Andrew Moore

Andrew Moore - Telephone Booths, Photography 1986, Printed After

Archival Pigment Print Early montage All available sizes & editions for each size of this photograph: 30" x 40” - Edition of 5 + 2 Artist Proofs 40" X 50"- Edition of 5 + 2 Artist ...

Archival Pigment Print Montage of church and factory All available sizes & editions for each size of this photograph: 30" x 40” - Edition of 5 + 2 Artist Proofs 40" X 50"- Edition ...

Archival Pigment Print Former Masonic Lodge, Mobile AL All available sizes & editions for each size of this photograph: 30" x 40” - Edition of 5 + 2 Artist Proofs 40" X 50"- Editio...

Archival Pigment Print one of best early montages; Florence Italy All available sizes & editions for each size of this photograph: 30" x 40” - Edition of 5 + 2 Artist Proofs 40" X ...

London #29 (2017) Size: 28 x 43 inches / Edition of 6 Size: 47 x 71 inches / Edition of 3 Size: 63 x 94 inches / Edition of 1 London #29 is from the Artist's "Movement City" colle...

Mindscreen 10 - 1999 58x56cm, Edition of 10. Analog C-Print, hand-printed by the artist, based on the Polaroid. Signature label and Certificate. artist Inventory No. 244.04. Not m...

London #8 (2012) Size: 43 x 28 inches / Edition of 6 Size: 70 x 47 inches / Edition of 3 Size: 95 x 68 inches / Edition of 1 London #8 is from the Artist's "Movement City" collection. Movement is a series which combines a strong aesthetic point of view with meticulous attention to technical detail. As the title indicates, the series is concerned with giving shape to temporal and spatial aspects inherent in all visual experience. "At first glance, these multi-point visual puzzles appear out of focus or shaken , but in fact they consist of many different and very sharp photographs of the same motif. They are carefully combined through multiple exposures, resulting in a dynamic illusion of being on-the-go. My fascination with multiple exposures began in the 1980's. In my work with analogue photography, multiple exposures would occur accidentally from time to time. Quite often, I found the visual results of these accidents to be both aesthetically fascinating and enigmatic. It is this fascination that continues to inform my work in Movement". - Jacob Gils...

This is a color photograph of an entrance to a motel with colorful chairs in front by Alec Soth. The Seneca, 2004 Signed, titled, dated, and numbered on mount, verso Chromogenic p...