Unknown

Marilyn Monroe in the musical "Ladies of The Chorus" in 1949

1949

This finely framed black and white photograph captures a moment of intrigue and sophistication, set in the heart of downtown Dallas. A man, his back turned, walks up the sleek stairs...

SHIPPING CHARGES INCLUDE SHIPPING, PACKAGING & **INSURANCE** DAN BUDNIK (American, b. 1933-2020 David Smith with Voltr1-Bolton XV, Terminal Iron Works, Bolton Landing, N. Y. 1963 Vintage Print on Afga Paper, Silver gelatin, March 1963, printed 1992 by Igor Bakht Paper: 24 x 20 inches Image: 16.38 x 13 inches Recto: signed in black ink in artist's hand Verso: titled, dated, signed in graphite in artist's hand, printer information in graphite State: unmounted. Dan Budnik 1933-2020 As a photojournalist, Dan Budnik is known for his photographs of artists, but also for his photo-documentation of the Civil Rights Movement and of Native Americans. Born in 1933 in Long Island, New York, Budnik studied with Charles Alston at the Art Students League of New York (1951-53) and began his photography career as Philippe Halsman’s assistant. Working at Magnum Photos (1957-64) in 1963, Budnik persuaded Life Magazine to have him create a long-term photo essay showing the seriousness of the Civil Rights Movement, documenting the Selma to Montgomery march and other historical Civil Rights moments. Budnik went on to photograph for premier publications such as Life, Fortune, Look, Newsweek, Sports Illustrated and Vogue. He has been a major contributor to eight Time-Life Wilderness and Great Cities series and received a 1973 grant from the National Endowment for the Arts for his work on the Hudson River Ecology Project and a 1980 grant from the Polaroid Foundation for Big Mountain: Hopi-Navajo Forced Relocation. Biography Pastaza, Ecuador, December 2004 Photo by Kresta King Cuther Pastaza, Ecuador, December 2004 Photo by Kresta King Cuther Dan Budnik, (b. 1933-died 2020), whose career as a photographer has spanned more than half a century, was most recent recipient, in 1998, of the prestigious American Society of Media Photographers Honor Roll Award, an accolade previously accorded to such eminent photographers as Man Ray, Edward Steichen, Walker Evans, Dorothea Lange, André Kertész, Ernst Hass...

Attributed to Hans Namuth Robert Rauschenberg Gemini Editions advertisement Photograph on paper 14 x 11 Provenance Estate of Carolyn Brown, New York 2025. Born in Essen, Germany, ...

Saul Leiter 3 Carolyn Brown and Remy Charlip Photography 14 x 11 inches Provenance Estate of Carolyn Brown, New York 2025. Saul Leiter (1923-2013) was born in Pittsburgh to a father who was a well-respected Talmudic scholar. His passion for the arts ignited during his late teenage years, and despite being urged to follow in his father's footsteps to become a Rabbi, he chose to forgo theological studies, moving to New York at the age of 23 to delve into painting. In the city, he formed a friendship with Abstract Expressionist painter Richard Pousette-Dart, who was exploring photography. This connection, along with a subsequent friendship with W. Eugene Smith, deepened his fascination with photography. Leiter's initial black and white images reveal a remarkable talent for the art form. By the 1950s, he also began to explore color, producing a substantial and noteworthy collection during the early stages of this medium. His uniquely muted color palette often imparts a painterly essence that distinguishes his work from that of others in his era. Leiter's inaugural showcase of color photography took place in the 1950s at the Artist's Club, a gathering spot for many Abstract Expressionists of that period. Edward Steichen included twenty-three of his black and white works in the influential 1953 exhibition "Always the Young Stranger" at the Museum of Modern Art and also showcased twenty of Leiter's color photographs during the 1957 MoMA event "Experimental Photography in Color. " In the late 1950s, art director Henry Wolf featured Leiter's color fashion photography...

This striking vintage black and white Southwestern still life photograph was captured in 1980 by acclaimed American photographer Myron Wood (1921–1999). Rich in cultural and historic...

Atmospheric 20th-century black and white photograph by American photographer Harold E. Malde (1923–2007), featuring an abandoned Victorian-style house shrouded in wild, overgrown veg...

Susan Hacker -Israel Museum, Sculpture Garden, Jerusalem, Israel, 1979 Silver Gelatin black/white photograph, printed in 1983, hand signed, titled (Jeru...

Richard Lebowitz, b. 1937, American, (RISD Faculty 1964-1995, Photography; Professor Emeritus) Tom Young, b. 1951, American, (RISD MFA 1977, Photography) TIT...

Capucine, 1957 Fiber print 40x30 inches Estate stamped and numbered edition of 150 1957: French actress Capucine, (Germaine Lefebvre) (1933 - 1990) fanning herself at a New Years Ev...

People walking alongside puddle at Woodstock in Bethel NY - 1969 Photographer is Fred McDarrah Over a 50-year span, McDarrah documented the rise of the Beat Generation, the city’s postmodern art movement, it's off-off-Broadway actors, troubadours, politicians, Woodstock, agitators and social protests. Fred captured Jack Kerouac frolicking with women at a New Year’s bash in 1958, Andy Warhol adjusting a movie-camera lens in his silver-covered factory, and Bob Dylan offering a salute of recognition outside Sheridan Square near the Voice’s old office. Not just a social chronicler, McDarrah was a great photo-journalist. For years, McDarrah was the Voice's only photographer and, for decades, he ran the Voice’s photo department, where he helped train dozens of young photographers, including James Hamilton, Sylvia Plachy, Robin Holland...