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Sebastião Salgado
Feet, Brazil

1983

$3,500List Price

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Vejer de la Frontera #18, Silver Gelatin Print, 1977
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Mykonos #15, Silver Gelatin Print
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Framed black and white silver gelatin print, Mykonos #15 by photographer Jed Fielding. An internationally recognized street photographer, Jed Fielding has made photographs for over ...
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Kneeling Boy: black white photo of Havana, Cuba w/ tree in arched doorway
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Pyramid Palms: black white framed photograph, monument in landscape w/ trees
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Hand Foot: black white photograph w/ glove, leopard print tree bark, feet
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Cuban Flag: black white photo of Havana, Cuba urban city landscape at night
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This black & white photograph of the urban night streets of Havana, Cuba featuring the Cuban flag is part of artist Ron Tarver's series, "Havana: A Place Out...
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Lord Wellington, Central Park, NY, 1969
By Gerard Giliberti
Located in East Hampton, NY
Lord Wellington, Central Park, NY, 1969 11x14" (Edition: 1 of 10) Silver Gelation Iconic Photography About the Artist: My intent is to create a mythic...
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"Partition" original photograph in black and white, cat, music, signed framed
By Edouard Boubat
Located in Sag Harbor, NY
An Edouard Boubat photograph depicting a cat, poking his head up from behind a musical composition sheet. Signed "E.Boubat" lower right corner, recto. Matted and framed under gl...
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Cat in the Shadows - Black and White Photo by Carmel Artist Peter McArthur
Located in Soquel, CA
Black and white photo of a cat on a gravel road by Peter McArthur (American, b. 1947). In the top portion of the composition, a cat sits in the shadows of a gravel road. The exposure of the photograph perfectly captures the texture of the gravel, the delicate highlights on the cat, and the deep shadows in the background. Signed "Peter McArthur" in the lower right corner. Presented in a white mat. Image size: 9.25"H x 6.25"W Mat size: 16"H x 13"W Peter McArthur (American, b. 1947) is a long time Carmel Valley resident specializing in Black and white landscape photography. He is also one of very few artists in the country that hand make frames for his work from scratch. McArthur has been photographing in black and white since...
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Edward Weston s Desk, Black and White Photograph, Wild Cat Hill
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Prehistoric Rain Forest, Oregon
By Geir Jordahl
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Artist: Geir Jordahl – American (1957- ) Title: Prehistoric Rain Forest, Oregon Year: 1988 Medium: Silver Gelatin photograph using infrared film Sight size: 8 x 19.75 inches. Framed size: 16.25 x 26.25 inches Signature: Signed on the mount Edition: 50. This one: 2/50. (Fewer than 50 were actually printed) Condition: Very good Frame: Framed in original metal frame. Frame in fair condition This photograph depicts a lush area in Oregon with many ferns and trees as well as a painted dinosaur head...
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Ecumenical Service, Grace Cathedral, San Francisco
By Geir Jordahl
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Artist: Geir Jordahl – American (1957- ) Title: Ecumenical Service, Grace Cathedral, San Francisco Year: 1987 Medium: Silver Gelatin photograph Sight size...
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Waipio Valley, Hawaii
By Geir Jordahl
Located in San Francisco, CA
Artist: Geir Jordahl – American (1957- ) Title: Waipio Valley, Hawaii Year: 1987 Medium: Silver Gelatin photograph using infrared film Sight size: 8.25 x ...
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1980s Realist Black and White Photography

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Che (Che Guevara cutting canes)
Located in San Francisco, CA
This artwork titled "Che (Che Guevara cutting cane) 1962 (printed later) is a gelatin silver print by noted Cuban artist Ernesto Fernandez Nogueras, b.1939. It is signed, titled and dated at the lower margin. The photograph size is 10 x 6.5 inches, framed size is 17.85 x 15.85 inches. Custom framed in a black frame, with white matting. It is in excellent condition. About the artist: Ernesto Fernandez trained under the tutelage of several established photographers during the 1950s in Havana. He is one of the four great photographers of the Revolutionary period of Cuba. As a young man he witnessed both the excesses of Havana as a “playground” of the USA, and the poverty that produced the hotbed of revolutionary thought and action. He was in the Cuban capital as the revolution reached its climax, and his pictures document a time of great hope. They are celebrations of youth’s ability to bring about change and to reinvent a new world. Alongside Korda, Salas and Corrales, Fernandez documented the heady days of the Triumph of the Revolution and continued to photograph Fidel Castro, Che Guevara and other leading lights of the new system, including some wonderfully intimate studies of Alicia Alonso...
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Untitled (Stacked Cups)
By Jed Devine
Located in San Francisco, CA
Artist: Jed Devine American (1944- ) Title: Untitled (Stacked Cups) Date: 1987 Medium: Platinum-palladium print on Japanese rice paper Image size: 9.5 x 7.5 inches (9.25 x 7.25 inches within mat) Sheet size: 12 x 9 inches Framed size: 20.25 x 16.25 inches Signature: signed lower right in pencil Edition: unknown This sublime photograph is by Jed Devine. It is signed in the lower right in pencil. There is a gallery label from the Fraenkel Gallery in San Francisco on the reverse of the framed work. It is framed in a simple metal frame. The photograph, mat and frame are in very good condition. Jed Devine was born in Mount Kisco, New York, in 1944 and raised in Pleasantville, a Westchester County suburb. Devine cites Walter Hahn, his junior high school art teacher, as having an instrumental role in his art career decision: “I don’t know how it happened that a serious artist like Walter Hahn was teaching art at Pleasantville Junior High, but I was most fortunate to have him as a mentor and I’ve always been grateful to him.” In 1967, Jed Devine graduated cum laude from Yale University with a BA in fine arts and began his career as a painter. In 1972, he returned to Yale to study design and photography and was awarded an MFA degree. He joined the Purchase College faculty in 1977. During his tenure at Purchase, several of his students went on to receive recognition as photographers, among them Adam Baer, Gregory Crewdson, Regina DeLuise, Andrea Modica, Deborah Mesa-Pelly, and Roger Newton. Jed Devine’s photography is represented in many major museum, corporate, university, and private collections, including the Metropolitan Museum of Art, New York; Victoria and Albert Museum; London; the International Center of Photography, New York; the San Francisco Museum of Art; the Art Institute of Chicago; the Museum of Fine Arts, Houston; and the Museum of Modern Art, New York. Originally trained as a painter, Devine began taking photographs in 1972 and became fascinated by the effects of light on objects and surfaces, and the sensuality that was possible with the platinum-palladium process. This sensuality is on full display in Devine’s only book, Friendship, a collaboration with the writer Jim Dinsmore, whose 64 images “form an extended sequence that moves from innocence to decay and return. The images emphasize the beauty and primacy of light while capturing the visual drama and irony of the Maine landscape.” Devine also has a long-standing relationship with New York City, which is most evident in his portfolio of panoramic photographs celebrating New York bridges...
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Cristo, Tlacochahuaya, Oaxaca
By Paul Strand, 1890-1976
Located in San Francisco, CA
Artist: Paul Strand – American (1890-1976) Title: Cristo, Tlacochahuaya, Oaxaca Year: 1933, printed 1967, Da Capo Press, New York Medium: Photogravure hand-printed from the original plates on BFK Rives paper Publisher: Da Capo Press, 1967, New York Sight size: 10 ¼ x 7 7/8 in. (260 x 200 mm) Sheet size: 15 3/4 x 12 3/8 in. (402 x 313 mm) Framed size: 17 x 14 inches Edition:1000 Condition: Excellent This hand-pulled photogravure is from Paul Strand’s Mexican Portfolio, first published in 1933. This photogravure is from the 2nd edition, published in 1967. It is in excellent condition. It is enclosed in a simple metal frame and Plexiglas only for protection. A seminal work by a legendary figure in 20th century American photography, the photographs taken by the author on his travels through Mexico in 1932-33 show architecture, landscape, the indigenous people, and religious folk sculpture. Strand's work first made its appearance as "Photographs of Mexico" in a limited edition of 250 copies in 1940, with the printing of the steel-faced gravure plates by master platemaker Otto Wackernagel being supervised by Strand himself and executed by Charles Furth and the Photogravure and Color Company. The second edition used the original Wackernagel plates, printed by Albert Delong at the Andersen Lamb Company of Brooklyn. Strand was even more pleased with this version, stating "Delong has made these plates sing." The images are a celebration of the subjects' pride, dignity and endurance. Paul Strand (1890–1976) is considered one of the most significant photographers of the 20th century. His breakthrough work in the 1910s heralded photography’s importance as a modern art form. Early in his career he broke from the soft, impressionistic Pictorialist style to produce among the first abstract images made with a camera. His questioning attitude led him to radically change his work multiple times in his career, always with the highest ambitions for the quality of his photographic prints. In 1932, Carlos Chavez, the director of the fine arts department at the Secretariat of Public Education in Mexico, invited Strand to Mexico. At this time, the Mexican government was concerned with demonstrating a national culture that was reflective of a burgeoning, modern, twentieth-century Mexico. In light of this, Chavez invited Strand to document the new social and physical environment. Over the next two years, Strand travelled around Mexico photographing...
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1930s Realist Black and White Photography

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