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Ali in Training by R. McPhedran, Limited Edition Photograph Print, 20x24

1966

World Series Win, New York City, 1954 by Leonard Freed, is a 14" x 11" gelatin silver later ("lifetime") print, signed on verso (back of print) by the ...

Terry O’Neill CBE is one of the world’s most collected photographers, with work hanging in national art galleries and private collections worldwide. From presidents to pop stars, he ...

Terry O’Neill CBE is one of the world’s most collected photographers, with work hanging in national art galleries and private collections worldwide. From presidents to pop stars, he ...

Seattle Tubing Society, 1953 by Burt Glinn is one of the photographer's iconic 1950s shots - this one of people relaxing in inner tubes on a pond. The zeitgeist of madcap and fun, th...

Limited Edition Series. Black and White Photography by Cuban Photographer René Peña, Self Portrait René Peña (Rene de Jesus Pena Gonzalez) is a self-taught photographer born in Havana, Cuba in 1957. His photography is characterized by stark contrasts, between black and white, subject and background, subject and object. His work often focuses on the duality between human inability to escape institutionalization and human desire for individualism. His interest in contrast is also reflected in his place of residence: Peña currently inhabits the Cerro neighborhood of Cuba which is home to a mostly poor African-Caribbean population, despite having been an enclave of Havana's richest families in the 19th century. René Peña graduated from the Higher pedagogic Institute of Foreign Languages, University of Havana with a specialization in English in 1983. In the late 1980s he entered the national world of photography and since 1990 became leader of the new trends of Cuban photography, first by handling interiors and domestic situations in modern-day Cuba and later making studies of his own body in aspects such as negritude, sexual ambiguity and the influence of consumerism through self-portraits. He conceives his series on the basis of a conceptual, formal and structurally different analysis of all the parameters established up to the present, going from a brutal expressionism to a distinct homoeroticism, with strong mystic elements, trends from experimental painting, and a certain theatrical dramatization. He has had important solo shows and participated in group exhibitions in Cuba, the United States, Venezuela, Canada, France and Germany. His work is part of important collections, not only national but also at world level, such as the National Museum of Fine Arts, Cuba; the Ludwig Foundation of Cuba; Reinhard Schultz Collection, Germany; photographic archive Tuscany, Italy; Southeast Museum of Photography, Daytona, USA; Houston Museum of Fine Arts, Houston, Texas, USA; collection of the province of Hainuat, Belgium; and Lehigh University Pennsylvania...

lifetime edition silver gelatin fine art archival print 72 x 48 in. (paper size) edition 10 of 50 signed and numbered Notes: Dean Martin prepares to go on...

Kate #13, is from the Kate series, 2002 by American photographer Leonard Freed. This is a signed, 16" x 20" black and white photograph (gelatin silver), stamped/authenticated "vintage" on verso (back of photo) by the Freed estate. A photographer herself, model and yogini Kate remains complicit in striking dramatic nude poses for Freed. In this image Kate remains theatrical on a hilltop cliff above the sea. Her body shape and form blend with the lines and angles of the setting. Freed captures both playfulness and sensuality of a self-possessed woman. The photo series Kate became a welcome reprieve for Freed who during a long photo...

Drawn to street photography for her early work, Roberta Fineberg shot black-and-white film with a held-held 35mm camera in natural lighting in New York, Paris, and Moscow. Jazz City, New York, 1990 by Roberta Fineberg is a 10" x 8" black-and-white photograph of musicians...

A young woman at a popular cafe-bar, Le Pick-Clops, in the Marais in Paris is the subject of Heartbreak, 1990 by Roberta Fineberg. Drawn to street photography for her early work, Ro...

Fire Hydrant, Harlem, 1963 by Leonard Freed is a 14" x 11" gelatin silver print signed by the photographer on verso (back of photo). Provenance: Freed estate LITERATURE: W. A. Ewing,...