arbus (1923-1971) is one of the most influential and daring photographers of the 20th century. Arbus is best known for her unique form of documentary portraiture. She explored the uncanny, the marginalized, and the idiosyncratic characters who defied mid-century conformity. Her work has influenced some of the most renowned photographers of our time including Nan Goldin. While her career launched in the fashion world, it was years after quitting commercial photography (circa 1956) that she found her voice as an artist. With camera in hand, she followed her fascination with the eccentric individuals and oddities of New York City. Ultimately rejecting her affluent, sheltered upbringing and the mainstream fashion industry to create her own definitions of beauty. Arbus’ portraits were considered incredibly provocative for their bold representations of sexuality, chaos, and grit. She fully immersed herself within the queer and alternative communities she documented, engaged with a curious balance of mystery and homage. Shot in 1966, "Groom Kissing His Bride" is a prime example of her uncanny ability to capture even the most traditional moments (a wedding) through a lens of surrealism. Love and tension confront each other as the groom kisses the bride with an attacking passion. Her likeness disappears behind his embrace and their newlywed bodies merge together. This work also contains Arbus’ visual trademarks – a black and white palette, a square crop, and a hard flash that flattens the aesthetic wonderland of New York. Today, Arbus' work is celebrated in many major museum collections including the Art Gallery of Ontario, Art Institute of Chicago, National Museum of Modern Art (Tokyo), and Centre Pompidou (Paris). "Groom Kissing his Bride, NYC" USA, 1966 Gelatin-silver print Printed by Neil Selkirk Stamped 'A Diane Arbus photograph...

Vintage Silver Gelatin Print. John Albok stamp in black ink on verso (John Albok 1980) Born in Munkacs, Hungary, John Albok learned photography as a boy. He came to the U.S. in 1921...

Vintage Silver Gelatin Print. Title, date and signature on mat margin 1980 stamp in black ink twice on mount verso

Mark Citret, American, b. 1949. "Third Story Arches", Fort Point, 1998 Silver gelatin print hand signed and editioned 1/45 in pencil along lower edge. Published: "Along the Way" Mark Citret, Published Custom & Limited Editions, San Francisco, 1999. Plate #23. Dimensions: Image area measures 8.25"h x 6.25"w., Frame measures 17.5 x 14.5 Mark Citret was born in 1949 in Buffalo, New York, and grew up in San Francisco. He began photographing seriously in 1968 and received both his BA and MA in Art from San Francisco State University. He has worked on many photographic projects over the course of his career and continues to do so. From 1973 to 1975 he lived in and photographed Halcott Center, a farming valley in New York's Catskill Mountains. In the mid to late 1980s, he produced a large body of work with the working title of "Unnatural Wonders", which is his personal survey of architecture in the national parks. He spent four years, 1990 to 1993, photographing "Coastside Plant", a massive construction site in the southwest corner of San Francisco. Since he moved to his current home in 1986, he has been photographing the ever-changing play of ocean and sky from the cliff behind his house. Currently, he is in the midst of a multi-year commission from the University of California San Francisco, photographing the construction of their 43 acre Mission Bay life-sciences campus. He has taught photography at the University of California Berkeley Extension since 1982 and the University of California Santa Cruz Extension since 1988, and for organizations such as the Center for Photography at Woodstock, the Ansel Adams Gallery, and Santa Fe Workshops.He was included in the Weston Gallery exhibition NIGHT VISION: PHOTOGRAPHING IN THE DARK works by: Berenice Abbott, Wynn Bullock, Mark Citret, Harold Davis, Robert Frank, Ernst Haas, Chip Hooper, Rolfe Horn, Dale Johnson, Robb Johnson, Michael Kenna, André Kertész, Bob Kolbrener, Paul Kozal, Sally Mann and Jerry Uelsmann and PATTERNS IN ARCHITECTURE works by Ansel Adams, Brett Weston, Edward Weston, Oliver Gagliani, Pirkle Jones...

Black & white vintage photo of Venice Italy in 1952 by American Abstract Expressionism artist Stanley Twardowicz (1917-2008). It depicts a reflection...