Vicki McKenna

"Balloon Milkweed/Memories", Contemporary, Botanical, Black and White Photograph

2025

Vicki McKenna’s “Lamb’s Ears/Comfort” is a 8 x 10 inch (image size), 14 x 16 inch (matted), handcrafted, platinum/palladium photographic print. The contemporary black and white botan...

Hogan Seidel’s "Glimpses of Their Garden #23" is an abstract botanical photograph printed as an 11 x 17 inch silver gelatin image on 13 x 19 inch paper. This signed limited edition o...

"Lace Designs" by Vicki McKenna is a black and white photographic print. As part of her Resilience series the image evocates the spirit of early 20th century industry...

Rebecca Skinner’s “Tattered” is a 24 x 16 inch photograph and is part of her “Transient” series. The black and white frameless metal print has a satin finish and is infused directly ...

This black-and-white photograph was made using an analogue large-format camera, allowing for precise tonal separation and fine surface detail. A slow, fine-grain film was used to ret...

Clover Flower, black and white, still life photograph, signed, numbered James Pitts, based in Santa Fe New Mexico, delicate still lifes are crafted as exquisite hand-coated platinu...

Minimalist landscape photograph of black and white waterlilies "Summer Lilies", photographed by Betsy Weis in 2006 archival inkjet print on watercolor paper 20 x 30 inches, 27 x 37 inches in white frame with white mat & anti-reflective non-glare glass Wire backing for easy installation, ready to hang as is Photographed at the Brooklyn Botanic Garden, this black and white archival pigment print by Betsy Weis captures a cluster of water lilies afloat on a glassy, onyx-like body of water. Looming clouds are reflected in the pond's serene surface. Crisp, moody, and rich in texture, the photograph can stand on its own as a quiet glimpse at nature, or can be juxtaposed with others in the series to form a more complete vision. This photograph is available unframed, $1700. The image measures 20 x 30 inches, and the paper measures 24 x 26 inches. Artist statement: Nature provides the perfect model of beauty, according to Plato and Socrates. In the classical period, something was considered beautiful because it existed in nature; art was secondary. In the 18th Century, the German philosopher Johann Joachim Winckelmann argued against the idea that art imitates life, believing that qualities superior to nature are found in art, specifically, ideal beauty, and “brain-born images”. Neoclassical thought represented that art need not serve any end other than its own existence. For me, beauty is an ideal, nature is real, and art comes from the brain. I take pictures in nature, finding shifting, disparate, and beautiful landscapes. I develop my pictures of trees...

'Agrostemma Crescent' 2024 Photographed using large format 4x5 film camera. From limited edition of 5. The photograph is signed front bottom right corner and comes with a certific...