Patricia Heal

Rippon, Dartmoor UK

2011

Listing is for FRAMED print. Edition of 1. If the exhibition piece is sold or the customer orders a different print size, the photograph is produced upon purchase. Please allow ...

Listing is for UNFRAMED print. Inquire within for framing. Edition of 1. If the exhibition piece is sold or the customer orders a different print size, the photograph is produ...

Listing is for UNFRAMED print. Inquire within for framing. Edition of 1. If the exhibition piece is sold or the customer orders a different print size, the photograph is produ...

Listing is for UNFRAMED print. Inquire within for framing. Edition of 1. If the exhibition piece is sold or the customer orders a different print size, the photograph is produ...

An original signed archival pigment print on Hahnemühle Photo Rag® Baryta 315 gsm paper by Scottish artist Ian Sanderson (1951- 2020) titled ‘ Woodingdean 1 ‘ Signed by Ian Sanders...

An original signed archival pigment print on Hahnemühle Photo Rag® Baryta 315 gsm paper by Scottish artist Ian Sanderson (1951- 2020) titled ‘ Woodingdean 1 ‘ Signed by Ian Sanders...

Edward Ranney is an internationally recognized photographer who has photographed the natural and man-altered landscape for over forty years. In 1980 Edward Ranney was awarded a grant from The Northern Arts Council of Great Britain to photograph throughout Cumbria, in Northern England, and to exhibit a selection of the resulting work at the Carlisle Museum and Art Gallery. The work extended into 1981, and the exhibition took place in 1982. This selection of photographs favors views of the open spaces of the hills, or fells, of Cumbria and Northumberland including Hadrian’s Wall, the fortified earthwork delimiting the northernmost Roman occupation of the British Isles. Born in 1942, educated at Yale University, internationally recognized landscape photographer Edward Ranney is the recipient of numerous awards and grants including NEA grants (1974 and 1982), a Guggenheim Memorial Fellowship (1977), and Fulbright Fellowships (1964 and 1993). His work is represented in public and private collections alike including The Museum of Modern Art, New York and San Francisco, The Museum of Fine Arts, Santa Fe and Houston, the Victoria and Albert Museum, London, and The Art Institute of Chicago. His photographic monographs...

The road to Heaste, Isle of Skye The road to Heaste on the Isle of Skye with a view of Beinn na Caillich and Blaven beyond. THE ROAD TO HEASTA, ISLE OF SKYE, 2012-2013 Fine Art Giclee Print (Archival Pigment Print from Wet plate collodion), in vintage frame saved from the Scottish castle... Image: 58 x 81 cm Frame: 85 x 110cm / 33.5 x 43.3 inches Series: The Dark Mountains (The Hebrides) / 'No Innocent Land' Signed on recto The series 'No Innocent Land' is a journey across the islands of Scotland using an antique process to document the dramatic landscapes of Scotland. Using a 100 year old camera, images have been made and developed by hand on mountain tops, in valleys, by the sides of lochs, and in some of Scotland's most beautiful landscapes. ALEX BOYD Alex Boyd's images represent a major addition to the tradition of modern landscape photography" - Robert Macfarlane, Author Alex Boyd is a landscape and documentary photographer, printmaker and writer. His work is primarily concerned with the Scottish landscape. As a photographer his work examines the role of early Scottish landscape photographers, often using antique processes such as the Victorian wet-plate collodion process using antique cameras in mountain environments. In 2019 he was awarded a Daiwa Foundation Scholarship to work and photograph the mountains of the Japan Alps centred on Mount Yari as well as shortlisted for the Hariban Award. He was the Mountain Photographer of the Year at the Kendal Mountain Festival in 2013, the UK's largest mountain festival. His work on the Cuillin mountains on the Isle of Skye as the Royal Scottish Academy's artist in Residence is in several National Collections. His work has been widely exhibited internationally with solo exhibitions at the Scottish Parliament, as well as group exhibitions at the Royal Academy, Royal Ulster Academy and the Royal Scottish Academy. His work is held in the collections of the National Galleries of Scotland, The Royal Photographic Society, the Royal Scottish Academy, the V&A in London and the Yale Centre for British Arts in the USA. His first book St Kilda - The Silent Islands was recently shortlisted for a Saltire Award. His second book The Isle of Rust, a collaboration with writer Jonathan Meades was, like his first book, named as a photography book of the year by The Scotsman. He is a Fellow of the National Library of Scotland, The Winston Churchill Memorial Trust, The Ballinglen Arts Foundation, and the Royal Society of Art. He is currently working on a PhD on Scottish Photography...