Morgan Silk

Parking Lot, Nashville, Tennessee - American South Black and White Photograph

2014

'E-Z Street, Nashville, Tennessee' is a black and white archival inkjet print by Morgan Silk. It is available in this size of 14.5" x 14.5" in a limited edition of 20. The sunbur...

'Cross Walk, Nashville, Tennessee' is a black and white archival inkjet print by Morgan Silk. It is available in this size of 18" x 18" in a limited edition of 10. The illuminated...

'Greg's Auto Shop, Nashville, Tennessee' is a black and white archival inkjet print by Morgan Silk. It is available in this size of 18" x 18" in a limited edition of 10. A nightti...

'Legends Corner, Nashville, Tennessee' is a black and white archival inkjet print by Morgan Silk. It is available in this size of 18" x 18" in a limited edition of 10. The iconic,...

This large-scale photograph is an archival inkjet print on 100% cotton paper mounted to Dibond. Edition of 8. Additional sizes available. Beth Lilly is inspired by the work of Thom...

This listing is for a framed print. A simple white frame measuring 17 by 23 inches. Edition of 10. Additional sizes available. Beth Lilly is inspired by the work of Thomas Cole, JMW...

This listing is for a framed print. Simple white frame measuring 17 by 23 inches. Edition of 10. Additional sizes available. Beth Lilly is inspired by the work of Thomas Cole, JMW Turner and Paul Gauguin. Atlanta-based photographer Beth Lilly utilizes a variety of photographic styles in her conceptually driven projects that speculate on the interplay of choice, chance and circumstance. Her most recent series, “The Seventh Bardo,” documents interstate-goers, who on their journey from point A to B, seemingly step outside the confines of time and space, getting lost in contemplation and introspection. In Tibetan, the term ‘Bardo’ literally means ‘the space in-between,’ like a liminal space, and usually refers to the state between death and rebirth. She finds a long journey on the interstate to be a kind of bardo, a state rich with opportunity for transformation. The landscapes and the portraits in this series can stand alone, but are intended to relate and inform each other. The landscapes contain both blurred and sharp elements, signaling that these images are not about a specific geographical place but a psychological place. Nondescript features in the landscape repeat themselves endlessly – this is a limbo that extends forever but goes nowhere. Instead, they serve to set the emotional and psychological stage, and foster a sense of a dreamy otherworldliness “We live in a time when individuality is highly praised, and yet many of us have never been so lonely,” states Beth. “Cars travel the interstate side by side, just feet apart, yet the passengers experience complete isolation. Our windowed vehicles create the illusion of privacy and within these small worlds, people tune out the outside world and appear deep in self-reflection or absorbed in the dramas of life playing out within the small world of their car.” Beth’s portraits record these transitional moments of being lost in thought or the brief moment of connection when they curiously look back at her. Beth earned her MFA in Photography from Georgia State...

Maria Passarotti graduated in 2000 with a BFA from the Cooper Union for the Advancement of Science and Art in New York. Her most recent photographs are inspired by the intersection o...