Face Black and White Photography

Images size 55 x 70 cm Limited Edition of 12 Platinum Print Framed with Wengé and Passepartout Framed Size 92 x 112 cm Evocative, sensual and voluptuous, Marc Lagrange's work celebr...

Kenn Duncan (1928-1986). Male Model, ca. 1973. 11 x 14 inches; 12 x 15 inches framed. From the estate of William Como, Editor in Chief, After Dark Magazine. Kenneth Duncan was born September 22, 1928, in New Jersey. He began his career as a skater and then a dancer. After breaking his foot and taking a six-week course on photography at a YMCA, he became a photographer. Duncan worked as a principal photographer for After Dark and Dance Magazine. His photographs also regularly appeared in Vogue, Harper's Bazaar, Life, Time, and Newsweek. In addition, he photographed a score of Broadway shows, including Hair, Applause, The Elephant Man, and Sophisticated Ladies and many dance and Broadway stars including Chita...

This black and white photograph features Brigitte Bardot from the 1957 film Une Parisienne. She is sitting on a bed, wearing a light-colored, sleeveless dress with delicate straps an...

Bodybuilder (and future film star and Governor of California) Arnold Schwarzenegger, photographed at the top of his form for After Dark magazine on October 5, 1976. Vintage silver g...

Signed limited edition print of Bob Marley by Guido Harari, taken in 1980 in Milan, Italy. Available in the following sizes: A. 11” x 16” - Edition 50 B. 16” x 20” - Edition 50 C. 20” x 28” - Edition 25 D. 32” x 44” - Edition 10 E. 44” x 59” - Edition 5 Guido Harari has photographed many music legends in his prolific career in Italy. Lou Reed said about him: "I'm always happy when Guido takes my picture because I know it will be a musical picture...

An amazing item, with numerous stamps and notes on the back showing its active life as a press photo. The quality is fair due to decades in use. But it is absolutly unique.

Roger Ballen Muse, from the series 'The Theatre of Apparitions', 2009 One sided Texflex Lightbox, Powder coated Ferro Black Lightbox 100 x 100 x 9 cm (39 3/8 x 39 3/8 x 3 1/2 in.) Ed...

Roger Ballen Haunted, from the series 'The Theatre of Apparitions', 2013 One sided Texflex Lightbox, Powder coated Ferro Black Lightbox 100 x 86 x 9 cm (39 3/8 x 33 7/8 x 3 1/2 in.) ...

Afternoons - 2024 - 40x50cm, Edition of 7 plus 2 Artist Proofs. Archival C-Print based on the original Polaroid. Signature label with certificate. inventory PL2024-030. Not m...

Sumo, Tokyo, 2009 by Jean-Michel (JM) Voge is a contemporary color photograph 23.5" x 16.5" printed on handmade Awagami Japanese paper by the artist. The archival pigment print is: E...

11 x 14" vintage silver gelatin photograph, signed by Jack Mitchell. Comes directly from the Jack Mitchell Archives with a certificate of authenticity. This photograph was from a se...

Luca Artioli has always been fascinated by Roman Statues. As a child, he wandered through the Imperial Forum creating dialogues between them. For young Luca the statues were alive. T...

Roger Ballen Hallucination, from the series 'The Theatre of Apparitions', 2010 One sided Texflex Lightbox, Powder coated Ferro Black Lightbox 100 x 86 x 9 cm (39 3/8 x 33 7/8 x 3 1/2...

Victor Arimondi (1942-2001). Portrait, ca. 1975. Period print measures 11 x 14 inches. Artist studio stamp on verso. Victor Arimondi (November 8, 1942 – July 24, 2001) was an Italian American photographer and model who lived and worked in Europe before moving to the United States in the late 1970s. His early fashion photography, his portraits of Grace Jones and other artists, and his male nudes photographed in New York and San Francisco captured the pre-AIDS culture of the 1970s and early 1980s. Arimondi's nudes were collected in several books, including David Leddick's award-winning[1] The Male Nude, (New York: Taschen 1998, 2005 and 2015). The photographer's later work documented homeless individuals in San Francisco's Tenderloin neighborhood and the toll of the AIDS epidemic on the city. His photographs, featured in several posthumous exhibitions, also are in the collections of Sweden's museum of modern art, Moderna Museet, and San Francisco's GLBT Historical Society. Biography Arimondi was born Vittorio Maria Tevitti to his unwed mother, Alessandra Calligaris, in Bologna, Italy on November 8, 1942. His mother struggled financially, which left an impression on her only child. In 1948, she temporarily left him at a children's boarding school and orphanage in Italy to move to Sweden for a job. There she met and married Bruno Arimondi, who adopted her son. The family returned to Naples, Italy in 1952 where Victor graduated from high school.[1] In 1960, Arimondi returned to Sweden to study at the University College of Arts, Crafts and Design in Stockholm, although he did not graduate. Meanwhile, he worked at several blue collar jobs, including as a mailman, before he gave up on traditional full-time work to pursue what he considered more essential— a life of creative expression. He created costume-like clothing for himself and friends and at age 19 became a fashion model. Even as a teenager, the Italian born photographer who spent his 20s and 30s primarily based in Sweden, noted that he preferred fantasy to the trials of real life.[1] That conflict, and his passion for beauty as well as his sexual energy, were major factors in his life and his work.[2] From 1965 through 1972 Arimondi worked as model in London, Milan, Germany, New York and Stockholm, appearing in catalogs and fashion magazines including Vogue , Harper's Bazaar and Esquire and on the runway in several Valentino fashion shows. In 1972 he decided to try working on the other side of the lens as a photographer to better express his creativity.[2] Arimondi moved to New York in 1979 and continued to build his photography portfolio. Portrait of Bearded Man, New York City, 1979 Two years later, in 1981, he moved to San Francisco where he lived and worked for twenty years until his death of AIDS at age 58 on July 24, 2001. The year he moved to San Francisco, Arimondi opened a photo gallery in the Haight-Ashbury neighborhood for a short time. When he struggled financially, he gave up on trying to earn a living through commercial fashion photography and closed the gallery.[3] Arimondi returned to modeling for the financial benefits, though he did so on less of an international scale than in his early years. He continued to create photographic portraits of the denizens of the San Francisco gay and arts cultures, to shoot male nudes and publish his work in magazines, and he began to compose and photograph evocative still lifes using his own photographic images. Many of them touched on the death of dozens of his former photography models from AIDS. Arimondi was in the midst of a new photography project that brought together his background as a fashion photographer and his more recent social documentary work when he died several months after he learned he was HIV-positive.[4] The project featured his former colleague, haute couture cover model Ivy Nicholson,[5] who he found living homeless in San Francisco. Several of the haunting portraits he took of her were later included in a noted group exhibit at SF Camerawork. Art Arimondi's early photography in the 1970s in Stockholm included portraits of the stars of Sweden's fashion, theater and dance worlds. His first two photography exhibits were in Stockholm and met with mixed reviews. But as he matured as a photographer and tapped into his fashion world contacts, Arimondi landed a number of commercial fashion jobs, including shooting for the Italian designer Salvatore Ferragamo S.p.A.'s I.Magnin department store ad that ran in Vogue. Marlboro Man Nude, New York City,1980. He also shot other artists and models for his own portfolio, including Grace Jones, the Norwegian actress, Liv Ullmann, and the American writer, Norman Mailer. Arimondi's aesthetic vision was focused on fantasy and drama, and he prided himself on pushing limits.[6] Although less well-known than his San Francisco contemporary...

This is a unique photographic work taken by Andy Warhol. Jean-Michel Basquiat first attracted attention for with graffiti work on the Lower East Side of Manhattan in the late 1970s. Basquiat first met Andy Warhol in 1980. At this point, Pat Hackett had been working for Warhol for about a decade already. This was also the year Hackett and Warhol published Popism: The Warhol Sixties. As two valuable additions to The Factory, Hackett and Basquiat most likely spent a good amount of time together. Henry Geldzahler...

Roger Ballen Shadows & Strangers, from the series 'The Theatre of Apparitions', 2010 One sided Texflex Lightbox, Powder coated Ferro Black Lightbox 100 x 100 x 9 cm (39 3/8 x 39 3/8 ...

Sparks - 2024 - 20x25cm, Edition of 7 plus 2 Artist Proofs. Archival C-Print based on the original Polaroid. Signature label with certificate. inventory PL2024-27. Not mounted...

Total Edition of 15 signed and numbered Also available in: 100 x 100 cm / 39.4 x 39.4 in Black and white portrait of Supermodel Naomi Campbell in Paris...

Roger Ballen Stare, from the series 'The Theatre of Apparitions', 2008 One sided Texflex Lightbox, Powder coated Ferro Black Lightbox 100 x 100 x 9 cm (39 3/8 x 39 3/8 x 3 1/2 in.) E...

Photograph from the "Swimming" series by renowned Spanish photographer Vari Caramés. It is one of his most iconic series, capturing different people bathing in pools, both in and out...

Hurricane (Bombay Beach) - 2019 20x20cm, Edition of 7 plus 2 Artist Proofs. Archival C-Print based on the original Polaroid. Signed on the back and with certificate. Artist ...

Las Memorias… sitting on a rocking chair in Viñales watching the sunset and thinking of life. The wife of a tobacco farmer, a strong woman of generosity and humour lost in thought while enjoying a hand-rolled Puro and a glass of rum. Cuba 2019 James Sparshatt‘s black and white portraits are a search for a connection with a world of emotions. His photographs from the streets of Havana, the milongas of Buenos Aires, the jazz clubs of New Orleans and bars of Andalucia capture the spirit of music in populations wher it is the very lifeblood and expression of life. Matt print direct on to aluminium Edition of 12 Dark wood tray...

Luca Artioli has always been fascinated by Roman Statues. As a child, he wandered through the Imperial Forum creating dialogues between them. For young Luca the statues were alive. T...

Roger Corbeau – Film Still – Hildegard Knef, 1952 – Vintage Print Size: 17.3 × 23.6 cm Gelatin silver print Vintage France/Germany In this rare film still from La Fête à Henriette...

Lilo Winterstein – Studio Portrait of Hildegard Knef, circa 1958 – Vintage Print This elegant studio portrait captures the legendary German actress and chanson singer Hildegard Knef ...

Richard Wesel – Film Still – Hildegard Knef, 1951 – Vintage Print This elegant vintage film still captures the young Hildegard Knef in a glamorous moment from the 1951 German film “E...

James Dean Behind the Wheel in his Porsche Racer by Globe Photo Archives FIlm star James Dean behind the wheel of his Porsche racer. James Dean ...

Artist: Annie Leibovitz Title: Keith Haring, 1986 Year: 1986-2023 Medium: Dye-sublimation Chroma Luxe aluminum print with floating frame Dimensions: 19 7/10 x 24 1/10 x 1 in (50 x 61...

Artist: Francesco Scavullo (after) Title: Sting, 1984 Portfolio: A Photographic Retrospective, Volume I: Song Medium: Gelatin Silver Print Year: 2004 Edition: AP 7/50 (aside from the...

Blondie Poses Debbie Harry with a Camera on a Tripod 1978 Photo by Martyn Goddard Printed 2024. Signed limited edition photograph; edition of 25 in this size. 20×24 inch paper s...

Drifter - 2021 - 20x20cm, Edition of 7 plus 2 Artist Proofs, digital C-Print based on a Polaroid, Signed on the back and with certificate. Artist inventory PL2021-1055. Not mount...

Albert WATSON (*1942, Scotland) Kate Moss (Veil), Marrakech, 1993 Archival pigment print Image 122 x 91,5 cm (48 x 36 in.) Sheet 142 x 107 cm (55 7/8 x 42 1/8 in.) Edition of 10, pl...

No one to run with - 2020 20x20cm, Edition of 7 and 2 Artist Proofs, Archival C-Print based on the Polaroid. Signed on the back and with certificate. Artist inventory PL2020-914....

Kenn Duncan (1928-1986). Woman with Turban and Feathers, ca. 1973. 11 x 14 inches; 12 x 15 inches framed. The print was used for publication in After Dark Magazine. From the estate of William Como, Editor in Chief, After Dark Magazine. Kenneth Duncan was born September 22, 1928, in New Jersey. He began his career as a skater and then a dancer. After breaking his foot and taking a six-week course on photography at a YMCA, he became a photographer. Duncan worked as a principal photographer for After Dark and Dance Magazine. His photographs also regularly appeared in Vogue, Harper's Bazaar, Life, Time, and Newsweek. In addition, he photographed a score of Broadway shows, including Hair, Applause, The Elephant Man, and Sophisticated Ladies and many dance and Broadway stars including Chita Rivera...

'Secret' 2016, Edition 1/7 plus 2 Artist Proofs Based on a Polaroid, digital C-Print, not mounted. Signed on the back and with certificate. Artist inventory PL2016-781. Kirsten Thy...

This work is unique. Dated 'SEP 24 1982' on the reverse. Stamped twice on the reverse by both The Estate of Andy Warhol and The Andy Warhol Foundation for the Visual Arts. The Andy ...

Daniel Craig, photographed in 2002 by British celebrity and fashion photographer, John Stoddart, prior to Craigs casting as 007, James Bond. Craig was th...

"Marlon Brando" by Murray Garrett 1954: EXCLUSIVE American actor Marlon Brando sits on a sofa with a typewriter in his lap while a cat lays across his shoulders at his home in Los A...

Andy Warhol (1928-1987) Joseph Beuys (1980) Screenprint and diamond dust on museum board 40 x 32 in (101.6 x 81.3 cm) Unsigned Authenticated by the Authentication Board of Andy War...

Ray Davies of The Kinks by Barrie Wentzell, taken at “Konk Studio’s” in North London during an interview with the Melody Maker in 1974. This print is avail...

Give Me Five, 1963 - Muhammed Ali Portrait Silver Gelatin Print Photograph Famous boxer Muhammed Ali reaches out to the camera, but not to punch someone! Instead he delivers a high ...

Victor Arimondi (1942-2001). Portrait, ca. 1975. Period print measures 11 x 14 inches. Artist studio stamp on verso. Victor Arimondi (November 8, 1942 – July 24, 2001) was an Italian American photographer and model who lived and worked in Europe before moving to the United States in the late 1970s. His early fashion photography, his portraits of Grace Jones and other artists, and his male nudes photographed in New York and San Francisco captured the pre-AIDS culture of the 1970s and early 1980s. Arimondi's nudes were collected in several books, including David Leddick's award-winning[1] The Male Nude, (New York: Taschen 1998, 2005 and 2015). The photographer's later work documented homeless individuals in San Francisco's Tenderloin neighborhood and the toll of the AIDS epidemic on the city. His photographs, featured in several posthumous exhibitions, also are in the collections of Sweden's museum of modern art, Moderna Museet, and San Francisco's GLBT Historical Society. Biography Arimondi was born Vittorio Maria Tevitti to his unwed mother, Alessandra Calligaris, in Bologna, Italy on November 8, 1942. His mother struggled financially, which left an impression on her only child. In 1948, she temporarily left him at a children's boarding school and orphanage in Italy to move to Sweden for a job. There she met and married Bruno Arimondi, who adopted her son. The family returned to Naples, Italy in 1952 where Victor graduated from high school.[1] In 1960, Arimondi returned to Sweden to study at the University College of Arts, Crafts and Design in Stockholm, although he did not graduate. Meanwhile, he worked at several blue collar jobs, including as a mailman, before he gave up on traditional full-time work to pursue what he considered more essential— a life of creative expression. He created costume-like clothing for himself and friends and at age 19 became a fashion model. Even as a teenager, the Italian born photographer who spent his 20s and 30s primarily based in Sweden, noted that he preferred fantasy to the trials of real life.[1] That conflict, and his passion for beauty as well as his sexual energy, were major factors in his life and his work.[2] From 1965 through 1972 Arimondi worked as model in London, Milan, Germany, New York and Stockholm, appearing in catalogs and fashion magazines including Vogue , Harper's Bazaar and Esquire and on the runway in several Valentino fashion shows. In 1972 he decided to try working on the other side of the lens as a photographer to better express his creativity.[2] Arimondi moved to New York in 1979 and continued to build his photography portfolio. Portrait of Bearded Man, New York City, 1979 Two years later, in 1981, he moved to San Francisco where he lived and worked for twenty years until his death of AIDS at age 58 on July 24, 2001. The year he moved to San Francisco, Arimondi opened a photo gallery in the Haight-Ashbury neighborhood for a short time. When he struggled financially, he gave up on trying to earn a living through commercial fashion photography and closed the gallery.[3] Arimondi returned to modeling for the financial benefits, though he did so on less of an international scale than in his early years. He continued to create photographic portraits of the denizens of the San Francisco gay and arts cultures, to shoot male nudes and publish his work in magazines, and he began to compose and photograph evocative still lifes using his own photographic images. Many of them touched on the death of dozens of his former photography models from AIDS. Arimondi was in the midst of a new photography project that brought together his background as a fashion photographer and his more recent social documentary work when he died several months after he learned he was HIV-positive.[4] The project featured his former colleague, haute couture cover model Ivy Nicholson,[5] who he found living homeless in San Francisco. Several of the haunting portraits he took of her were later included in a noted group exhibit at SF Camerawork. Art Arimondi's early photography in the 1970s in Stockholm included portraits of the stars of Sweden's fashion, theater and dance worlds. His first two photography exhibits were in Stockholm and met with mixed reviews. But as he matured as a photographer and tapped into his fashion world contacts, Arimondi landed a number of commercial fashion jobs, including shooting for the Italian designer Salvatore Ferragamo S.p.A.'s I.Magnin department store ad that ran in Vogue. Marlboro Man Nude, New York City,1980. He also shot other artists and models for his own portfolio, including Grace Jones, the Norwegian actress, Liv Ullmann, and the American writer, Norman Mailer. Arimondi's aesthetic vision was focused on fantasy and drama, and he prided himself on pushing limits.[6] Although less well-known than his San Francisco contemporary...

"Mercedes Inspection" by Joseph McKeown 4th July 1954: Mechanics examine Juan Manuel Fangio's W196 Mercedes Benz in the pits at the French Grand Prix in Reim...

Herbert List, Portrait Ellen Schwiers, Filmset "La Vache et le prisonnier", 1959, Vintage

11 x 14" vintage silver gelatin photograph of Richard Lane and Stephen Kockser photographed nude for After Dark magazine, 1972. Comes directly from the Ja...

REGGIE KRAY & GRANDFATHER JIMMY ‘CANNONBALL’ LEE – LONDON 1967 signed limited edition silver gelatin print Reggie Kray of the London gangster duo the Krays twins - shot by Duffy sparring with his Grandad – The infamous bare-knuckle boxer Jimmy ‘Cannonball’ Lee in London’s East End 1967. AT DUFFY’S MEMORIAL SERVICE LORD DAVID PUTTNAM ADDRESSED THE FAMILY AND FRIENDS OF DUFFY AND SAID ‘THE WORLD NEEDS MORE DUFFY’S.’ HE THEN WENT ON TO CALL HIM A MAVERICK, SOMEBODY WHO WAS PREPARED TO TAKE RISKS WITH HIS ART FORM AND DESCRIBED DUFFY AS A ‘SUPREMELY TALENTED AND ESOTERIC MAN.’ ‘A man who thrived on risks and challenges, who lived to create.’ In 2013 Duffy was voted as one of the top most 100 influential photographer’s of all time and he richly deserves that title. When Duffy felt he had pushed the boundaries as far as he could and was no longer satisfied with stills photography he abruptly shut his studio, attempted to burn all of his negatives and moved into commercials. Despite repeated requests to return to still photography, give interviews or discuss his career, he became reclusive and his remaining negatives would have stayed in boxes under the stairs had it not been for the persistence of his eldest son, Chris. Chris realised that Duffy’s name was slowly slipping into obscurity and regularly tried to persuade him to do something with his remaining archive. It wasn’t until 2006 when Duffy was diagnosed with the degenerative lung disease Pulmonary Fibrosis that he finally gave Chris the green light to start putting the archive together. The process was a labour of love for the first few years. Organising, scanning and databasing his negatives took many hours whilst Chris was running his own photographic studio. In 2009 the opportunity to exhibit at Chris Beetles Gallery in Mayfair London (now Beetles & Huxley) gave Duffy the platform for his first ever exhibition which was hailed with great critical acclaim. The exhibition ignited an incredible interest in his work and there were regular queues to see the show. During the process of putting the exhibition together, the BBC commissioned a documentary on Duffy’s life and work which aired in 2010. Chris then started on the first monograph but sadly Duffy was never to see this and passed away on 31st May 2010. Since 2010 Duffy’s work has been exhibited in numerous museums and galleries around the world. In 2012 the Victoria and Albert Museum requested use of the original Aladdin Sane record cover ‘dye transfer’ print for their British Design 1948-2012 cultural exhibition. In 2013 the V&A approached the archive for use of the newly released ‘Eyes Open’ version as the lead image for the ‘David Bowie is’ exhibition. This exhibition has achieved record breaking numbers in several venues and has been seen by over 1.5 million visitors. Duffy’s name has now become recognised by an international audience and is now firmly back on the map. In 2014 Duffy’s second book was released – Duffy Bowie: Five Sessions which covers his work with David Bowie. Written by Chris Duffy and Kevin Cann the book explores the chemistry and creation of these five iconic sets of images illustrated with interviews from people who were directly involved. The book is also available in French and Italian. The archive is made up of negatives and contact sheets that have been retrieved from numerous UK and international publications; Vogue, French Elle, Glamour, The Sunday Times, The Telegraph to name but a few in addition to work held by independent archives. The process of exhibiting Duffy’s work continues and the future holds several more book projects illuminating Duffy’s eclectic and influential work. ARCHIVE TIMELINE 2008 The Duffy Archive was established by Chris Duffy. 2009 BBC Documentary “The Man Who Shot The Sixties” One hour documentary on Duffy’s life and work. First exhibition at Chris Beetles Gallery Mayfair, London (now Beetles & Huxley)* See Exhibits page for full list of exhibition since 2009
 2010 Duffy passed away 31st May 2010 2011 Publication of first monograph “Duffy Photographer” Published by ACC Editions features over 160 iconic images from the 1950s, 1960s and 1970s and in 2011 the V&A Museum London requested Duffy prints for their permanent collection.
 2012 Solo Exhibitions and contributions in Italy, Paris, Amsterdam, Spain, San Francisco, Los Angeles, New York, London and Australia. See Exhibitions section for more exhibits. 2013 David Bowie Is launched at the V&A Museum with Aladdin Sane as the lead image. Also named as one of one hundred ‘most influential photographers of all time’ by the British Journal of Photography. See Exhibitions section for more exhibits. 2014 Publication of Duffy / Bowie – “Five Sessions” Published by ACC Editions. Publication of French Elle – “In The Eyes of Brian Duffy” – Published in French by Glenat. David Bowie Is V&A Exhibition goes on tour to: Sao Paulo, Berlin and Chicago. See Exhibitions section for more exhibits. 2015 David Bowie 'Is' continues to tour Paris, Australia and the Netherlands.
 See Exhibitions section for more exhibits. 2016 David Bowie 'Is' continues to tour Italy and Japan. See Exhibitions section for more exhibits. 2017 David Bowie 'Is' reaches Barcelona. The Archive also contributed to Holden Luntz Gallery...

Andy Warhol Portrait, 1986 by Christopher Makos is an 10 x 8in vintage gelatin silver print on fiber paper. The photograph is stamped (in black ink) on verso (photo back). Provenance: Private Collector *** Artist’s Bio: Christopher Makos (1948- ) is an American photographer and visual artist. He studied architecture in Paris and was an apprentice to Man Ray. Andy Warhol was Makos' good friend and frequent portrait subject. His photographs of Andy Warhol have been exhibited in galleries and museums, including the Guggenheim Museum in Bilbao,Tate Modern in London, Whitney Museum of American Art in New York, IVAM in Valencia (Spain), Reina Sofia Museum in Madrid, among others. Makos’ pictures have appeared in publications, including Paris Match and the Wall Street Journal. The visual artist is the author of numerous books, such as Warhol/Makos In Context (2007), Andy Warhol China...

Newport Tennis American tennis player Billy Talbert shares a laugh with American actress Kay Sutton between matches at Newport Tennis Week, Rhode Island, USA, 1953. Paper size 20...

11 x 14" vintage silver gelatin photograph, signed by Jack Mitchell. Comes directly from the Jack Mitchell Archives with a certificate of authenticity. This photograph was from a se...

Spellbound 2019, 20x20 cm, Edition 1/7 plus 2 Artist Proofs, digital C-Print based on a Polaroid, not mounted. Signed on the back and with certificate. Artist inventory PL2019-751...

Men, Women, and Drag, draws inspiration from his diverse roles as a photographer, poet, and activist. His work often intersects with themes of identity, social justice, and cultural ...

Quiet Storm - 2020 50x50cm, Edition of 7 plus 2 Artist Proofs. Archival C-Print based on the original Polaroid. Signature label with certificate. Art...

Ellen VON UNWERTH (*1954, Germany) Tatjana, Paris, 1992/1994 Silver gelatin print 180 x 120 cm (70 7/8 x 47 1/4 in.) vintage print Biography: Born in Germany in 1954, Ellen von Unwe...

Chris Smith (b.1937) Float like a Butterfly 1971 silver gelatin fibre based print 20 x 30 in. / 34.5 x 48 in. / 46 x 66 in. signed and numbered printed later This work is available in the following sizes (paper size): 20 x 30 in., edition of 25 plus 2 AP, £3,000 GBP (inc. 20% UK VAT) 34.5 x 48 in., edition of 50 plus 2 AP, £6,600 GBP (inc. 20% UK VAT) 46 x 66 in., edition of 25 plus 2 AP, £9,600 GBP (inc. 20% UK VAT) Provenance: Direct from the artist’s studio Notes: All photographs are signed and numbered and accompanied by a certificate of authenticity signed by the photographer. 'Float Like a Butterfly, Sting Like a Bee...

11 x 14" vintage silver gelatin photograph, signed by Jack Mitchell. Comes directly from the Jack Mitchell Archives with a certificate of authenticity. This photograph was from a se...

Staging Pictures: Early Polaroids focuses on Stivers' working Polaroid prints, shot with a Hasselblad Polaroid back for instant proofing of lighting and composition of his subjects. ...

Vintage black and white photo realized by Guglielmo Coluzzi. Excellent condition.

Vivienne VII (Desert Nudes) - 2016 - 20x20cm, Edition of 10, plus 2 Artist Proofs. digital C-Print, based on a Polaroid. Certificate and Signature l...

Ravishing Rampling (1966) (Photo By Phillip Harrington) '60s icon Charlotte Rampling at The Pair of Shoes, a casino in London, 7th September 1966. Additional Information: Unframed Paper Size: 16x20'' Printed Later from Archive Source Limited Edition Silver Gelatin Fibre Print Edition of 100 NOTE OTHER SIZES OF THIS IMAGE AVAILABLE 10 x 12'' 12 x 16'' 16 x 20'' 20 x 24'' 20 x 30'' FRAMING AVAILABLE ON REQUEST About the Artist: Phillip A. Harrington was born in 1920 and grew up in Holland, Michigan. He developed an interest in photography at an early age, joining the high school camera club at 16. At the age of 19, Harrington moved to New York City to study at the Clarence. H. White school of photography, a prestigious institution with graduates such as Margaret Bourke-White, Dorothea Lange, Laura Gilpin...

Combined Edition 25 Also available in 50 x 60 cm/ 20 x 24 inch and as combined Edition 10 in 76 x 101 cm / 30 x 40 inch 101 x 127 cm / 40 x 50 inch Portrait of American actor, pilot...